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Kindle eBook Sales Surpass All Combined Print Book Sales For The First Time At Amazon

By Tom Dulaney, Contributing Reporter

Amazon eBook sales now exceed total sales of print books–both hardcover and paperback combined–the company announced today.

The explosion in eBook sales–up three times or 300% from the same period last year–does not come at the expense of print book sales within Amazon. Amazon says that print book sales continue to grow, and that the company’s overall book business is growing “in the fastest year-over-year growth rate for Amazon’s U.S. books business, in both units and dollars, in over 10 years.” the company said in today’s announcement.

“Customers are now choosing Kindle books more often than print books. We had high hopes that this would happen eventually, but we never imagined it would happen this quickly – we’ve been selling print books for 15 years and Kindle books for less than four years,” said Jeff Bezos, Founder and CEO, Amazon.com.

Since April 1, for every 100 print books in any format sold, Amazon sells 105 eBooks in its Kindle Store.  With sales of the Kindle reading devices continuing strong, and the proliferation of other devices on which Kindle eBooks are being read, eBook sales will most likely keep increasing the ratio of ebooks to print sold.

Amazon has been quick to develop apps for the most popular gadgets:  iPad, iPod touch, iPhone, Mac, PC, BlackBerry, Windows Phone, Android-based devices, and soon HP TouchPads and BlackBerry PlayBooks.

The “Buy Once, Read Everywhere” system not only lets users choose whatever ebook reader they prefer, but lets readers with multiple devices skip from one to the next as they read.  For example, readers in mid-chapter on the Kindle can pick up where they left off during a work break on their computers if corporate policy permits.  If not, they can call up the book on their smartphone.

Here’s the full text of Amazon’s press release this morning:

Amazon began selling hardcover and paperback books in July 1995. Twelve years later in November 2007, Amazon introduced the revolutionary Kindle and began selling Kindle books. By July 2010, Kindle book sales had surpassed hardcover book sales, and six months later, Kindle books overtook paperback books to become the most popular format on Amazon.com.

Today, less than four years after introducing Kindle books, Amazon.com customers are now purchasing more Kindle books than all print books – hardcover and paperback – combined.

“Customers are now choosing Kindle books more often than print books. We had high hopes that this would happen eventually, but we never imagined it would happen this quickly – we’ve been selling print books for 15 years and Kindle books for less than four years,” said Jeff Bezos, Founder and CEO, Amazon.com.

“In addition, we’re excited by the response to Kindle with Special Offers for only $114, which has quickly become the bestselling member of the Kindle family. We continue to receive positive comments from customers on the low $114 price and the money-saving special offers. We’re grateful to our customers for continuing to make Kindle the bestselling e-reader in the world and the Kindle Store the most popular e-bookstore in the world.”

Recent milestones for Kindle include:

Since April 1, for every 100 print books Amazon.com has sold, it has sold 105 Kindle books. This includes sales of hardcover and paperback books by Amazon where there is no Kindle edition. Free Kindle books are excluded and if included would make the number even higher.

So far in 2011, the tremendous growth of Kindle book sales, combined with the continued growth in Amazon’s print book sales, have resulted in the fastest year-over-year growth rate for Amazon’s U.S. books business, in both units and dollars, in over 10 years. This includes books in all formats, print and digital. Free books are excluded in the calculation of growth rates.

In the five weeks since its introduction, Kindle with Special Offers for only $114 is already the bestselling member of the Kindle family in the U.S.

Amazon sold more than 3x as many Kindle books so far in 2011 as it did during the same period in 2010.

Less than one year after introducing the UK Kindle Store, Amazon.co.uk is now selling more Kindle books than hardcover books, even as hardcover sales continue to grow. Since April 1, Amazon.co.uk customers are purchasing Kindle books over hardcover books at a rate of more than 2 to 1.

