Why should I provide my email address?

Start saving money today with our FREE daily newsletter packed with the best FREE and bargain Kindle book deals. We will never share your email address!
Sign Up Now!

What Makes BookGorilla The Best Bargain eBook Alert Ever? No More Missing Big Sales on NYT Bestsellers & Timeless Classics; Prices Ranging From Free to $2 or $3 – Grab The Book You’ve Been Waiting to Go on Sale Now From BookGorilla

BookGorilla-logo-small(1)

The Skinny: What Makes BookGorilla the Best Bargain eBook Alert Ever?

Imagine a single daily email, tailored to your reading preferences, featuring the best deals on the best Kindle books, either completely free or at deeply discounted bargain prices.

With the kind of clear, well-presented information that you need to make a decision.

Sweet.

And you don’t have to imagine any more. You can go to BookGorilla.com right now, sign up and confirm for free, and you’ll receive your first BookGorilla email tomorrow morning.

And let’s be clear. We’re as tired as you are of emails stuffed with books we’ve never heard of. We’re talking about bestsellers by authors you know and love, with a few indie books by emerging authors of real distinction sprinkled in.

Are we kidding? Do we really mean that you can get real bestsellers for prices ranging from free to $2 or $3 with BookGorilla?

Well, the proof is in the pudding. Here are just some of the authors we have featured already in our first few weeks of existence

  • Some of the greats of contemporary fiction including Jodi Picoult, John Irving, Alice Sebold, Jhumpa Lahiri, Alice Walker, Neil Gaiman, Anita Shreve, Barbara Kingsolver and Kate Atkinson.

  • Bestselling suspense authors including Janet Evanovich, Elisabeth Naughton, Dennis Lehane, David Baldacci, Lee Child, Kathy Reichs, Robert Crais, Jayne Ann Krentz, James Rollins, Faye Kellerman, James Lee Burke, Marcia Clark, PD James, Jeffery Deaver, Carl Hiaasen, Lisa Jackson, Lisa Scottoline, Noel Hynd and Colleen Hoover.

  • Top-shelf horror writers including Robert Crais, Stephen King, John Saul, and J.A. Konrath.

  • Bestselling motivational authors from Anthony Robbins to Thich Nhat Hanh.

  • Religious novelists from Terri Blackstock to Samantha Jillian Bayarr.

  • Bestselling romance novelists including Kathleen Brooks, Susan Mallery, Johanna Lindsey, and Julie Garwood.

  • Compelling entertainment memoirs by Sidney Poitier, Cybill Shepherd, and Greg Allman.

  • Must-read nonfiction books by Garry Wills, Dan Ariely, and Ann Rule.

  • Enduring classics by late greats from F. Scott Fitzgerald to Kurt Vonnegut Jr., from Charles Bukowski to Philip K. Dick, from Shakespeare to Arthur Conan Doyle and L. Frank Baum.

  • Stars of sci fi, historical and other genres including Anne McCaffrey, Helen Bryan, Susan Vreeland.

BKG-ICONOf course there are a lot of different genres and categories listed there, so how do we determine which books you get to see?

Easy — we let you decide. When you sign up we invite you to choose your personal reading preferences from the most detailed list of genres and categories anywhere. You also get to decide whether you want to see 12, 25, or 50 books in each email. (Over 86% of our readers choose 25 or 50, because no matter how many you select, you’ll only get one email a day.)

Enough said? How can this be free, you’re wondering? Let us worry about that. All you have to do is go to BookGorilla.com to sign up and confirm.

And tell your friends. Because friends don’t let friends miss out on BookGorilla ebook bargains!

5 Stephen King Kindle Titles for Less Than $4 Each Including a Timely Piece on Guns for Just 99 Cents

Amazon.com today announced that the best-selling and iconic author Stephen King has published a personal essay — “Guns” — available exclusively in the Kindle Store as a Kindle Single. This essay highlights one of the compelling features of Kindle Singles—they allow top authors to publish their works quickly. “Guns” is available now, and exclusively to Kindle customers in the Kindle Singles Store for $0.99

“I think the issue of an America awash in guns is one every citizen has to think about,” said King. “If this helps provoke constructive debate, I’ve done my job. Once I finished writing ‘Guns’ I wanted it published quickly, and Kindle Singles provided an excellent fit.” 

