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The fascinating story of how James M. Cain’s masterpiece went from being titled “BAR-B-QUE” to “The Postman Always Rings Twice.”

In the early fall of 1933, first-time novelist James M. Cain and his publisher, Alfred A. Knopf, had a problem, according to the Library of Congress… Support our news coverage by subscribing to our Kindle Nation Daily Digest. Joining is free right now!

James M. Cain, a hard-drinking journalist from Baltimore trying to hang on in Hollywood, had written a crackerjack crime novel about a California drifter and his married lover.

It was short, mean and scandalously sexy. It had a brilliant opening: “They threw me off the hay truck about noon.”

The problem: The title, “Bar-B-Q,” was a limp noodle.

“Dear Mr. Cain,” Knopf wrote in a three-line letter on Aug. 22, shortly after acquiring the 30,000-word novel for $500, “BAR-B-Q is not a good title and I think we must devise something better.”

The ensuing struggle to find a title – which would become one of the most famous in 20th-century American literature – is one of many captivating episodes in Cain’s papers, which reside in the Manuscript Division. Correspondence with film stars such as Joan Crawford, Fred MacMurray and Barbara Stanwyck – all of whom starred in film adaptations of his books – and journalism legends, such as H.L. Mencken and Walter Lippmann, fill dozens of boxes.

But, in 1933, Cain was going nowhere fast. He’d gotten canned from his last screenwriting gig and was scraping by on freelance magazine features. He and his second wife (there would be a total of four) were living in a little house in Burbank, at $45 per month. Knopf wanted to get the book out in January of 1934, and Cain needed the money. So he churned out a flurry of new titles. How about “Black Puma”? “The Devil’s Checkbook”? “Western Story”?

Pffft, said Knopf. He didn’t like any of them. As September turned to October, and the first galleys still had “Bar-B-Q” on them, Knopf began to get anxious. “We really must christen the book soon,” he wrote. He came up his own title – “For Love or Money” – and pushed Cain to take it. “It’s good,” he wrote on Oct. 6, underlining “good” four times.

Pffft, Cain scoffed back. Sounds like a musical.

Read full post at The Library of Congress

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