Kindle offers the largest selection of the most popular books people want to read. The U.S. Kindle Store now has more than 950,000 books, including New Releases and 109 of 111 New York Times Best Sellers. Over 790,000 of these books are $9.99 or less, including 69 New York Times Best Sellers. Millions of free, out-of-copyright, pre-1923 books are also available to read on Kindle devices. More than 175,000 books have been added to the Kindle Store in just the last 5 months.

All Kindle Books let you “Buy Once, Read Everywhere” – on all generation Kindles, as well as on the largest number of devices and platforms, including iPad, iPod touch, iPhone, Mac, PC, BlackBerry, Windows Phone, Android-based devices, and soon HP TouchPads and BlackBerry PlayBooks. Amazon’s Whispersync technology syncs your place across devices, so you can pick up where you left off. With Kindle Worry-Free Archive, books you purchase from the Kindle Store are automatically backed up online in your Kindle library on Amazon, where they can be re-downloaded wirelessly for free, anytime.

 

Curious about Kindle sales numbers?

Monday, June 15, 2009


Curious about Kindle sales numbers?

If so, there has been plenty to chew on in the last few days.

Let’s just establish up front that, in the long run, the most important Kindle sales numbers involve calculations of how many Kindle books — or any other e-books, for that matter — are being purchased and downloaded. Those are the numbers that are going to make a difference to authors, publishers, readers, and booksellers of every variety. For instance, it may be a good thing for Sony that the company has sold XXXX units of its ereaders in Japan, say, or globally. But until I see evidence that publishers and authors are experiencing significant sales of their ebooks to Sony device owners, those hardware unit sales numbers won’t have traction for me.

On the subject of U.S. ebook sales, let me suggest the following very interesting and informative posts and links….

Joe Konrath’s A Newbie’s Guide to Publishing: You may already be familiar with Joe Konrath (or his alter-ego-de-plume Jack Kilborn) via Kindle Nation Daily, but in addition to being a fine author of suspense and horror fiction Joe is engaged very actively in experimenting with and thinking and writing about the world of book publishing from an author’s perspective here in 2009. Joe has shared more information about actual Kindle edition sale and royalties, overall ebook downloads, and his approach to marketing and promotion than any other author writing today, and there’s plenty to learn from what he has to say in his posts Ebooks and Free Books and Amazon Kindle, Oh My; Helping Each Other and Amazon Kindle Numbers.

Morris Rosenthal on Kindle Sales Rankings: On another front, the guy who has done more than any other commentator to parse Amazon Sales Rankings and their meaning over the past decade, author and indie publisher Morris Rosenthal of Foner Books, has turned his attention very useful to the meaning of Kindle Store Sales Rankings in a recent post entitled How Many Kindle eBooks Are Selling Based On Amazon Sales Ranking. Although I believe Morris is off by about 600,000 in speculating that there are about 600,000 Kindles currently in use, his overall calculations and research are very well-founded and they strongly suggest that Joe Konrath and I will soon be joined by hundreds — and eventually thousands — of other authors for whom revenue from Kindle sales alone begins to provide something like a livable income. Morris also makes a fascinating argument that, among those of Amazon’s top bestselling titles that are available both in print and Kindle editions, there is now a 1:1 ration in sales units between the two. When seen in an overall context wherein this ratio moves strongly in favor of print editions as sales numbers decline out the long tail, this model seems generally consistent with Amazon’s recent (and, at the time, stunning) announcement that, looking back over an unspecified historic period, Kindle editions sales had accounted for somewhere between 26 and 35 per cent of all sales when both print and Kindle editions were available. If you want to be present and accounted for as the ebook revolution continues to unfold, I highly recommend you follow Morris’ posts.