“It’s exciting to offer a way for a brilliant writer like King to publish quickly, and to reach a large audience of loyal readers and new customers,” said David Blum, editor of Kindle Singles. “King finished this essay last Friday morning, and by that night we had accepted it and scheduled for publication today.” 

Like all Kindle books, Kindle Singles are “Buy Once, Read Everywhere”—customers can read them on their Kindle, on the web with Kindle Cloud Reader and on free Kindle reading apps for Android, iPad, iPhone, iPod touch, Blackberry, Windows Phone, Windows 8, PC and Mac. 

Launched in 2011, Kindle Singles are typically between 5,000 and 30,000 words. Too long for a magazine article and too short for a book, Kindle Singles allow ideas to be expressed at their natural length. Writers can learn more about submitting their work for consideration here.

Here at Kindle Nation Daily, we’re glad to see a bestselling author like King showing increasing signs that he and his various publishers (including himself!) that he gets the fact that readers should not have to pay exorbitant prices for Kindle books. Of all his full-length books in English on Kindle, the only title currently priced above $9.99 is the pre-order for Doctor Sleep, his September release revisiting the characters and territory of The Shining.

 And although many of King’s most ardent fans love him as the master of the 1100-page narrative, here are four shorter tomes that come in at prices anywhere from $1.99 to $3.79:

<%title%>

 

by Stephen King, Stewart O’Nan
3.7 stars – 202 Reviews
 
The writing team that delivered the bestselling Faithful, about the 2004 Red Sox championship season, takes readers to the ballpark again, and to a world beyond, in an eBook original….
 
<%title%>
by Stephen King
3.3 stars – 513 Reviews
With the heart of Stand By Me and the genius horror of Christine, Mile 81 is Stephen King unleashing his imagination as he drives past one of those road signs… 
 

 

<%title%>
by Stephen King, Joe Hill
3.7 stars – 307 Reviews

Mile 81 meets “N.” in this eBook collaboration between Stephen King and his son Joe Hill….

 
And last but not least….
 

Ur

By Stephen King
3.7 Stars – 570 Reviews
 
Wesley Smith buys an Amazon Kindle to keep his mind off his recent nasty breakup, but he finds that his version is no ordinary e-reading device….

Will Amazon Continue to Surge Toward Global Domination?

Amazon has scheduled its quarterly earnings announcement after the markets close one week from today, January 29, 2013, with the usual conference call to discuss financial results at 2:00 p.m. PT/5:00 p.m. ET that day. The conference call will be webcast live, and the audio and associated slides will be available for at least three months thereafter at www.amazon.com/ir.

AMZN, AAPL, and BKS price against NASDAX Composite, last 6 months
AMZN, AAPL, and BKS price against NASDAX Composite, last 6 months

It will be interesting to see if the company is able to continue its recent surge in share price, which has been fueled not only by the Kindle revolution but also huge growth in the company’s overall global retail market share, its Amazon Web Services cloud infrastructure, and the disruptive nature of its customer-centric business model and aggressive pricing on the market share of Apple and Barnes & Noble. Not only has Amazon’s share price jumped about 50% over the past year, but it has gained over 20% during the last six months (double the Nasdaq composite index) while both Apple and Barnes & Noble have seen their shares fall by about 10% each during that period.

It scarcely makes sense any more to think of Amazon as the single company that Jeff Bezos started in his garage 17 years ago. First, of course, there’s the global presence:

Equally impressive is the astonishing diversity of the company, whose website currently l

And then there’s Amazon Publishing, which has grown to six pretty serious imprints so far:

  • AmazonEncore. Amazon Publishing’s flagship imprint, AmazonEncore helps unearth exceptional books and emerging authors for more readers to enjoy, using customer feedback and sales information from Amazon’s sites.
  • AmazonCrossingAmazonCrossing introduces readers to authors from around the world with translations of foreign language books, making award-winning and best-selling books accessible to many readers for the first time.
  • Thomas & MercerThomas & Mercer, named for streets that flank Amazon headquarters in Seattle, focuses on mystery and thrillers, an exceptionally popular genre among Amazon customers.
  • Montlake Romance. Amazon.com customers rave about romance. Montlake Romance is designed to connect outstanding romance novels with more readers.  
  • 47North.  47North offers a wide array of new novels and cult favorites, from urban fantasies to space operas, alternate histories to gothic and supernatural horror.  
  • Amazon Children’s PublishingAmazon Children’s Publishing provides quality books for young readers of all ages, from award-winning picture books, chapter books, and middle-grade books to compelling novels for teens.

