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Free Kindle Nation Shorts – January 31, 2010: A Touch of Deceit by Gary Ponzo, An Amazon Kindle Exclusive Novel

By Stephen Windwalker
Editor of Kindle Nation Daily ©Kindle Nation Daily 2011

There are a number of different approaches we can take here, but they all come out the same way.

You could listen to what I have to say about the very talented novelist behind the Nick Bracco series, and I would tell you that Gary Ponzo is the real thing, a suspense novelist with full command of the tools of the trade.

You could listen to the literary gatekeepers who have honored this author’s work by twice nominating him for the prestigious Pushcart Prize for short fiction and showering him with other awards,

You could listen to your fellow Amazon readers, and the verdict there is the most stellar that I have seen for any fiction writer yet to participate in the Free Kindle Nation Shorts program. 31 readers have reviewed A Touch of Deceit. 25 have rated the novel with 5 stars and six with 4 stars. That is a pretty amazing testimonial.

But the good news is that you do not have to listen to anyone else, because Gary Ponzo has provided us with a generous 11,500-word excerpt. If you are a fan of suspense fiction, I will be surprised if he does not grab you like he grabbed me with the first few paragraphs. Clear out a few hours this weekend and budget two bucks for the download, because you’re not likely to stop reading until you’ve read the whole thing.

Scroll down to begin reading the free excerpt

Here’s the set-up:

FBI agent Nick Bracco can’t stop a Kurdish terrorist from firing missiles at random homes across the country. The police can’t stand watch over every household, so Bracco recruits his cousin Tommy to help track down this terrorist. Tommy is in the Mafia. Oh yeah, it gets messy fast. As fast as you can turn the pages.

 Winner of the Southwest Writers Award, Thriller category.


 

Click on the title or cover image below below to download the complete book to your Kindle or Kindle app for just $1.99
 

 

 

A Touch of Deceit
by Gary Ponzo

 

 4.8 out of 5 stars – 31 Reviews

 

Kindle Price: $1.99

Text-to-Speech: Enabled 

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(or the free sample) to your Kindle, iPad, iPhone, iPod Touch, BlackBerry, Android-compatible, PC or Mac and start reading within 60 seconds!
excerptA Brand New Free Kindle Nation Short:
 

  
 

   An Excerpt from   
A Touch of Deceit
 
An Amazon Kindle Exclusive Novel
by  Gary Ponzo

 

Free Kindle Nation Shorts
January 31, 2011
 

 

Copyright © 2010, 2011 by Gary Ponzo and reprinted here with his permission.

  