Indie Authors and the Kindle Bestseller Lists. Even among bloggers who write about all things Kindle, there is occasional some confusion about, well, all things Kindle. Among those who commented on the above posts by Joe Konrath, one blogger focused on what Joe’s success might mean for self-published authors. (Joe, by the way, is not a self-published author, although he is certainly one who is taking the bull by the horns and restructuring the traditional hierarchical relationship between authors and publishers). Trying to focus in on whether “self-published” authors could earn “a decent living” publishing for the Kindle, the author of the iReaderReview blog asked his readers “Do you think by 2011 self-published authors will be able to hit the Top 25 [in the Kindle Store sales rankings]?”

Not to crow, but it’s worth mentioning here that my self-published guide to the Kindle 1 spent 17 consecutive weeks in the #1 position in the Kindle Store during the Spring and Summer of 2008 before going to paperback in late August, and my Complete User’s Guide To the Amazing Amazon Kindle 2 spent some time in the top 15 when it came out earlier this year. There have, along the way, been other self-published titles in the Kindle top 25, and they have not only been books about the Kindle. But while it will continue to be interesting to plot the progress of individual titles, I suspect the more interesting sea changes will be those involving the kind of publishing perestroika that I write about in my Beyond the Literary-Industrial Complex: How Authors and Publishers Are Using the Amazon Kindle and Other New Technologies to Unleash a 21-Century Indie Movement of Readers and Writers, including its chapter “Rebel Distribution and Amazon’s Marketplace of the Mind: You Need a Publisher Like a Fish Needs a Bicycle.” As these sea changes evolve, the “self-published” label will cease to exist in any meaningful way except inasmuch as it means “smart,” and will be replaced a kinder, gentler sense of “indie author” and “indie publisher” that is embraced by readers, by authors who previously had chosen traditional publishing routes, and, of course, by the DIY renegades among us.

Just bring your Kindle to your nearest indie bookstore today for …


I’m sure I’m not the only one who is sometimes fascinated by the issues that pop up, among my fellow authors and readers, as reasons for staying away from new technologies such as the Kindle and even print-on-demand publishing services such as those provided by Amazon’s CreateSpace.com and Ingram’s Lightning Source. Some of us are Luddites, some of us are anti-corporate (so we would prefer Random House, right?), some of us are skeered to death of being branded as DIY self-publishers, and ….

And here’s the one for which I, as a former brick-and-mortar indie bookseller and member of the American Booksellers Association, have the most patience:

We want to support indie bookstores and we want to make it easy for our readers to find our books on the shelves in indie bookstores. Real bookstores.

Not Amazon. Certainly not the Kindle store. Not chains. Okay, maybe chains if they serve good coffee.

Of course. I love indie bookstores and the people who run them and work at them. I am well aware of the forces that have conspired against them over the past few decades, and it is true that I cannot help but notice certain parallels between the indie bookselling trade and the traditional newspaper business. These parallels may even include the prospect that changes in technology are making it inevitable that indie bookstores and traditional newspapers will share the same fate. But those of us who want to do all we can to keep indie bookstores and traditional newspapers alive are driven in most cases by honorable motivations.

That being said, I for one want to see signs from the indie booksellers themselves that they are doing all that they can, and being as imaginative as possible, in an effort to find ways to appropriate the newest and most interesting technologies to connect more readers with more books in more customer-centered ways. One example that tickles me: a favorite local bookstore of mine (and one that like my tiny publishing company may also have drawn its name from a venerable institution from my undergraduate days) is offering inexpensive delivery of all local orders, using emissions-free vehicles, in partnership with MetroPed, “Boston’s human-powered delivery service.”

And here’s another: another long-time bookstore fave o’ mine, Vermont’s Northshire Bookstore, has installed an Expresso Book Machine to offer almost-immediate in-store printing and binding of an incredible array of titles including thousands of titles from On Demand Books, thousands more becoming available from the 8,000 publishing partners of Ingram’s Lightning Source POD facility, and — I especially love this one — a growing catalog of local-interest titles offered by Northshire’s in-house Shire Books imprint. (Yes, this is how Lawrence Ferlinghetti would have begun offering his own Pictures of the Gone World and other City Lights Books titles at the North Beach store if the technology has existed back in 1955).

