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Eccentric, Unusual, Dramatic and Often Hysterical – Award-Winning Author Vera Jane Cook’s The Story of Sassy Sweetwater… Sample For Free Now!

The Story of Sassy Sweetwater

by Vera Jane Cook

The Story of Sassy Sweetwater
4.5 stars – 17 Reviews
Text-to-Speech and Lending: Enabled

Here’s the set-up from “Readers Favorite Review”:

In “The Story of Sassy Sweetwater”, Vera Jane Cook presents a powerful family saga that follows the passion, pain and quest for happiness of a brilliant young woman over a 50-year lifespan. The daughter of an unwed, teenage mother, Sassy’s life began in secrecy near a stream called Sweetwater in rural South Carolina. We catch up with thirteen-year-old Sassy when Vi, her beautiful yet sad and haunted mother, moves back to her South Carolina home at Carter’s Crossing. Grandma Edna, the matriarch of the McLaughlin family, admires her granddaughter’s high-spirited ways. Grandma Edna takes Sassy under her wing while Vi sorts out the trouble she left behind at the time of Sassy’s birth. Wise beyond her years, young Sassy is what Southerners call an old soul. She reacts with hard-nosed frankness when confronted with the crime, lies and deception that goes on in the wealthy, ruthless and eclectic McLaughlin family. Confronted by violence, lies and indifference from the people she trusts most, Sassy learns at a young age that “happiness is fickle as a whim”. Young Sassy’s heartbreak and sorrow leads to a series of events that paint the picture of an unforgettable life filled with tragedy.

Narrated in first person, “The Story of Sassy Sweetwater” by Vera Jane Cook is a magnificent depiction of life in the rural South during the mid-20th century. The on point Southern characterization played out in this powerful family drama had me hooked from the very first page. As in all great family sagas, this story has its victims, villains and heroes. “The Story of Sassy Sweetwater” is clearly the best book I’ve read this year, engaging and well written.

What Amazon Readers are Saying:

“a beautiful piece of southern fiction”

“a beautiful and touching story”

“a real page turner”

And here, for your reading pleasure, is a free, short excerpt:

Mama said I was born by a stream named Sweetwater. She called me Sassy

the moment she realized I was a girl. Mama said girls should be sassy,

gives them sex appeal. So I was named Sassy, after an attitude, and Sweetwater,

after a stream. The year was 1949, and the place was a dirty, back-road shack in

a dusty, little town in South Carolina. Mama never could remember the name

of the town, but she told me that it might have been Cottageville or maybe

even Ridgeville. Didn’t matter much what it was called, though. I never saw it

again, and as far as I knew, Mama didn’t either.

 

Some people think a gray, tumultuous sky is an omen of discontent, especially

if one’s entry into this world is shadowed by blustery clouds and thunder’s

emphatic roar. But my mama said that heaven welcomed my birth with great

horns blowing and mighty cymbals clashing and omens sent by mighty seers

bring the blessings of miracles, not the doom of devils.

 

“Gave you its gray,” she said. “Passed it right on to you.”

 

I always knew she meant my eyes, gray as the weather on the day I was

born, and sometimes showing up hazel when the sun confronts the gloom and

demands I show some color.

 

“Gave you its temperament, too, and its mystery, girl. Women need a little

mystery. That’s what turns a man’s head. Beauty has nothing to do with anything

more than that.”

 

It always sounded like the great god Poseidon was my father the way my

mama tells it. Where else could I have come from? No man had ever come forth

and claimed me as his own. Not that I didn’t wonder who my father was, but

when I asked I always got the same reply.

 

“You came from the sky, Sassy Sweetwater; clear as the stream I bathed you

in, fierce as the wind that blew away the storm, the one that welcomed you here

with great aplomb, and tender as the aftermath of nature’s roar.”

 

In other words, I was born an ambiguous bastard by a stream in South

Carolina, and my seventeen-year-old mama was not about to tell me whose

handsome smile had won her over. He was obviously too young or too old

to pay for his mistake. I would find out one day, of course. When you ask as

many questions as I did, the answers come at you, eventually. My birth was a

riddle and I wanted my mama to connect me to some kind of heritage I could

claim as my own, but she only gave me new conundrums to chase down. It

should have been enough; there’s nothing wrong with chasing around after

answers you don’t have, it’s how hard you’re hit with them when they fly back

and knock you down.