    There was a time when Nick Bracco would walk down Gold Street late at night and young vandals would scatter.  The law was present and the guilty took cover.  West Baltimore was alive with crime, but Gold Street remained quarantined, reserved for the dirtiest of the dirty.  That’s how Nick remembered it anyway.  Before he left for the Bureau to fight terrorists.  Now, the narrow corridor of row houses felt closer to him and the slender strip of buckled sidewalk echoed his footsteps like a sentry announcing his presence.  It wasn’t his turf anymore.  He was a foreigner.
    Nick scrutinized the landscape and searched for something out of place.  The battered cars seemed right, the graffiti, even the shadows seemed to darken the proper corners.  But something was missing.  There were no lookouts on the concrete stairwells.  The ubiquitous bass line of hip-hop was absent.  The stillness reminded him of jungle birds falling silent in the prelude to danger.  The only comfort came from the matching footsteps beside him.  As usual, Matt McColm was by his side.  They’d been partners for ten years and were approaching the point of finishing each other’s sentences.
    “You’re awfully quiet,” Matt said.
    “Did I mention that I don’t have a good feeling about this?”                
    “Uh, huh.”  Matt tightened his collar against the autumn chill and worked a piece of gum with his jaw.  “That’s your theme song.”
    “Really?  Don’t you ever get a bad feeling about a call?”
    “All the time.”
    “How come you never tell me?”
    “I’m going to feed the flames of paranoia?”
    They walked a little further in silence.  It got darker with every step.  The number of working streetlights dwindled.
    “Did you just call me paranoid?” Nick said.
    Matt looked straight ahead as he walked; his casual demeanor caused him to appear aloof, but Nick knew better.  Even at half-mast, Matt’s eyes were alert and aware.  
    “Maybe paranoid is too strong of a word,” Matt said.
    “I would hope so.”
    “More like Mother-henish.”
    “That’s better,” Nick said.  “By the way, did you eat your broccoli tonight?”
    “Yes, Dear.”     
    They strode further; low-lying clouds gave the night a claustrophobic feel.     
    “This guy asked for you specifically?” Matt said.
    Nick nodded.  
    “That bother you a little?” Matt asked.
    “No,” Nick said.  “That bothers me a lot.”      
    Up ahead, a parked car jostled.  They both stopped.  Neither of them spoke.  They split up.  By the book.  Years of working together coming into play.  Matt crouched and crept into the street.  Nick stayed on the sidewalk and gave the car a wide berth.  In seconds Matt became invisible.  The car maintained a spastic rhythm.  It was subtle, but Nick understood the familiar motion even before he flashed his penlight into the back seat and saw a pair of young eyes pop up through the grimy window.  They were wide open and reacted like a jewel thief caught with a handful of pearls. The kid’s hair was disheveled and his shirt was half-off.  His panting breath caused the inside of the window to fog up.  He wasn’t alone.  A pair of bare legs straddled his torso.
    From the other side of the vehicle, Matt emerged from the shadows and charged the car with his pistol out front.  He was just a few yards away when Nick held up his hand and said, “No.”
    Matt stopped dead.  He must’ve seen the grin on Nick’s face and realized the situation.  He slowly holstered his Glock and took time to catch his breath.
    Nick heard the kid’s voice through the closed window.  “I ain’t doing nuthin’, man.”
    Nick clicked off his penlight and slipped it back into his jacket.  He smiled.  “It may be nothing, but you sure worked up a sweat doing it.”
    When Matt fell back into step next to his partner, Nick said, “You seemed a little . . . uh, paranoid?”
    Matt returned to nonchalant mode.  “Kids that young shouldn’t be doing the nasty out in the street.”
    “Consider their role models,” Nick said.  “You can’t change the tide with an oar.”
    “Pardon me, Professor Bracco.  Who said that one-Nietzsche?”
    “I just made it up.”
    “It sounded like it.”
    They slowed their pace until Nick stopped in front of an old brick building with a worn, green awning above the entrance.  Nick gestured down a dark flight of stairs where a giant steel door stood menacingly secure.  “There it is.”
    Matt nodded.  “You bring me to all the best spots.”   
    When he was certain of their solitude, Nick descended the stairs.  Matt followed, keeping an eye on their rear.  In the darkness, Nick barely made out Matt’s silhouette.  
    “Listen,” Nick said, “it’ll be easier if we don’t have to use our creds, but let’s see how it goes.  I don’t want to say any more than I have to, and you say nothing at all.  Just be the silent brute that you are.  Capisce?”
    “Understood.”
    “If we get lucky, I’ll see a familiar face.”  Nick raised his fist, hovered it in front of the door, then stopped to sniff the air.  “You wearing aftershave?”
    “A little.”
    “You have a date after this?”
    “Uh huh.”
    “When?”
    “Midnight.”
    “Who makes a date with you at midnight?”
    “Veronica Post.”
    “First date?”
    “Yup.”
    “At midnight?”
    “She’s a waitress.  She doesn’t get off until then.”
    In the murky darkness, Nick sighed.  He turned to face the door and, just like a thousand times before, he said, “Ready?”
    He couldn’t see the response, but he heard Matt unfasten the flap to his holster.  Matt was ready.
    Nick used his wedding band hand to pound on the metal door.  He shifted his weight as they waited.  Nick heard Matt chewing his gum.
    Nick said,  “Midnight, huh?”
    A rectangular peephole slid open allowing just enough light through to see a dark face peering out.  The face was so large the opening supported only enough room for one of his eyes.
    “Yeah?” the man grunted.
    Nick leaned close to the opening so the man could see his face.  The opening quickly slid shut.
    They stood in the silence while Nick thought of his next move.
    “He seems like a nice fellow,” Matt said.  
    The clang of locks unbolting was followed by the door squeaking open.  It reminded Nick of an old horror movie.  
    The large black man wore a large black shirt that hung over his jeans and covered enough space to hide a rocket launcher. The man ignored Nick and gave Matt the once over.  
    Matt gave him the stone cold glare of a pissed-off FBI agent.  No one did it better.
    Then the man turned his attention to Nick.  His head was round and clean-shaven.  His expressionless face seemed to be set in cement.
    Nick spread open his hands and raised his eyebrows.  “Well?”
    The man’s face slowly softened, then worked its way into a full out smile.  “Where the fuck you been, Bracco?”  He engulfed Nick into a giant bear hug, momentarily lifting him off of his feet.
    Nick patted the beast a couple of times on the back and slid down to face him.  “I can’t believe you still work here.”  He gestured to Matt, “This here is Matt McColm.  Matt, this is Truth.”  
    Truth nodded to Matt, then slapped Nick on the shoulder.  “Last time I saw you, you were still with the Western.”
    “It’s been a decade.”  
    “Wow, seems like just yesterday you’d come in and drag Woody to G.A. meetings.”
    Nick grinned.  He looked over the big man’s shoulder to the solid green door that Truth guarded.  Beyond the fireproof frame was a large, unfinished basement filled with poker tables. This time of night the tables would be surrounded by chiropractors, strippers, tax accountants, firefighters and probably even a couple of cops from Nick’s old beat.  A mixture of cigar and cigarette smoke would be lingering just below the fluorescents.  
    “How’s the crowd?” Nick asked.     
    “Not too bad.  You want a seat?”
    Nick shook his head.  “I’d scare them all off.  You know I’m with the feds now?”
    Truth frowned.  “You don’t come around for ten years and the first thing you think to do is insult me?”
    Nick stood silent and waited.
    “We may be compulsive gamblers,” Truth explained, “but we’re not illiterates.  I read the story.  Local boy makes good.”