So, this is great, right? Despite the fact that the Expresso machinery takes up almost as much space as some entire bookstores and looks a lot like — am I dating myself much here? — Univac (or the latest invention of Will Farrell’s unfortunate recent character), it is an interesting step toward the Long Tail and new-tech delivery systems for indie bookstores. I’ve been following the Expresso “ATM for books” concept and narrative since mainstream publishing industry veteran and chronicler Jason Epstein became associated with the concept a few years back. And part of what is exciting here is that Northshire is — among its fellow independent booksellers — one of the most respected bookshops in the country. I met founder Ed Morrow through ABA and the New England Booksellers Association decades ago and throughout my own bookselling career I never turned down an oppportunity to pick their or their staffers’ brains about what might work in my store.

But the Expresso-at-Northshire experiment got me thinking about another potentially exciting way in which indie bookstores could welcome, and profit from, new technologies.

Okay, take a leap with me here. This idea involves indie booksellers actually marketing their stores to Kindle owners (or substitute another ebook brand here, provided that certain compatibilities exist) and inviting the Kindlers to bring their Kindle units into their neighborhood bookstores. If I haven’t lost you there already, here’s the concept:

  • Imagine all the books that exist or ever will exist in the public domain.
  • Add all the books that are or ever will be available through POD services of any kind including CreateSpace, Lightning Source, On Demand Books, and the Espresso.
  • Add all the other digital books or documents that any bookstore might ever be able to acquire or offer — whether as a college bookstore agregating instructor’s packets and lecture notes or a store like Northshire creating its own POD-and-digital imprint.
  • Render this entire (and, may I say, humongous?) catalog compatible with eBook readers in a copyright-sensitive but DRM-free format that, like PDF files for the new Kindle DX, do not require an extra data-conversion step.
  • Allow all booksellers from Amazon to indie brick-and-mortar shops and chains to offer as much as possible of this entire catalog in both digital ebook and digital print-on-demand as well as other print modalities.
  • Monetize the entire catalog with prices ranging from 49 cents for public-domain to $9.99 for bestsellers (and more when justifiable for technical books, etc.), a sensible royalty structure back to publishers (including Amazon Digital Services), rights holders, and authors, and a point-of-sale slice for pysical stores.
  • Provide apps to integrate the entire process not only with Kindle owners but with the iPhone, the iPod touch, the Blackberry, netbooks, laptops, and every other device imaginable.
  • Invite device owners to bring their Kindles or other readers into bookstores to browse and zap content right onto their hardware via USB, wireless, etc., and offer specific promotions (such as first-day in-store only downloads of the latest Dan Brown) to get readers into the habit of bringing their devices in.
  • Outfit the in-store operation hardware-wise with a user-friendly “music kiosk” like station that requires little or no staffing.
  • Offer a BOGO deal whenever a customer comes to the counter to buy a print-edition (with appropriate back-end monetization: “If you’d like to step over to the kiosk with this coupon that expires in 30 days you can also get a digital copy of this book for an additional 99 cents.”

I don’t know if it would catch on like the Univac thing did. Sometimes it seems as if it is the nature of e-commerce these days to drive us all away from the local toward the global, and certainly Amazon is well-positioned to take advantage of this momentum.

But there is great value in the local, and indie booksellers and their loyalists are working hard at the process of trying to figure out how to remain viable. If it makes any sense for them to install interesting monstrosities like the Expresso Book Machine in their stores to sell digital p-books, than it has to make sense to figure out and operationalize a process to sell digital e-books like the one I have suggested here.

Imagine all the booksellers, living life in peace….

When asking an author if her ebook has also been published as a "real" book will be like asking a musician if her album has been released in vinyl

I recently noticed an interesting Tweet that gets right to the heart of so many issues that authors are thinking about when we try to make decisions about publishing for the Kindle and other new technologies:

kaytee4ever: my gf thinks Kindle isn’t “realpublishing. Help! Know anyone who got a print deal after starting on Kindle?Any good arguments to tell her?

