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The New Yorker Magazine reads the new memoir from James Patterson, “a man so relentlessly bullish on storytelling seems never to have formulated the story of his own life.”

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From the New Yorker: James Patterson‘s new autobiography adds another title to his enormous stack, but does it deepen the plot?

“Man, do I have stories to tell,” James Patterson writes in his new autobiography, “James Patterson” (Little, Brown). The best-selling author does serve up stories, lots of them; the book is a grab bag of anecdotes, many of which have the tone and the import of a humorous icebreaker in a Rotary Club speech. There was the time that Patterson and a fellow altar boy—Patterson grew up in a devoutly Catholic family—almost got caught with a stash of unconsecrated Communion hosts that his friend had squirrelled away for post-Mass snacking. Or the time that, as a junior in college, he went to a Broadway production of “Rosencrantz and Guildenstern Are Dead,” and the woman seated next to him began stroking his leg, distracting him from the performance. Or the time he and a buddy were caddying for a surly golf pro at a country club in Patterson’s home town of Newburgh, New York, and the buddy stole one of the pro’s balls—while it was in play.

Because Patterson has been selling more books than any other living author for many years now, these tidbits often involve famous actors, politicians, and recording artists. Patterson has almost as many names to drop as he does stories to tell, although the celebrity encounters tend to be less amusing than his boyhood escapades. Serena Williams makes a brief appearance on a plane, whispering to Patterson of the other passengers, “They want my autograph, but I want yours.” Patterson once had a meeting with Tom Cruise, who was “smart and a total pleasure to talk to,” and also “not that short,” although nothing much came of the potential collaboration they discussed. (He relates a similarly anticlimactic meeting with Warren Beatty.) Hugh Jackman and Charlize Theron, Patterson tells us, “both look amazing in real life. Also, they don’t seem full of themselves.”

Read full post on The New Yorker

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