    Nick held up a hand.  “Hold on.  Don’t believe everything you read in the rags.”
    “Since when is Newsweek a rag?”
    Nick shrugged.  “Sometimes the legend exceeds the facts.”
    Truth waved a thick finger back and forth between the two agents.  “He’s the partner.  They called you two the Dynamic Duo or the A-Team or some shit.”
    Nick said nothing.
    Truth snapped his large fingers.  “Dream Team.  That’s it.  I knew it was something like that.  You two dug up some kind of terrorist cell planning to waste the Washington Monument.  Isn’t that right?”
    He pointed to Nick.  “According to the article, you the brains and he’s the muscle.”
    Matt stood stone-faced.
    “The way you say it,” Nick said.  “It makes my partner here sound like a bimbo with large biceps.  Look at him.  Does he look like he pumps iron?”
    Truth examined Matt’s long, thin frame and shook his head.  “Nope.  So he must be good with a 9.”
    “Precisely.  He’s the FBI’s sharp-shooting champ three years running.”
    Truth smiled.  “You two aren’t here to raid the place, I know that much.  They wouldn’t send that much talent for this old joint.”
    “Come on, Truth.”  Nick said.  “This is a landmark.  My father used to play here.  I’d rather see it turned into a museum first.”
    Truth’s smile transformed into something approaching concern.  “And you’re not here to play poker either?”
    Nick shook his head.
    “Then it must be business.”
    Nick stood motionless and let the big man put it all together.
    Truth looked at Nick, but nodded toward Matt.  “You wouldn’t bring the cowboy unless you felt a need for backup.  Something I should know?”
    Nick thought about how much he should tell him.  He trusted Truth as much as any civilian.
    “I’m not sure,” Nick said.  “I need to see Ray Seville.  Is he still playing?”
    “Seville?  Yeah, he’s back there making his usual donations.  What do you want with a weasel like him?”
    “He called the field office and left a message for me to meet him here.”  
    Truth smiled.  “The snitch strikes again.”
    “Maybe,” Nick said.
    Matt cleared his throat in a forced fashion.
    “Oh, yeah,” Nick said.  “Matt’s in a bit of a hurry.  He’s got a date tonight.”
    Truth engaged Matt’s hardened face again, only this time Matt threw in a wink.
    Truth smiled and held out his hand, “All right then, gents.  Hand them over and I’ll get Ray for you.”
    Nick cringed.  
    Matt glared at his partner.  “You can’t be serious?”
    Truth didn’t budge.  His palm remained open while his fingertips flexed impatiently.  
    “Truth,” Nick said.  “Is that really necessary?”
    Truth looked at Matt this time.  In a tone that denoted overuse, he said, “A long time ago there was a shootout in the parlor.  A couple of drunks got carried away during a tight hand.  The drunks were Baltimore PD.  Fortunately, they were more drunk than cops that night and neither one got hurt too bad.  When one of their fellow officers was called to the scene, he came down hard. Even though the two drunk cops were his senior, he was someone everyone respected and they obeyed his commands.  Back then he made a rule: if Lloyd’s was going to stay open it had to be firearm free.  No exceptions.  The Mayor, the Governor.  No one.”
    Truth took his time to look back at Nick.  “Do you remember who that cop was?”
    Nick nodded, reluctantly.  “Me.”
    “Bingo,” Truth smiled.     
    Nick fished the 9MM from his holster and handed it to Truth.  He looked at Matt and said, “Sorry, I forgot.”
    Truth took Nick’s gun and shoved it into the abyss under his oversized tee shirt.  He looked at Matt and kept his hand out.  “It’s only out of respect that I don’t pat you down,” Truth said.  “I trust Nick.”
    Matt moaned while removing his Glock.  “Forgot, my ass.”
    “Relax, Truth has our back until we’re done here.  Right Truth?”
    “Fifteen years,” Truth said.  “No one’s got by me yet.”  He gestured for them to follow and he stopped after only a few steps.  He pointed to an open door and said, “Wait in there and I’ll get him for you.”
    Before entering the room, they watched Truth walk down the hall and open the green door.  As he pulled the door shut behind him, a burst of cigar smoke escaped along the ceiling and crept toward the front door.  Nick followed Matt into the small sitting room and remained standing. Matt eased onto a dingy green sofa, rested his elbows on his knees and clasped his hands together.
    The room was a windowless twelve by twelve with two corduroy sofas facing each other.  Between the sofas was a carved up oak coffee table that wobbled without ever being touched.  The only light came from a pair of bare fluorescent bulbs that hung from a cracked ceiling.
    “I’m just glad you didn’t agree to wear a blindfold,” Matt said.  “We would have missed this beautiful decor.”
    “Calm down,” Nick said.  “I wouldn’t want you to be uptight for Valerie.”
    “Veronica.”
    “Right.”  
    Nick paced while Matt tapped his fingertips.       
    Nick heard the green door open. Truth was followed by a wiry man with deep pockets under his eyes.  He wore a baseball cap with the brim twisted to the side.
    Nick gestured for him to sit down.   
    Truth said, “I’ll be right outside if you need me,” then pulled the door shut behind him.
    Ray Seville sank into the couch across from Matt and pulled a mangled pack of cigarettes from his jeans pocket.  He flipped open a pack of matches and flicked one against the striker.  He sucked the cigarette to life, then shook the match and pointed the extinguished stick at Matt.  “Who’s he?”
    Matt glared.
    “He’s my partner,” Nick said.
    “I thought I left a message for you to come alone.”  
    “He’s my partner.  He goes where I go.”
    “Yeah, well, how do I know I can trust him?”
    “How do you know you can trust me?”
    Seville managed a meager grin.  “Aw, come on.  Me and you, we have history.”
    “History?” Nick said.  “I arrested you half a dozen times working Gold Street.”
    Seville waved the back of his hand.  “Yeah, but you was always straight with me.  A lot of other cops were pure bullshit.  Tell me one thing, then come at me from a different angle two minutes later.”
    Nick sighed.  “Listen, Ray, I’m not with the Western anymore.  You want to roll over on one of your buddies, I’ll call a shoe and get him to meet you somewhere safe. Not down here in the basement of Lloyd’s poker house.”
    Seville took another drag of his cigarette and looked past Nick at Matt still leaning forward, elbows on his knees, “What’s his problem?”
    “I told you, he’s my partner.”
    “Doesn’t he know how to speak?”
    “He’s just here to intimidate.”
    “Intimidate?  Intimidate who?”
    The guy was a pure idiot.  Nick wondered how Ray survived among the predators that prowled West Baltimore on a nightly basis.  Nick glanced at his watch and said, “Ray, where are we going here?”  
    Seville stared at the hardwood floor while the flimsy ash danced between his feet.  “A couple of weeks ago I get a call from this guy asking me for a phony drivers license.”
    “How did he know to call you?” Nick asked.
    “I dunno.  Maybe somebody told him.  Stop being a cop for a second and listen.”
    Nick folded his arms.
    “Well, anyway, I meet him and get the info he wants me to use on the license.  I usually ask some questions to see what I’m getting myself into, but this guy cuts me off before I can even start.  I never been eye-fucked like that before.”
    Seville took another drag of his cigarette and pointed to Matt.  “Is he like your trained monkey or what?”
    Nick stretched out his arm and held Matt back as he came out of his seat, then he admonished Ray with a stare that forced his attention back to the floorboards.     
    Ray’s cigarette slowly shrank between his index and middle finger.  “Shit, the guy was talking to me like I was a moron, telling me over and over where to make the drop. How long to wait.  I look like I just fell off the turnip truck?”
    Nick let that one go.
    “He asked me everything under the sun, except if I know how to make a good dupe.  I mean shit, the guy didn’t even haggle with my rate.”  Ray dropped the ciga