The Kindle is at the forefront of technological change that opens all kinds of new doors for authors, publishers, and anyone who likes to make reading an interactive experience. As with every medium, channel, or form of communication or commerce, there will be dreck (as there is plenty of dreck available from mainstream publishers).

But yes.

First, there have been people who got print deals after starting on Kindle, and here’s one of the most thoughtful and interesting analyses of the most recent big deal: A Kindle Success Story: How to Promote a Kindle Ebook

Second, you may not see it coming yet, but we are approaching a time when a confluence of sea changes in reading habits, consumer practices, and technology will mean that asking a Kindle book author if her book has also been published as a “real” book will be like asking a musician if her album has been released in vinyl. Serious authors from Joe Konrath to, well, me are already making a decent living from the Kindle editions of our books.

Third, all of this will work best when it works as it often works with indie music and indie movies, with readers lighting the way for other readers so that the feedback becomes the filter.

Fourth, just to take it back to the totally understandable vanity issues that are implicit in the original tweet, I hope you will enjoy the bit of dialogue included in my post The Romance of Submission, a chapter excerpted from my book Beyond the Literary-Industrial Complex.

Update: In case you were wondering if the Boyd Morrison book described in the above-referenced post really existed, here’s proof:

Between Morrison, Amazon, and his new publisher, they have endeavored to wipe out all traces of the Kindle edition, but entering the ASIN from Amazon’s main page still gets you this search result that links to a 404-page ghost.

Off Topic: Pogue’s Productivity Secrets Revealed


David Pogue is a great guy. I’ve been reading his New York Times “Circuits” columns on technology for years, and despite the fact that he doesn’t know me from Adam, he responded the very same day back in late 2007 when — before my own Kindle arrived from Amazon — I emailed him a few questions about Kindle functionality on his review model.

The fact that he manages to be so forthcoming and helpful while also maintaining an incredible level of productivity — one that enables him to write five books a year, file two columns a week, churn out a daily blog, speak 40 times a year and film a video every Thursday — is something to which I can only aspire. (I only wrote three books last year, and I assiduously avoid video cameras no matter who is holding them!)

But in my interactions with hundreds of Kindle Nation members — we are over 3,300 strong now! — I notice that one thing that stands out about Kindlers is that we care deeply about productivity and guard our time carefully, even if only to protect our reading time. With that in mind, I want to recommend a terrific column that David wrote recently on some of the ways in which he uses technology — his beat, after all — to maximize his own productivity. I hope you enjoy it … if you have time to read it:

Curious about Kindle sales numbers?


Curious about Kindle sales numbers?

If so, there has been plenty to chew on in the last few days.

Let’s just establish up front that, in the long run, the most important Kindle sales numbers involve calculations of how many Kindle books — or any other e-books, for that matter — are being purchased and downloaded. Those are the numbers that are going to make a difference to authors, publishers, readers, and booksellers of every variety. For instance, it may be a good thing for Sony that the company has sold XXXX units of its ereaders in Japan, say, or globally. But until I see evidence that publishers and authors are experiencing significant sales of their ebooks to Sony device owners, those hardware unit sales numbers won’t have traction for me.

On the subject of U.S. ebook sales, let me suggest the following very interesting and informative posts and links….

Joe Konrath’s A Newbie’s Guide to Publishing: You may already be familiar with Joe Konrath (or his alter-ego-de-plume Jack Kilborn) via Kindle Nation Daily, but in addition to being a fine author of suspense and horror fiction Joe is engaged very actively in experimenting with and thinking and writing about the world of book publishing from an author’s perspective here in 2009. Joe has shared more information about actual Kindle edition sale and royalties, overall ebook downloads, and his approach to marketing and promotion than any other author writing today, and there’s plenty to learn from what he has to say in his posts Ebooks and Free Books and Amazon Kindle, Oh My; Helping Each Other and Amazon Kindle Numbers.