 

Mama had traveled at least twenty miles east in Elvira’s old Chevy to give

birth to me, screaming the whole way, or so I’ve been told. Elvira was Mama’s

nineteen-year-old sister and I guess they’d planned the great cover-up, and

the great escape, together. Out of a family of five girls, Elvira was the sanest,

according to Mama.

 

Of course, I never knew how they covered up Mama’s pregnancy, but Mama

said her family only had eyes for what they wanted to see and ears for nothing

more than what they wanted to hear. In those days, abortions weren’t anything

you could go to the doctor for and I’m sure, with Mama’s Catholic background,

she would never have entertained that option, even if she could have.

 

I can’t imagine what she went through when she found out there was a baby

in her belly before she even finished high school. And I sure don’t know what

she would have done without her sister helping her through it. Elvira promised

Mama she’d read every book on birthing babies she could get her hands on and

she assured Mama that she had nothing to fear. Well, Elvira must have been

pretty well versed in birthing ’cause there wasn’t a damn thing wrong with me

that my mama’s milk wouldn’t cure. There wasn’t a damn thing wrong with

Mama, either, except all the things you couldn’t see on the outside, all the hurt

she must have been feeling; and I don’t mean just about having me bursting

open her uterus, but the hurts inside her heart that she never spoke about. But

if you knew my mama, you’d know the hurts were there. Mama had the saddest

eyes, like a wounded dog on the side of the road that you really want so

badly to help, but you can’t offer your services without the risk of being bitten.

 

Elvira went back home a few days after I was born. Mama and me didn’t go

home for another thirteen years. Home for Elvira was fifteen miles outside of

Charleston, while where me and Mama went was hundreds of miles southwest.

 

I don’t know how we got there. Mama said we hitched all the way to Louisiana.

She said wasn’t a person on the road that wouldn’t stop for a woman with a

baby in her arms. I never knew why she’d decided to settle in Louisiana until I

found out from Elvira, years later, that Mama had gotten an offer to wait tables

in Baton Rouge from some man who’d passed through Carter’s Crossing and

had taken a fancy to her. I always wondered if he was my father, but my Aunt

Elvira said I’d be more likely kin to King Kong.

 

Can’t ever figure out why Mama left Baton Rouge and wound up settling

in a place as remote as Glenmora. We didn’t stay in Baton Rouge ’cause Mama’s

boyfriend turned out to be a shithead and it wasn’t long before some other guy

caught her eye just long enough to talk her into following him to Glenmora,

where he was assistant principal at the local high school. Of course, I don’t

remember much about those years, but I can recall an apartment in the back of

a small rooming house where we lived. I can just about capture the features of

the woman who took care of me while Mama was working. Connie was her

name and I guess she owned the place. Her bosom was large, always showing

white freckled skin where the crease was. The memory is good when I think

back on Connie, like the talcum powder she put in my underwear and the funny

little children’s books she read me, taking on a different voice for each character

and scaring me half to death when she spoke like the big bad wolf and kind of

lurched forward like she was going to swallow me whole.

 

Connie was old in the ways that make being old a good thing, with a round,

kind face and a voice as soft as silk lining. She made me hot cocoa before I went

to sleep every night and tossed a little marshmallow right up on top that melted

so nice in the back of my mouth. She picked me up after school every day too,

’cause Mama worked long hours at the Lobster Pot. Connie drove me over to

the Lobster Pot for my dinner and Mama would try, as best she could, to help

me figure out decimals and multiply fractions in between taking orders. I’d sit

at the counter eating crawfish, not really giving a damn what one third times

one eighth of anything could ever equal, and doubting if I ever would give a

rat’s ass about anything I’d ever have to add, subtract, or multiply.

 

Mama and the assistant principal wound up breaking up shortly after we

settled in Glenmora and not long after, Mama starting dating Guy Grissom,

her boss at the Lobster Pot. Mama made me call him Uncle Guy for years, but

I never liked him. He smelled feminine, like the cologne Mama wore, and he

was always breathing heavy, like he was about to pass out. You might think

he should have been real heavyset ’cause he was so short of breath all the time,

but he wasn’t at all heavyset. He was tall, though, and big, like those football

players with the phony shoulders. But Uncle Guy’s shoulders were naturally

broad and then he narrowed so much at his waist, he could have worn Mama’s

belts. I always thought he looked funny, sort of like a cartoon character, ’cause

his face was square, but Mama thought he was so handsome he could have been

up there on the big screen kissing blondes.