Free Kindle Nation Shorts – January 28, 2011: Free Your Inner Novelist With D.D. Scott’s MUSE THERAPY: Unleashing Your Inner Sybil, A Free Excerpt

Free Kindle Nation Shorts – January 27, 2011

Free Your Inner Novelist
With D.D. Scott’s

MUSE THERAPY:
Unleashing Your Inner Sybil
————-

A Free Excerpt

By Stephen Windwalker
Editor, Kindle Nation Daily
©Kindle Nation Daily 2011


About a year ago, acting on a recommendation by Seth Godin, I read a remarkable book entitled The War of Art: Winning the Inner Creative Battle by Steven Pressfield. It was a pretty remarkable book — all about removing or avoiding the sources of friction that were keeping me from getting done as much as I would like to get done — and it has had an effect on my life nearly every day since I read it.

But it was a bit dry in places, and I suspect that it was also a bit of a guy’s book, if you don’t mind my saying so. Neither of those was a deal-breaker for me personally of course, but I remember daydreaming at the time that it would be great if somebody could come along and deliver a similar message that might be more vivid, more lifely, more fun, and more accessible, including, of course, to women.
And so, now, along comes the woman of my dreams, or of my daydreams in any case, to write an incredibly smart, funny, and truly inspirational book that could be the spicier sibling of Pressfield’s book. And I am here to tell you that, like The War of Art, D.D. Scott’s MUSE THERAPY: Unleashing the Inner Sybil is going to have an effect on thousands of people’s lives nearly every day once they have read it.
What I haven’t mentioned is that, like The War of Art, MUSE THERAPY is written with writers in mind. But with both books, the messages will resonate far more widely than just among the community of writers or, in the case of MUSE THERAPY, romance writers.
Whether you are working on the next great read to feature a Fabio clone on the cover (with or without Stetson), any other form of creative endeavor, or frankly any activity that requires you to focus on working solo to harvest your individual talents, D.D. Scott has written a book that could change your life, and give you plenty of laughs in the bargain!
Here’s the set-up:
Romantic Comedy Author and a Writer’s Go-To-Gal for Muse Therapy D. D. Scott is treating you and your muses to the book version of her wildly successful Muse Therapy Online Classes and Live Workshops.
MUSE THERAPY utilizes fun and fabulous tools to inject life into writers’ tired and/or stressed out muses. By showing you how to analyze your muses’ funks, rein in your creative divas and ultimately up your page counts, D. D.’s created a writer’s go-to-manual for “muse disorders”. She’ll help you dig deep then deeper still into your writer psyche.
Why is she helping writers the world over?
Here’s the scoop…
Once upon a time her muses weren’t ticking. They were ticked off. Why? Because they were too damn tired and stressed out trying to find their way on the Yellow Brick Road to Publishing Oz. Screw the Happily Ever After. Her creative divas couldn’t produce past page one.
Saying that writing-for-publication is tough is the bolder-than-bold-faced understatement of the new millennium. And with today’s huge economic and technological changes, it ain’t gettin’ any easier.
But once D. D. shows you how to recognize, acknowledge and accept your muses’ afflictions and teaches you her tricks, tips and “trips” to treat the word witches of your writing world, you and your muses will be cranking out pages with gusto.
Plus, you won’t be alone in your journey. Her MUSE THERAPY tips and tricks continue to be apropos no matter where a writer is in his/her career. By sharing fantastic and at times roll on the floor, laugh out loud anecdotes she gathered – either interviewing or attending workshops given by the romance genre’s hottest stars – she proves this assertion. You’ll hear from:
Allison Brennan
Jennifer Crusie
Cynthia Eden
Janet Evanovich
Jennifer Greene
Nancy Haddock
Gemma Halliday
Linda Howard
Eloisa James
Marcia James
Jayne Ann Krentz
Debbie Macomber
Nora Roberts
Karen Rose
Tawny Weber
Welcome to “therapy”…MUSE THERAPY that is.
Click here to download D.D. Scott’s MUSE THERAPY(or a free sample) to your Kindle, iPad, iPhone, iPod Touch, BlackBerry, Android-compatible, PC or Mac and start reading within 60 seconds!
Free Kindle Nation Shorts – January 28, 2011

An Excerpt from
MUSE THERAPY:
Unleashing Your Inner Sybil
by D.D. Scott
Copyright © 2010, 2011 by D.D. Scott and published here with her permission