Morris Rosenthal on Kindle Sales Rankings: On another front, the guy who has done more than any other commentator to parse Amazon Sales Rankings and their meaning over the past decade, author and indie publisher Morris Rosenthal of Foner Books, has turned his attention very useful to the meaning of Kindle Store Sales Rankings in a recent post entitled How Many Kindle eBooks Are Selling Based On Amazon Sales Ranking. Although I believe Morris is off by about 600,000 in speculating that there are about 600,000 Kindles currently in use, his overall calculations and research are very well-founded and they strongly suggest that Joe Konrath and I will soon be joined by hundreds — and eventually thousands — of other authors for whom revenue from Kindle sales alone begins to provide something like a livable income. Morris also makes a fascinating argument that, among those of Amazon’s top bestselling titles that are available both in print and Kindle editions, there is now a 1:1 ration in sales units between the two. When seen in an overall context wherein this ratio moves strongly in favor of print editions as sales numbers decline out the long tail, this model seems generally consistent with Amazon’s recent (and, at the time, stunning) announcement that, looking back over an unspecified historic period, Kindle editions sales had accounted for somewhere between 26 and 35 per cent of all sales when both print and Kindle editions were available. If you want to be present and accounted for as the ebook revolution continues to unfold, I highly recommend you follow Morris’ posts.

Indie Authors and the Kindle Bestseller Lists. Even among bloggers who write about all things Kindle, there is occasional some confusion about, well, all things Kindle. Among those who commented on the above posts by Joe Konrath, one blogger focused on what Joe’s success might mean for self-published authors. (Joe, by the way, is not a self-published author, although he is certainly one who is taking the bull by the horns and restructuring the traditional hierarchical relationship between authors and publishers). Trying to focus in on whether “self-published” authors could earn “a decent living” publishing for the Kindle, the author of the iReaderReview blog asked his readers “Do you think by 2011 self-published authors will be able to hit the Top 25 [in the Kindle Store sales rankings]?”

Not to crow, but it’s worth mentioning here that my self-published guide to the Kindle 1 spent 17 consecutive weeks in the #1 position in the Kindle Store during the Spring and Summer of 2008 before going to paperback in late August, and my Complete User’s Guide To the Amazing Amazon Kindle 2 spent some time in the top 15 when it came out earlier this year. There have, along the way, been other self-published titles in the Kindle top 25, and they have not only been books about the Kindle. But while it will continue to be interesting to plot the progress of individual titles, I suspect the more interesting sea changes will be those involving the kind of publishing perestroika that I write about in my Beyond the Literary-Industrial Complex: How Authors and Publishers Are Using the Amazon Kindle and Other New Technologies to Unleash a 21-Century Indie Movement of Readers and Writers, including its chapter “Rebel Distribution and Amazon’s Marketplace of the Mind: You Need a Publisher Like a Fish Needs a Bicycle.” As these sea changes evolve, the “self-published” label will cease to exist in any meaningful way except inasmuch as it means “smart,” and will be replaced a kinder, gentler sense of “indie author” and “indie publisher” that is embraced by readers, by authors who previously had chosen traditional publishing routes, and, of course, by the DIY renegades among us.

Publishing Perestroika in the Age of the Kindle: You Need a Publisher Like a Fish Needs a Bicycle


Curious about Kindle sales numbers?

If so, there has been plenty to chew on in the last few days.

Let’s just establish up front that, in the long run, the most important Kindle sales numbers involve calculations of how many Kindle books — or any other e-books, for that matter — are being purchased and downloaded. Those are the numbers that are going to make a difference to authors, publishers, readers, and booksellers of every variety. For instance, it may be a good thing for Sony that the company has sold XXXX units of its ereaders in Japan, say, or globally. But until I see evidence that publishers and authors are experiencing significant sales of their ebooks to Sony device owners, those hardware unit sales numbers won’t have traction for me.