Wow. Plenty here to sustain a continued surge, or not. But want to know what’s really impressive?

Jeff Bezos says he sleeps very well at night. That’s impressive.

Can’t we all just get along?

We would have thought that blood was thicker than eInk, but perhaps not. Here’s an item that caught our eye on the Kalispell, Montana Flathead Beacon‘s police blotter, via a tweet from Sarah Thomas:

  • 7:39 p.m. A call was made to 911 regarding a 12-year-old girl on Rhodes Draw who slapped her aunt during a heated argument over a Kindle.

Note to self: time to include a “good manners” chapter in the next update of the The Complete User’s Guide to the Amazon Amazon Kindle?

Amazon May Already Have Reached 50% Market Share of the U.S. Fiction Book Market Across All Formats

By Steve Windwalker
Editor, Kindle Nation Daily

Amazon's website 1.0, Aug. 1995
Amazon’s website 1.0, Aug. 1995

It will come as no surprise to long-time readers that, fairly consistently over the past two years, I have been saying something shocking and outrageous. My crazy notion first started cropping up in a Kindle Nation Daily post back on February 3, 2011.

The big story is that in just three years Amazon has positioned itself to triple its overall share of the U.S. book business for all formats. Before the end of 2012, Amazon could own more than half of the U.S. book business across all formats.

How stunning a development would that be? Prior to the launch of the Kindle in 2007, Amazon was widely considered to account, at most, for somewhere around 15 percent of all U.S. book sales in all formats by all retailers.

There were plenty of people who were willing then to tell me I was nuts, or that it didn’t matter anyway because Amazon’s pricing was going to continue to drive the company toward, or right into,  red ink. (Indeed, that red-ink thing happened in Amazon’s last quarterly financial report, and the company says it could lose as much as nearly another half-billion dollars in its own guidance for the 2012 4th quarter on which its will report later this month.) And apparently my critics talked some sense into me, because more recently I have been projecting that Amazon was more likely to reach that 50% market share threshold in late 2013 or 2014.

So, it has probably not happened yet, and let’s give or take a year or so, please. After all, what would be amazing about this kind of development would have nothing to do with it being predicted (by me or anyone else), and nothing to do with it happening in any given specific month. (But since we all like to keep score, if it does happen by early 2014 I’d like to apply futurist Ray Kurzweil’s rule and call this prediction “essentially correct.”)

The amazing thing would be that, in three waves of about half a dozen years each, Amazon would have  completed a total transformation of the U.S. publishing and bookselling business. (Only the third wave, of course, has been strictly about ebooks.) And for better or worse, that transformation is a game-changer in every sector of publishing and bookselling activity including, of course, the activities of authors and readers.

The enthusiasm with which publishing industry pundits seek out data suggesting that “ebook sales growth is slowing down” make it unlikely that we will hear any announcement from within the industry when Amazon reaches that 50% threshold, but one of the smartest and most articulate inside observers of the publishing industry — consultant, author and blogger Mike Shatzkin — shared some data this week from which it is interesting to make some extrapolations, even with the caveat that Shatzkin’s information is anecdotal, based on “an exercise” that he tried earlier this month “of asking a few agents for their impressions of the evolving ebook marketplace.”

I won’t revisit here the various equations that I used in early 2011 to reach the conclusion that Amazon was on its way to reaching a 50% market share in the book business/all formats, other than to say that I relied heavily then on information reported by Publisher’s Weekly, Publisher’s Marketplace, and Amazon, and that actual events since then have served to confirm the conclusion. But let’s look at some of Shatzkin’s data points and where they lead.

He starts by saying that “sales of ebooks for fiction more often than not top 50% of the total sales,” and then says of total book sales that “only about 35% of it is selling as print in stores (because 25-30 percent of the print sale is online).” 