INTRODUCTION
Once upon a time my muses weren’t ticking. They were ticked off. Why? Because they were too damn tired and stressed out trying to find their way on the Yellow Brick Road to Publishing Oz. Screw the Happily Ever After. My creative divas couldn’t produce past page one.
Let me clarify a bit. I’m not talking about my ticked off muses from yester
year, before I wrote this book to give your muses a good kick in the pants. I’m talking about my yesterday muses, or maybe the day before that, or last week and last month. ‘Cause here’s the thing…our creative divas are a constant work in progress (hereinafter referred to as WIP) as are the manuscripts of our hearts that we’re trying like Hell to get published.
Saying that writing-for-publication is tough is the bolder-than-bold-faced understatement of the new millennium. Writing-for-publication is a bitch! There’s just no sweeter-than-raw-sugar way to say it. And with today’s huge economic and technological changes, it ain’t gettin’ any easier.
The ruby slipper advice that once took your manuscripts from the slush pile to Emerald City has been re-shoed. Editors have been there, done that and are looking elsewhere for the ‘Yes…I want that one’. It’s a new publishing world, and if you want to make it, you can’t be anything less than brave and fierce in your determination. Not only do your muses need to be dancing like nobody’s watching. They’d better be dancing their asses off for the long-haul.
But how can our muses keep bootscootin’ when publishers continuously change the beat of what they want and don’t want? When no one else is still gutting it out with you on the dance floor? When the music we like isn’t the crowd favorite or worse yet, it’s the genre publishers insist is dead?
For years, seven to be exact, I pondered these less-than-stellar writing-for-publication realities…just like you are now. Frankly, I still ponder them every day while getting my BITCHOK groove on (Butt In The Chair Hands On Keyboard) producing the next batch of pages I hope to sell to some editor somewhere over the publishing rainbow of rejection.
But not until January of 2009 while I was comfy on the couch in a Smoky Mountain chalet in Tennessee, with a spirited fire crackling and warming my fluffy-socked feet, did I discover Muse Oz.
On that frigid, snow-frosted mountain night, I was looking for a way to make my writing-for-publication career plan break out and stand out from the slush pile pack. I’d always been a big fan of NOT running with the wolves. Instead, I like to stay out of the pack and ahead of the leader dog just a smidgeon. So how could I get myself to be a Seth Godin Purple Cow on my Yellow Brick Road to bestsellerdom?
Godin, a Tufts and Stanford educated marketing guru, said in his New York Times and Wall Street Journal bestseller PURPLE COW that to transform your company (or yourself), you’ve got to be “remarkable”…as remarkable as a Purple Cow in a barnyard full of brown Hiefers.
Here’s what I knew for sure…Writers didn’t need to be reminded how tough writing-for-publication is. We all “get” that! Nothing “remarkable” about that. It just plain sucks. And on those rare occasions we forget, there are plenty of books out there emphasizing the realities of Publishing Hell and crashing creative spirits.
What writers need are fun and productive techniques to keep their muses cranking out pages ’til some editor somewhere likes what they put on the page and offers them the “big bucks”…or just bucks period.
To keep my muses cranking out manuscripts I rely in part on multiple award-winning poet, playwright, filmmaker and iconic creativity teacher Julia Cameron’s THE ARTIST’S WAY. Cameron taught me (and reminds me each time I return to her book – which is a bunch) that writers, like all artists, fly in the face of failure on just their “wings and a prayer”. We continue traveling writing-for-publication paths because those fascinating but at times treacherous roads feed our souls, awaken our spirits and boost our zest for life.
Beyond Julia Cameron’s guidance, I rely on my own unique brand of psychobabble bullshit cultivated by my studies at Purdue University. I graduated magna cum laude with a BA in Political Science and Psychology. Basically, I’m qualified to lie then make reasonable excuses for and an analysis of the world’s beyond crazy antics. Seriously though, I love analyzing what makes leaders and the groups they lead tick. In addition, I have a knack for public speaking and teaching. I simply love to share and debate ideas.
So back to my Smoky Mountain chalet but add a gin and tonic with lime to the fire-warmed, toasty scene I previously set. I was taking a class that night – add perpetual student to my resume – by award-winning writer and instructor extraordinaire Randy Ingermanson, aka The Snowflake Guy, on how to write what he calls a “SuperArticle” or “Pillar Article” to capture people’s attention on a world-wide stage. Randy pushed me to think about what it was I knew and could teach writers in a unique way that would also introduce D. D. Scott to the world in a big, splashy, one-of-a-kind blitz. What could I write to make the buzz (at the water-coolers near the publishers’ slush piles) about me and my writing?
Finally…I had it!
Thanks to Seth Godin, Julia Cameron, The Snowflake Guy, a fabulous fireplace in a mountain chalet and my share of gin, I discovered a way to be a purple cow on my way to Publishing Oz. And boy would my parents be thrilled I was actually going to use my college degree! I reached for my legal pad and pencil – how I start most all of my writing projects – and MUSE THERAPY FOR WRITERS: UNLEASHING YOUR INNER SYBIL was born.
MUSE THERAPY utilizes fun and fabulous tools to inject life into writers’ tired and/or stressed out muses. By showing you how to analyze your muses’ funks, rein in your creative divas and ultimately up your page counts, I’ve created a writer’s go-to-manual for “muse disorders”. I’ll help you dig deep then deeper still into your writer psyche.
Once I show you how to recognize, acknowledge and accept your muses’ afflictions, I’ll teach you tricks, tips and “trips” to treat the word witches of our writing world.
My techniques are built upon poking good-natured fun at just how closely our life as writers parallels that of the best mental health maladies.
By showing you how to keep your BITCHOK groove on, I’ll keep you laughing out loud and producing a plethora of pages. Using creative exercises such as Muse Therapy “trips”, collaging as a WIP of your WIP, “Rorschach-inspired” Feng Shui, Bi-Polar and Neurotic Writing, and stimulants like bitchy signs when coffee, chocolate and martinis aren’t enough, I’ll empower you to regain sovereignty over your creative dynasties.
You may know you need MUSE THERAPY. You may not. Depends on whether or not you’re in denial. Although you DID pick-up this book which could be a significant clue, let me convince you beyond reasonable sanity that you damn well need to continue reading.
When any of the below sound even remotely familiar, you need MUSE THERAPY:
1. Your muses aren’t ticking. They’re ticked off.
2. Your muses are in a funk saying “up yours” instead of upping your page counts.
3. Even great sex or a new pair of shoes can’t rein in your creative divas.
4. The following sessions sound appealing:
** Unleashing Your Inner Sybil
** Writing Bi-Polar: I Suck vs. I’m a Genius
** What Do You Mean I’m Neurotic? No, I’m Not. Well, Not Exactly. But Okay… There Are Times When. Like You Need To Know That. Anyway, I Was Thinking, My Jeep Is Red
** Rorschach For Writers: I See Dead Lines
** Stimulants: When Coffee, Chocolate, and Martinis Aren’t Enough
** Goin’ Jungian
** Muses and Misplaced Aggression – Kick Your Own Ass Not Somebody Else’s
** Word Witch Paranoia
** Rockin’ It With Anal Retention
5. Your word witches are on their way to publishing Oz but the Yellow Brick Road you’re bootscootin’ on…well…the damn thing never ends!
6. Everyone says your writing is a waste of time, a “hobby” that will never “pay-off”.
7. You feel the urge to tell everyone in reason six to (I’m thinking of a phrase that starts with a 4-letter-word and ends with a ‘you’, ‘off’ or ‘me’).
Here’s the secret MUSE THERAPY reveals…upping page counts isn’t done by hurling nasty insults at your muses. Oh no. When writing-for-publication, you must wine and dine those divas. Whether it’s with coffee, chocolate, fabulous finds in some chic boutique, or with what I call Muse Therapy Trips, it’s all about pampering those chicks and chucks ’til you get out of them exactly what you want…and then some.
To do this, you must discover why, when, where and how your muses produce fabulous bursts of ideas on your screen and manuscript pages. With MUSE THERAPY, you’ll have a terrific time conquering your creative divas and taking back the crown of your personal Muse-ville kingdoms.
And you’re not alone in your journey. My MUSE THERAPY tips and tricks continue to be apropos no matter where a writer is in his/her career. By sharing fantastic and at times roll on the floor, laugh out loud anecdotes I gathered – either interviewing or attending workshops given by the romance genre’s hottest stars – I’ll prove this assertion. You’ll hear from:
Allison Brennan
Jennifer Crusie
Cynthia Eden
Janet Evanovich
Jennifer Greene
Nancy Haddock
Gemma Halliday
Linda Howard
Eloisa James
Marcia James
Jayne Ann Krentz
Debbie Macomber
Nora Roberts
Karen Rose
Tawny Weber
You’ll appreciate and relate to the at times hilarious at times appalling and embarrassing flops and miss-steps they endured on their way to bestseller superstardom.

