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When asking an author if her ebook has also been published as a "real" book will be like asking a musician if her album has been released in vinyl

I recently noticed an interesting Tweet that gets right to the heart of so many issues that authors are thinking about when we try to make decisions about publishing for the Kindle and other new technologies:

kaytee4ever: my gf thinks Kindle isn’t “realpublishing. Help! Know anyone who got a print deal after starting on Kindle?Any good arguments to tell her?

The Kindle is at the forefront of technological change that opens all kinds of new doors for authors, publishers, and anyone who likes to make reading an interactive experience. As with every medium, channel, or form of communication or commerce, there will be dreck (as there is plenty of dreck available from mainstream publishers).

But yes.

First, there have been people who got print deals after starting on Kindle, and here’s one of the most thoughtful and interesting analyses of the most recent big deal: A Kindle Success Story: How to Promote a Kindle Ebook

Second, you may not see it coming yet, but we are approaching a time when a confluence of sea changes in reading habits, consumer practices, and technology will mean that asking a Kindle book author if her book has also been published as a “real” book will be like asking a musician if her album has been released in vinyl. Serious authors from Joe Konrath to, well, me are already making a decent living from the Kindle editions of our books.

Third, all of this will work best when it works as it often works with indie music and indie movies, with readers lighting the way for other readers so that the feedback becomes the filter.

Fourth, just to take it back to the totally understandable vanity issues that are implicit in the original tweet, I hope you will enjoy the bit of dialogue included in my post The Romance of Submission, a chapter excerpted from my book Beyond the Literary-Industrial Complex.

Update: In case you were wondering if the Boyd Morrison book described in the above-referenced post really existed, here’s proof:

Between Morrison, Amazon, and his new publisher, they have endeavored to wipe out all traces of the Kindle edition, but entering the ASIN from Amazon’s main page still gets you this search result that links to a 404-page ghost.

Following a Successful Author’s Experience with New Publishing Technologies

Sunday afternoon

He calls it “A Newbie’s Guide to Publishing“, but don’t think for a moment that Joe Konrath hasn’t been to Night School. As I have already discussed in the Kindle Nation newsletter, Joe is my eye idea of an author who is working hard at connecting with his base of readers. As a direct consequence, that base is expanding by leaps and bounds.

Most recently, due in part to some nice symbiosis between Joe and Kindle Nation, “his” novel Serial has soared to the #1 bestseller position, among 290,000 Kindle books, in the Kindle Store. (Why the quotation marks around the word “his”? Because Joe’s the human behind the Jack Kilborn pen name.)

Joe is also the successful author of the Jack Daniels suspense-with-an-edge series, hold the garnish and the little umbrella, that began with the 2004 publication of Whiskey Sour.

If you are an author or independent publisher who wants to learn how to work the new technologies to find your readers, here are two suggestions:

A must-read piece on independent publishing

About ten years ago Michael Pastore wrote this thoughtful, detailed piece which was published widely around the country under the title, Publish Your Book Yourself: Some Simple and Sensible Advice. He has published it again over at ePublishers Weekly and, although there are some obvious things that have changed, it remains well worth reading.

As for the changes, they are in many ways for the better. But the most dramatic of these is that it is no longer necessary to lay out $3,000 to $5,000 up front for short-run offset printing. The speed and pricing offered independent publishers by a quality POD printer such as Amazon’s CreateSpace now make it possible for indie publishers — even those who anticipate sales of over 5,000 copies — to handle all their printing needs without ever laying out more than a few dollars in advance. This, of course, changes everything, and allows for indie authors and publishers to make smart plans that accomodate both print and electronic publishing.

Michael Pastore is author and publisher of 50 Benefits of Ebooks, available in ePub format for just a dollar.