 

When Uncle Guy Grissom was around Mama didn’t act the same. She

giggled too much and pretty much said yes to anything I asked her. I knew

she barely heard what I’d said ’cause he was there, making himself at home in

Mama’s bed. I was pretty much ignored, except of course, when Mama remembered

that I was her precious little baby girl; then, all of a sudden, I became

this fascinating child with the cutest dimples Guy Grissom had seen this side

of Lafayette. “Wish I could adopt this child and make her my own,” he’d say.

Of course I knew, even back then, that he was bullshitting me as much as he

was bullshitting Mama. Said he was going to make Mama part owner of the

Lobster Pot and divorce his wife soon as his youngest child was out of diapers,

but of course that never happened.

 

Guy Grissom paid Connie to take care of me ’cause I saw him give her a

white envelope every Friday. She’d hide all the bills in her top dresser drawer,

all but a dollar that she’d stick inside her brassiere, right down the middle where

the crease was. She’d take me to the park in good weather and buy us ice cream

with that dollar or sometimes she’d keep me down at her apartment listening

to The Jack Benny Show or sometimes we’d watch Dragnet ’cause Connie liked

crime a whole lot. I’d come home late evening only to find Uncle Guy in his

underwear eating Mama’s fried catfish, which might have smelled inviting were

it not for his sweet cologne stinking up our room.

 

Uncle Guy got sick when I was about ten years old and he died three years

later. We didn’t really see much of him after he was diagnosed with something

Mama couldn’t pronounce. Mama had to stop working at the Lobster Pot, of

course, and it was eventually sold. Mama couldn’t pay her bills anymore, so

I guess Uncle Guy had been paying most of them. Guess he didn’t leave her

anything in his will, though, ’cause if he did, I doubt we’d ever have seen the

dusty back road of Carter’s Crossing or been desperate enough to claim the

McLaughlins as blood relatives.

 

Right after Uncle Guy died, his wife barged into our apartment and called

Mama wanton and loose, not one half hour after they put Uncle Guy in the

ground. Mama cried and ordered her out, but the next thing I knew we were

packing our bags and I was sitting on a bus and then I was sitting on a train

and then there I was on another damn bus and Mama and I were getting off

somewhere in the middle of nowhere with two suitcases and soon-to-be-sore

feet after walking the two miles from the bus stop to Carter’s Crossing where

Mama told me we had family.

 

Nothing about a bus is fun. Trains somehow have a romance to them that

buses just can’t claim. I always felt like I could be going anywhere on earth sitting

on a train, all the way across the world, listening to the whistle and catching

speedy glimpses of old towns I’d never step foot in. But buses are too close to

home. The towns all have a sameness to them and the roads are all too long,

the destination too far. You can’t be anywhere on a bus but where you started

from and I don’t care how many miles away you think you’ve gone. I’d grow

up hating buses. Maybe ’cause they’d always remind me of our trip back home

to South Carolina and that pathetic-looking, barren bus stop in the middle

of nowhere. I’ll never forget stepping off that bus wondering how far was far

when nothing stares back at you but road signs that signal you’re hundreds of

miles from anywhere you’ve ever heard of.

 

Mama turned heads, sad eyes or not. She was tall and her hair was nearly

black, but her eyes were the prettiest shade of blue I’d ever seen. It made me

giggle to see how many men thought the same. I used to watch them eyeing her.

Then I’d bat my eyes like Mama did, but they didn’t pay me any mind — just a

smile or an acknowledgement and sometimes they’d pat my head. But it was

Mama they were after and I knew it, even then. I was the convenient excuse

to get to her. I saw more buttons disappear into white handkerchiefs and had

my cheeks pinched by one too many hairy fingers and all the time they were

showing me magic tricks and pretending to be so fond of children, they were

ogling my mama. It made her smile, the way I’d copy her every move, bat my

eyes and shake my crossed leg while these lovesick men vied for her attention

and downright ignored my girlish flirtations. I always knew Mama wanted to

laugh out loud, but she stopped herself.