Believe you me, I was shocked to garner attention from such writing greats!
I conceived MUSE THERAPY: UNLEASHING YOUR INNER SYBIL as an online class that I’d be lucky to attract interest in since, at that time, I was still unpublished. But I debuted the idea at RWA’s National Conference in Washington D.C. in July 2009 to gigantic kudos then booked seventeen online classes and live workshops within the next sixty days (including being asked to provide “therapy” for the 2010 RT Convention in Columbus Ohio). Muses were evidently hurting all over the globe, and I’d realized the awesome reach of my approach. I’d created a huge hit for writers to heal their partners on the page!

And wow was I completely humbled when class participants continued asking me to write a companion book. Even though I had no clue what the Hell I was doing (just ask my agent), I soon set out on that non-fiction Yellow Brick Road with gusto. Like I’ll show you to do, I reined in my creative divas. You’re reading the results.

So let’s get started…the next book you read could be yours!
Grab a comfy couch or your favorite chair and put up your feet. It’s time to give your muses a big-time boost of productive power. Note: I’m serious about putting up your feet. Get comfortable. Whatever form that takes for you.
Besides a comfy couch or chair, you’ll need the following tools on your MUSE THERAPY journey:
  1. A Journal or Notebook – one that really makes your muses wake-up and take notice. Something so in line with their tastes that they’re dying to crack open the cover and get to work. For example, I love anything hot pink and chocolate brown in color, and the more sparkles on it the better. So I snatch up those puppies wherever and whenever I find ’em. And don’t forget the equally fabulous pen or pencil your muses also can’t resist. Oh, and if you’re a techno person, using your PC, laptop or notebook, or smart phone is perfectly fine too. MUSE THERAPY is all about whatever works for you and your muses. Who cares what anyone else thinks of your methods and tools?
  1. A Reward Box to fill with slips of paper containing treats for yourself as rewards for reining in your creative divas and upping your page counts. For example, I might jot down that I’d like a mani or pedi or mani/pedi combo – depending on my budget. Or how about an evening at the movie theatre instead of at home with my DVR? And I’d love to have another massage. So I write down all these treats and toss them into my Reward Box. Every so often, after I’ve met another production goal, I pick a slip from the box and treat myself and my muses to something I know ahead of time I’ll beyond love. And as in the above MUSE THERAPY tool, of course it’s okay to put all your rewards on some techno-terrific spreadsheet too!
To pamper your muses, you must first pamper yourself. In MUSE THERAPY, it’s all about you, Baby! Give yourself permission to be queen of your creative domain. Your muses will be glad you did and so will you.
Just don’t fool yourself into thinking once you’re done with this book, you’re good to go. Writers are WIPs just like their WIPs. Our
muses can always use a tune-up. And MUSE THERAPY FOR WRITERS: UNLEASHING YOUR INNER SYBIL is the right mechanic as verified by the following bestselling authors:
“Had a blast doing this. Love your idea, and hope you have a terrific time with it!” – Jennifer Greene aka Alison Hart