So, to make the process of extrapolation as straightforward as possible, let’s say that the entire universe of fiction book sales consists of 100 books sold. It’s generally accepted that Amazon owns  an ebook market share of about two-thirds as well as a market share of about 85% of online print book sales, so here’s where Shatzkin’s data points lead for fiction book sales:

  • 100 books sold, all formats
  • 51 ebooks sold, including 34 Kindle books
  • 3 audiobooks sold, including 2 Audible.com (Amazon) audiobooks
  • 46 print books sold, including 14 copies online, and 12 of those 14 by Amazon

That’s a total of 48 out of the 100 books sold by Amazon, or 48% market share based on units sold. Since all of this is anecdotal and the extrapolations themselves are based on assumptions, Nate Silver would probably tell us that it’s fair to say that Amazon’s actual fiction market share for the period we’re discussing was somewhere between 43 and 53%.

It doesn’t mean 48% of all retail book revenues; it’s just units. It doesn’t mean all books; it’s just fiction books. And it’s anecdotal.

But it is worth pointing out, as well, that this anecdotal information shared with Shatzkin by literary agents is not a snapshot of where things stand today in January 2013. Instead, as Shatzkin points out “the data presentation which most shapes the agents’ impressions is provided in royalty reports. This past year, and especially this past season, have not yet been delivered in the data they study most intensively.”

When you take that “lagging report” factor into consideration, combined with recent reports that January 2013 ebook sales are up 10 to 15% over January 2012 ebook sales, it’s even possible that Amazon may have already reached a 50% market share for fiction.

Maybe, maybe not. It’s only fiction, not all book sales. But the nature of tipping points in the book business has several likely consequences for this discussion:

  • The reported 2:1 ratio between ebook market share for fiction and ebook market share for immersive nonfiction (in Mike’s felicitous phrase) is likely to narrow, because fiction will almost surely serve as a wedge driving readers’ behavior in terms of platform comfort and library storage choices.
  • Shatzkin points out the 35% share for print books in physical stores is down from about 90% ten years ago and 80% five years ago. You can call that a pattern; I call it an avalanche. Print book distribution channels are drying up at an alarming rate, and taken together all of the patterns that are part of this conversation will only accelerate that process, which in turn will accelerate the process of Amazon growing its market share across all platforms.

One other likelihood is that we won’t have any absolutely certain data that makes all this clear — for 50%, 60%, 70% or any other market share threshold — until months or even a year after it has happened. And while it is interesting to think about the market share thresholds themselves, it is probably far more important for us all to think about what any of those Amazon market share thresholds will mean for everyone associated with the book business:

  • readers
  • authors
  • agents
  • big publishers
  • small publishers
  • indie bookstores
  • used book sellers
  • Barnes and Noble
  • Amazon’s other retailer competitors
  • Amazon’s ebook competitors
  • Amazon
  • and last but not least, the Department of Justice

In our February 2011 piece raising the 50% market share possibility for the first time, I quoted Amazon executive Russ Grandinetti as saying: “However fast you think this change is happening, its probably happening faster than you think.”

That’s all we’re really saying. And in the next few days we’ll try to focus on what these developments could mean — in terms of ebook pricing, royalties, profitability, and in some cases life or death — for the players listed above.

Don’t Bet Against Amazon Initiating an AutoRip-Style Program to Bundle Digital Books; In Fact, It Has Already Happened on One Level

Will Amazon ever extend the “digital bundling” principles behind its new AutoRip program for music purchases to books?

I raised that possibility the other day in introducing Amazon’s press release on AutoRip, and it has been interesting to see how many people have jumped on the topic with words to the basic effect that “that will never happen.”

Okay, let’s back up and define our terms. What’s so cool about AutoRip, of course, is that

  • first, millions of people who have purchased physical CDs from Amazons since 1998 discovered last week that dozens, or hundreds (405 in my case), or thousands of digital files of tracks from those CDs have now been added to our accounts in Amazon’s cloud; and
  • second, now you can buy any qualifying CD (there are over 37,000 of them at present), including music you buy for someone else as a gift, and it will turn up automatically for you in your cloud account.

Kindle Nation is here first and foremost for readers, so we’ve been advocating something like this for books for several years now. And pardon me for getting up in the publishing pundits’ faces with a news flash, but guess what: it has already happened, in a way that could very well lead provide Amazon with the business evidence it might need to persuade some critical mass of publishers to participate in such a program.