 

“Time enough to turn men’s heads,” she’d say, holding me to her.

 

I guess she didn’t realize I wasn’t at all interested in turning men’s heads. I

just wanted to be like her and to look like her and act like her. Hell, there wasn’t

a little girl in the world that wouldn’t have wanted the same. But I wasn’t tall

and blue-eyed and wispy-looking like Mama. I was skinny and Mama called

me strawberry head, ’cause my hair was flaming red, like the hot part of the

fire, something I never liked hearing ’cause strawberries gave me hives and fire

made my eyes tear. I didn’t have Mama’s clear white skin either. I was a constant

blush with pimples about as busy on my face as grass growing on the ground

under my feet. Mama smeared me with this stuff called PhisoHex at night, but

for every pimple down, three more had burst forth the next morning.

 

So be it. Mama said I was going to grow into my good looks; I held fast

to that. Mama said when your eye lashes are light and thick like mine, shading

my “overcast” color eyes, as Mama called them, then men were bound to fall at

my feet. Mama said all men are fools for women, but for drop-dead gorgeous

redheads, men are lame-brained idiots. Mama told me not to count all the

wounded and brokenhearted men I was going to leave in my wake, but to just

be prepared to have that effect on them.

 

Uncle Guy’s death changed things for us, that was for sure. For one, Mama

insisted we had to go back home and make amends. I never could figure out

what we were amending. For another, returning to South Carolina after Uncle

Guy died, and walking up that road with my mama’s hand in mine, was the

closet we were going to be for a long time. I always blamed the distances that

came upon us due to circumstance or choice, didn’t matter, distance was the

last thing I wanted from Mama. But we were coming back to too many bad

memories, wanting to be enfolded by a family whose arms were too short to

reach us. Walking up the road that day and heading toward Carter’s Crossing,

I knew that everything was changing. I could feel Mama’s thoughts and the

heaviness in her heart. She was passing it all onto me, the way she had given

me the sky’s likeness. And I took it in like a great tide cleansing me and filling

up my soul with my mama’s heart. I would cause the weariness she wore and

I felt its weight. I carried everything that was inside of her inside of me and I

always would. Everything that had hurt her, and everything that hadn’t, would

always be a part of my every breath. In my mama, I would find my anchor, but

as I held fast to the safety, so, too, I feared the drowning.

 

“Come along now, Sassy,” she said.

 

I had stopped just in front of the huge white farmhouse, staring at the

unfamiliarity. Taking in the strangers that were getting up off their seats to

stare back at us. Way in the distance, they stood up on a porch that should

have looked inviting, but didn’t. The house sat at the top of a hill and everything

around it was green and rolled out toward blue skies. I’d never seen so

many beautiful trees stretching lazily and affectionately across the sky, like cats

stretching out in the sun.

 

There was a sign on the white gate that read Carter’s Crossing. I realized

then that as far as my eyes could see everything all around me seemed to be

Carter’s Crossing and everything around me began and ended here at this house;

Mama’s house. I wondered why suddenly finding out my mama was rich didn’t

seem the least bit comforting.

 

“C’mon now, honey, give me your hand,” Mama said.

 

She was reaching out for me, standing in the daylight in her blue dress

and her flat shoes with a wide-brimmed straw hat on her head, looking like

someone important. That was the thing about Mama, she always looked like

she was more important than anyone else, until she opened her mouth, then

she sounded not much older than me.

 

The dress seemed to hug her from all sides, showing off her figure. And her

dark hair was long, like soft cashmere wings flowing down her back.

 

“I don’t want to live in that house,” I said.

 

“C’mon now, Sassy. They’ve spotted us.”

 

I did not move, but the others did. The “others” being the strangers Mama

said I was kin to. I think I had an early premonition, ’cause my stomach fell to

my knees right then and there.

 

“We’re better off here than we are anywhere else,” I heard Mama say.

 

But I didn’t entirely believe her. I wanted to run in the opposite direction.

But these people were walking down to where we were standing and you might

say I was hypnotized by them. They seemed real tentative, like they just might

change their minds and run back and drop the shades and slam the door on us.

I didn’t know who looked more like stray dogs: them or me and Mama.

 

One person had remained on the porch and didn’t follow the others to the

road; she held her hands up over her eyes squinting through the sun. I knew

she was old, even then. The old were problematic. “Old opinions can kill you,”

Mama used to say.