“Sounds like fun, and I’m sure will help people.” – Eloisa James

“Love your subtitles :)” – Allison Brennan

“All the best! I have to find a time…I’ll be home long enough to take the whole course!” – Nancy Haddock
“I really REALLY appreciate your asking for my input. I’m so excited… and know it’s going to be amazing. I’ll send people your way!!” – Tawny Weber
“Thanks so much for asking me to participate! This was fun. :)” – Cynthia Eden
“Thanks so much for including me in your workshop quotes! I really like your “voice” and humor. Let me know if there is anything else I can do.” – Marcia James
So get back on that couch of yours and put up your feet. You’re ready to embark on your first of many MUSE THERAPY sessions. Take note of the creative exercises I teach that really make your muses dance like nobody’s watching. You’ll return to these fun and fabulous tools whenever your creative divas need another kick in the pants.
Most writing books harp on and on and on about the beyond bleak chance you will ever see your book on a shelf or e-reader screen. Instead of dampening your creative zest, yet again, with additional cold shots of discouragement, we’re going to focus on reigniting the fiction and/or non-fiction flames kindling your muses. Using unique exercises and tools, we’ll warm up your muses and analyze their funks then rein in those fickle divas and up your page counts.
Playing on the “crazy trip” writing-for-publication is (even on a good day), we’ll assess your writer’s journey in a parody-like roast as if you are the next great mental health case study.
We’ll study and continuously build-on laugh out loud visuals including photos, art work reproductions, bitchy signs, comics and cartoons. Using these outrageous images, I’ll help you stimulate and reinvigorate your cranky, stressed-out muses.
Focusing on laughter as the best and most successful therapy, MUSE THERAPY shows you and your muses it’s okay to be “crazy” as long as your “crazy” works for you by upping your page counts and taking back the throne of your creative empires.
Welcome to “therapy”…MUSE THERAPY that is.

CHAPTER ONE
NAME THAT MUSE
You’re still reading. Bravo! I take it you’ve decided you need a writer’s go-to-gal for muse “disorders”. You’ve committed yourself to staying on the “crazy” writer’s journey to publication. For that, you should probably be committed.
Instead, pat yourself on the back. Go ahead. Give yourself a hearty tap. Few people are waiting in line to do it for you, right? So have at it! Congratulate yourself for being at the top of your creative game. You’re not in denial. And shame isn’t blocking your momentum ’cause you’re still “in therapy”. You must be in the writing business for fun, fortune and fame.
What? That’s not it? Okay. At least that last ideal looks fabulous on paper. You gotta see it to believe it. Right?
So bad jokes aside, let’s get started.
I’m going to remind you again, like I will throughout the book, that you’re not alone in your take-back-the-power struggles. For example, New York Times bestselling author of historical romances and Fordham University Shakespeare professor Eloisa James told me “My muse doesn’t fizzle because I can’t allow her to…I keep my imagination alive…”
Yes. Even New York Times Bestsellers have to work at keeping their muses on the ball. But not just the top of the chart authors have to pamper their muses. Here’s what a couple of my Muse Therapy Online Class participants shared with me about their on-going struggles with their creative divas:
“I’m still trying to get my muse back here. She sent me a postcard from some beach in Tahiti saying that I was the one who needed therapy and not to bother her while she is sunbathing, swimming and dancing with (insert names of hot cabana boys)…Oh and the chocolates I sent her were good but she wants dark chocolate next time and more rum. Grrr.”
“A few weeks ago, I had a big push and submitted a bunch of stuff and now I’m waiting to hear back. And, I guess my muses feel like they needed a vaca(tion). Haven’t heard a peep from them. Guess I’ll have to call them out…”
When you’re fin

Imagine the action and ideas of The Da Vinci Code and The Lost Symbol in good, clean prose, and you’ve got our Kindle Nation eBook of the Day, Terrence O’Brien’s The Templar Concordat – And here’s a free sample!

Loved The Da Vinci Code and The Lost Symbol, but you wish Dan Brown could lose his fixation with all the arty esoterica? Terrence O’Brien’s The Templar Concordat could be the book that hits your sweet spot….
Here’s the set-up:

When the truth is your greatest danger, and the enemy knows the truth, things can only go downhill when the enemy finally gets the proof. And that’s the proof the Hashashin get when they steal what the Vatican doesn’t even know it has.


Now the infallible decrees of two Twelfth Century popes and three kings, stolen by the Hashashin, threaten to catapult the bigotry, bias, and religious blood baths of the Third Crusade straight into the Twenty-First Century.

When Templars Sean Callahan and Marie Curtis are drawn into the mess, they face an ancient enemy that has already nearly won the battle, a newly elected Mexican pope being undermined by entrenched Vatican powers, world class scholars who will sell their prestige to the highest bidder, and terrorists lingering over lattes in sidewalk cafes.

Moving from Rome to London, Switzerland, and Saudi Arabia, Callahan and Curtis are desperate to find some way to stem the success the Hashashin are having enlisting the majority of moderate Muslims in their Jihad.

Outmanuevered at each step by the Hashashin, only a last ditch roll of the dice has any chance of success. But it’s the only chance they have.