When I say “it has already happened,” I am referring to the “Immersion Reading” program that Amazon and its subsidiary Audible.com rolled out, with the launch of its Kindle Fire HD models in September, to encourage customers to buy both the Kindle versions and the Audible.com versions of their favorite books. In that case, Amazon has encouraged the double purchases by offering deep discounts on one of the formats when both are actually purchased by the same customer. For readers like me who make extensive use of both the Kindle reading and Audible.com formats, the chance to have both without paying full price is very appealing. (Sometimes, I might add, it’s too appealing, because even here at Kindle Nation we have to stick to a budget!)

For those who think that Amazon and the big publishers are always adversaries, let me call attention to publishing industry consultant (and frequent Amazon critic) Mike Shatzkin’s September 10 “Hats Off to Amazon” post:

Leveraging their ownership of Audible, the dominant player in downloadable audiobooks, Amazon has introduced a Whispersync feature that enables seamless switching between reading an ebook and listening to the audiobook version. One of my sisters-in-law, who is both a teacher of reading-challenged kids and an adjunct professor teaching others who do the same, had asked me a few months ago why nobody had done this. I asked around and was told “it is complicated.” Publishers can’t do it because they don’t control the delivery ecosystems. Other ebook retailers can’t do it because they don’t deliver audio. Only Amazon could do it. Now they have.

Does everybody notice that this creates a real reason to buy both an audiobook and an ebook of the same title? Seems like that is something all authors and publishers can celebrate.

There are, of course, some key differences between the music bundling program and this first stab at a book bundling program:

  • AutoRip involves just one purchase (with no special discount), and in most cases Immersion Reading involves two purchases (with a special discount on one).
  • AutoRip involves purchase of a CD hard copy, and Immersion Reading involves two digital-file purchases.
  • AutoRip is, at one level, just a convenience, since theoretically everyone could legally be ripping digital files off their CD collection and uploading them to the cloud.

So let me be clear that I am not suggesting that we are all going to wake up one morning soon to find hundreds of new books added to our Kindle libraries at no charge based on all the print books we’ve purchased from Amazon since 1998 or whenever.

But for just about any author or publisher who might consider participating in an AutoRip-style bundle allowing Amazon to send out Kindle copies of books for which they have previously sold hard copies, there is bound to be a price at which the proposition would be appealing. As the price that a customer would be required to pay for a Kindle version after paying “full price” in the past or present for a hard-copy version, something as low as $1.99 to $4.99 would probably work for the vast majority of players (assuming, ahem, no collusion.)

Why so low? There are plenty of reasons, but here are a couple:

  • For ebook purchases of past hard-copy books, the ebook purchase price is found money. There’s no incremental cost for each ebook sold in this fashion, and inherently there would be no fear that the pricing of the ebook side of the bundle would cannibalize print sales.
  • Authors and publishers who want to strengthen the life (or slow the death) of hard-copy publishing would be encouraged to see ebook bundling as something that could prop up that format, and reminded that, for the ebook bundling to work, the price would have to be low enough to be considered “nominal” by some significant swath of customers.

Even if the big publishers are as slow to see the wisdom of this bundling model as they have been over the past five years to adapt in business-positive (rather than defensive) ways to the ebook revolution, it’s worth noting here that, as is so often the case, Amazon has a secret weapon on this terrain. In the case of the Kindle/Audible bundles, Amazon’s secret weapon is that it owns the dominant retail platform in each category. In the case of Kindle/print bundles, a good starting point for Amazon may well be its ownership both of KDP Select — which includes over a quarter million Kindle-exclusive titles — of Amazon Publishing’s own growing number of imprints, and of CreateSpace, which is certainly one of the dominant players in print-on-demand both for “self-published” authors and for traditionally published authors who have wrestled back their ebook and print rights for books published in print over the past few decades. And even if the big publishers are not interested in getting in on the ground floor of book bundling, I’d be surprised if some of the smarter new compact-size publishing companies like Open Road and Turner Publishing didn’t find it appealing.

We’ll be watching. But one thing that seems utterly impossible? That the thought that occurred to us, about extending the AutoRip concept to book bundling, hadn’t already occurred to Jeff Bezos.