 

All too soon, there was a man wearing suspenders standing in front of me,

thinner than any man should be. His hair was dark, like Mama’s, and his eyes

so blue they startled me. Mama called him Seth.

 

“Violet?” he said, fighting with his sight through the sunlight. “Why, I’ll

be. That really you, Vi?”

 

Mama nodded and the man stood still, his hands in his pockets, staring at

Mama, but not holding out his arms, even to me as I walked near and looked up.

 

“Why, who are you?” he said. “You have a child, Vi?”

 

“Sassy, this is your Uncle Seth.”

 

I had not stopped staring at him. He was lanky, like some old tree limb

hanging by a prayer. His hands were long like his hair. When he smiled, I liked

him better.

 

“You meet up somewhere with Aaron?” he asked. “Look at that hair, just

like Aaron’s.”

 

“Richard Sweetwater is Sassy’s father. We lost him just a few months ago.”

 

Mama sounded like she was reprimanding him for insinuating that my father was

someone named Aaron, someone other than this phantom Richard Sweetwater.

I gave Mama an odd look, and she gave me one right back. The only father

I’d ever known was the gray sky and the Sweetwater stream, but I sensed I

shouldn’t go around mentioning that, so I didn’t. Far as I was concerned, everything

Mama said made about as much sense as everything she didn’t say.

 

“We’re Irish, Seth, must be loads of redheads in our family. Sassy looks like

Richard, yes, she truly does.”

 

“Okay, Vi, whatever you say.” Seth bent down and held out his hand.

 

“Pleased to meet you, Sassy,” he said.

 

I stared at his cowboy boots. They were yellow and pointed and I wondered

how his toes could sit right in them. His jeans hung low on his hip, and

he smelled pleasing, like manure.

 

“Sassy, don’t be impolite, say hello to Uncle Seth.” Mama put her hands

on her hips.

 

I didn’t get it. She hadn’t warned me about this. She hadn’t said a damn

thing to me about these so-called kinfolk. She obviously hadn’t warned Seth

either ’cause we were both looking at each other like some unknown species,

but I knew when Mama put her hands on her hips it preceded something she

was about to say that was either very bad or very good.

 

“Go on now, Sassy.” Mama pushed me so far forward I nearly knocked Seth

off his feet. I had no choice but to acknowledge him.

 

“Hello,” I said to the ground.

 

“You look good,” I heard him say to Mama.

 

Then all of a sudden, someone was running up to us. She was yelling out

Mama’s name and holding out her arms. They started hugging and it looked to

me like they were dancing ’cause they didn’t stop holding hands and spinning

around like tops.

 

“Elvira, oh I’ve missed you, honey.”

 

“I thought that was you. Oh my God, Vi, why didn’t you tell us you were

coming home?” she asked. “Why, I would have sent Pike or Dudley down

with the car to get you.”

 

Mama didn’t say a word; once she stopped spinning around with Elvira, she

stood there glancing back at the house. She was still holding Elvira’s hand, but I

knew she was looking at that old woman who wasn’t doing much of anything

’cept rocking back and forth.

 

“You are just as beautiful as ever,” Elvira said. “Oh, honey, I knew you’d

be back, I prayed for it.”

 

I didn’t know Elvira then, but she knew me. When she finally broke herself

away from Mama she pulled me to her breast like I’d just escaped being hit by

a freight train.

“Sassy,” she said through her tears.

 

I glanced over at my mama, who gave me a look that I interpreted as “make

me proud and don’t act like a snit,” but I was speechless. Mama had told me

so little about where we were going and who I was and just how exactly I was

related to these people.

 

“You are such a little doll,” Elvira said. “I’m your mama’s sister, Elvira,

your Aunt El.”

 

She didn’t look like Mama at all. She looked like a boy, all skinny and flatchested,

and her hair was cut short, but it was long enough to blow back off

her forehead in the soft Carolina breeze. If she’d actually been a boy, she would

have been real handsome.

 

“Are you going to say hello to your Aunt Elvira?” Mama insisted.

 

I continued to stare at Seth and Elvira without saying a word. My eyes must

have been round as half-dollars. I wished Mama had clued me in and given me

some background on these people.

 

“Hello,” I managed to say quietly.

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