On the subject of U.S. ebook sales, let me suggest the following very interesting and informative posts and links….

Joe Konrath’s A Newbie’s Guide to Publishing: You may already be familiar with Joe Konrath (or his alter-ego-de-plume Jack Kilborn) via Kindle Nation Daily, but in addition to being a fine author of suspense and horror fiction Joe is engaged very actively in experimenting with and thinking and writing about the world of book publishing from an author’s perspective here in 2009. Joe has shared more information about actual Kindle edition sale and royalties, overall ebook downloads, and his approach to marketing and promotion than any other author writing today, and there’s plenty to learn from what he has to say in his posts Ebooks and Free Books and Amazon Kindle, Oh My; Helping Each Other and Amazon Kindle Numbers.

Morris Rosenthal on Kindle Sales Rankings: On another front, the guy who has done more than any other commentator to parse Amazon Sales Rankings and their meaning over the past decade, author and indie publisher Morris Rosenthal of Foner Books, has turned his attention very useful to the meaning of Kindle Store Sales Rankings in a recent post entitled How Many Kindle eBooks Are Selling Based On Amazon Sales Ranking. Although I believe Morris is off by about 600,000 in speculating that there are about 600,000 Kindles currently in use, his overall calculations and research are very well-founded and they strongly suggest that Joe Konrath and I will soon be joined by hundreds — and eventually thousands — of other authors for whom revenue from Kindle sales alone begins to provide something like a livable income. Morris also makes a fascinating argument that, among those of Amazon’s top bestselling titles that are available both in print and Kindle editions, there is now a 1:1 ration in sales units between the two. When seen in an overall context wherein this ratio moves strongly in favor of print editions as sales numbers decline out the long tail, this model seems generally consistent with Amazon’s recent (and, at the time, stunning) announcement that, looking back over an unspecified historic period, Kindle editions sales had accounted for somewhere between 26 and 35 per cent of all sales when both print and Kindle editions were available. If you want to be present and accounted for as the ebook revolution continues to unfold, I highly recommend you follow Morris’ posts.

Indie Authors and the Kindle Bestseller Lists. Even among bloggers who write about all things Kindle, there is occasional some confusion about, well, all things Kindle. Among those who commented on the above posts by Joe Konrath, one blogger focused on what Joe’s success might mean for self-published authors. (Joe, by the way, is not a self-published author, although he is certainly one who is taking the bull by the horns and restructuring the traditional hierarchical relationship between authors and publishers). Trying to focus in on whether “self-published” authors could earn “a decent living” publishing for the Kindle, the author of the iReaderReview blog asked his readers “Do you think by 2011 self-published authors will be able to hit the Top 25 [in the Kindle Store sales rankings]?”

Not to crow, but it’s worth mentioning here that my self-published guide to the Kindle 1 spent 17 consecutive weeks in the #1 position in the Kindle Store during the Spring and Summer of 2008 before going to paperback in late August, and my Complete User’s Guide To the Amazing Amazon Kindle 2 spent some time in the top 15 when it came out earlier this year. There have, along the way, been other self-published titles in the Kindle top 25, and they have not only been books about the Kindle. But while it will continue to be interesting to plot the progress of individual titles, I suspect the more interesting sea changes will be those involving the kind of publishing perestroika that I write about in my Beyond the Literary-Industrial Complex: How Authors and Publishers Are Using the Amazon Kindle and Other New Technologies to Unleash a 21-Century Indie Movement of Readers and Writers, including its chapter “Rebel Distribution and Amazon’s Marketplace of the Mind: You Need a Publisher Like a Fish Needs a Bicycle.” As these sea changes evolve, the “self-published” label will cease to exist in any meaningful way except inasmuch as it means “smart,” and will be replaced a kinder, gentler sense of “indie author” and “indie publisher” that is embraced by readers, by authors who previously had chosen traditional publishing routes, and, of course, by the DIY renegades among us.