 

Introducing “Amazon AutoRip

Customers Now Receive Free MP3 Versions of CDs Purchased From Amazon

Past, Present and Future

Here’s some very cool news from Amazon, and … call us greedy, but we can’t help but wonder: if they can do this for music today, might they be able to do it for books sometime soon?

Introducing “Amazon AutoRip” – Customers Now Receive Free MP3 Versions of CDs Purchased From Amazon – Past, Present and Future

Customers who have purchased AutoRip CDs from Amazon dating back to 1998 will find free MP3 versions automatically added to their Cloud Player accounts – free of charge

AutoRip is the latest in a series of customer benefits exclusive to the Amazon ecosystem of digital content

AutoRipSEATTLE–(BUSINESS WIRE)–Jan. 10, 2013– (NASDAQ: AMZN)—Amazon today announced the launch of Amazon AutoRip, a new service that gives customers free MP3 versions of CDs they purchase from Amazon. When customers purchase AutoRip CDs, the MP3 versions are automatically added to their Cloud Player libraries, where they are available, free of charge, for immediate playback or download – no more waiting for the CD to arrive. Additionally, customers who have purchased AutoRip CDs at any time since Amazon first opened its Music Store in 1998 will find MP3 versions of those albums in their Cloud Player libraries – also automatically and for free. More than 50,000 albums, including titles from every major record label, are available for AutoRip, and more titles are added all the time – customers can just look for the AutoRip logo.

“What would you say if you bought music CDs from a company 15 years ago, and then 15 years later that company licensed the rights from the record companies to give you the MP3 versions of those CDs… and then to top it off, did that for you automatically and for free?” said Jeff Bezos, Amazon.com Founder and CEO. “Well, starting today, it’s available to all of our customers – past, present, and future – at no cost. We love these opportunities to do something unexpected for our customers.”

AutoRip features include:

  • Free digital copies: Amazon customers who purchase AutoRip CDs get free MP3 versions of the albums delivered directly to their Cloud Player libraries – automatically, immediately, and at no cost – no more hassling with ripping CDs and finding a way to get them onto your favorite devices.
  • For CD purchases dating back to 1998: MP3 versions of AutoRip CDs that customers have purchased since the launch of Amazon’s music store in 1998 will also be delivered to their Cloud Player libraries for free.
  • Enjoy everywhere: Music can be played instantly from any Kindle Fire, Android phone or tablet, iPhone, iPod touch, Samsung TVs, Roku, Sonos, and any web browser, giving customers the freedom to enjoy music from more devices than any other major cloud locker music service.
  • Free storage and backup: All AutoRip MP3s are stored for free in customers’ Cloud Player libraries and do not count against Cloud Player storage limits. Customers can buy music and know that it is safely stored in Cloud Player and accessible from any compatible device.
  • High-quality audio: AutoRip music is provided in high-quality 256 Kbps MP3 audio.

AutoRip is available for industry-wide top-sellers like “21” by Adele; new and recent releases like “¡Uno!”, “¡Dos!” and “¡Tre!” by Green Day, “Overexposed” by Maroon 5, and “The Truth About Love” by P!nk; classics like “Dark Side of the Moon” by Pink Floyd and “Thriller” by Michael Jackson; and Amazon customer favorites like “I Dreamed A Dream” by Susan Boyle, which was the most pre-ordered album of all time on Amazon.

In many cases, customers can buy an AutoRip CD, including the free digital copy, for less than they would pay for only the digital album at iTunes.

AutoRip is the latest in a series of new digital music features from Amazon launched in recent months. The Amazon MP3 Store recently expanded its catalog to offer more than 21 million songs and everyday low prices on best-selling albums, many starting at $5. In June, Amazon launched Cloud Player for iPhone and iPod touch. In July, Amazon added new scan and match technology that enables customers to import music into Amazon Cloud Player by scanning their iTunes and Windows Media Player libraries and matching songs on their computers to Amazon’s music catalog. All matched songs – even music purchased from iTunes or ripped from CDs – are upgraded to high-quality 256 Kbps audio and are made available instantly in customers’ Cloud Player libraries, making it even easier for customers to enjoy their entire music collection anywhere. More recently, Amazon made Cloud Player available on Samsung TVs, Roku and Sonos, further extending Cloud Player’s accessibility.

For more information about AutoRip click here.