Right here, in the comfort of your own browser, is your free sample:

Desperate Housewives is a toddlers’ tea party next to our Kindle Nation eBook o’ the Day, Cathryn Grant’s suburban noir novel Demise of the Soccer Moms! Here’s a free sample

Behind the veneer of manicured yards, designer furniture and vacations, fast-paced careers and super-children lurks envy, greed and materialism. Beneath that? Fear.
Suburban Noir – where the mundane is menacing.
Here’s the set-up for Cathryn Grant’s Demise of the Soccer Moms:

A seemingly quiet suburban neighborhood is upended when a provocative single mother saunters onto the school playground for the first time. Her Doc Marten boots, tight T-shirts, and in-your-face attitude stir up buried fears and sexual anxiety.


In the dark corners of her home, a woman battles crippling memories that threaten to destroy the family she wants so desperately to protect. A suspicious death forces her best friend to make a hard choice between marriage and friendship.

Paranoia, jealousy, and maternal instinct collide, leading to the demise of the soccer moms.

Suburban Noir – where the mundane is menacing.

About the Author:

Cathryn Grant’s short fiction has appeared in Alfred Hitchcock and Ellery Queen Mystery Magazines. Her short story, “I Was Young Once” received an honorable mention from Joyce Carol Oates in the 2007 Zoetrope All-story Short Fiction contest.

Her second novel, BURIED BY DEBT, will be released in November 2011.

From Grant’s SuburbanNoir.com site:

Here you’ll find a fictional world populated by individuals who are obsessed, paranoid, desperate to find happiness and clinging to their sense of security. Sometimes, they find redemption.

In its heyday, Noir Fiction illustrated a subterranean stream of discontent, a sense that the so-called “good life” wasn’t really that good — that it was actually quite toxic, because it was based on envy, greed and materialism.

Suburban Noir can be thought of as a sub-genre of psychological suspense. The characters are wounded and flawed, yearning for something they can’t define. A few of them are more than a bit off balance, driven to crime by mental and emotional forces they’re unable to control.

And here, in the comfort of your own browser, is your free sample:


Louise Erdrich’s Love Medicine meets The Education of Little Tree in Our Kindle Nation eBook of the Day, Ghost Country by Dana Michelle Burnett. Here’s a Free Sample!

 
Dana Michelle Burnett

Carrying echoes of Amy Tan and Rebecca Wells, Dana Michelle Burnett’s debut novel Ghost Country takes the reader into the lives of three Cherokee women and the lives of their modern day daughters.

Here’s the set-up for Ghost Country by :


Told in a series of vignettes that alternate from the era of the Civil Rights Movement, Woodstock, and the Vietnam War, to the present day.


From the Author:  

Ghost Country features a glimpse into my own Cherokee ancestry mixed with fictional characters and compelling stories.  

“The idea for the novel sprang from the Cherokee heritage of my own family, from one generation to the next; our tie to the Cherokee has become less evident.

“With the birth of my daughter, I began to research our Cherokee lineage so that perhaps my daughter’s connection could be stronger than mine was.  During my research, these characters came to mind.  Ghost Country became the result.”

Dana Michelle Burnett spent most of her life writing short stories and sharing them with family and friends.  She was fresh out of high school when she earned a spot as a guest columnist for her local newspaper, The Tribune.  In the years that followed, her work was published in numerous commercial and literary magazines including Just Labs, Mindprints: A Literary Journal, Foliate Oak, and many more.  Her short story John Lennon and the Chicken Holocaust was included in The Best of Foliate Oak in 2006.

She took over the family’s successful home decor business, and is also author of Home Decorating For The Real World.

And here, in the comfort of your own browser, is your free sample:
IF YOU ARE READING THIS POST ON YOUR KINDLE, JUST ENTER 
INTO YOUR COMPUTER OR TABLET  BROWSER TO READ THE FREE SAMPLE!


Each story carries the reader through a world where a birthday wish can make people disappear; where a child, after being told that she is nothing, can find her way back to the forgotten Cherokee traditions; and where a woman can give her daughter a treasured bit of advice thanks to a dead rock star.

There will be suffering before it all goes dark. Mark LaFlamme’s Box of Lies is today’s Kindle Nation eBook of the Day, and here’s a free sample.

Are you ready for something completely different?
Real-life crime reporter Mark LaFlamme has received a clean sweep of eight straight 5-star reader reviews for Box of Lies, his collection of over two dozen stories terrifying enough to raise the hairs on the back of our necks, yet familiar enough that they could have come from our own dream lives….
Here’s the set-up:


Peek inside and thrill to discover:

  • Men and women forced to march for their daily bread.
  • A crazy lady who frets over pennies on the sidewalk.
  • A professor learns we all may be works of fiction. Cannibals hang out over pitchers of beer. And one man knows the answers to the grandest mysteries of them all.

From award-winning Maine author Mark LaFlamme, 27 stories that have been keeping readers up at night.

“LaFlamme writes a well-paced, descriptive, riveting narrative you will not want to put down,” writes reviewer Tracee Gleichner.


A man falls in love with a machine. A mind-reader wishes the human soul had a mute button. And a visiting extraterrestrial finds human nature detestable until he is hopelessly charmed by a simple game.


Mesmerizing tales from a masterful storyteller.

“Like Dean Koontz, John Saul and Stephen King combined,” says author Betty Dravis. “Yes, LaFlamme is THAT good!”

Book of LIes includes 27 disturbing tales that question the world around us, each more unsettling than the last:

A professor discovers that we all may be works of fiction.
A freak storm leaves half the population speaking gibberish.
And the grandest secrets of them all may await in the grave.

From a Vine Voice Reviewer:


LaFlamme is like a graffiti artist sliding around a corner in the dark with his collar turned up, a few bold strokes and he’s moved on–but the territory of your mind has been tagged with his distinctive images. —
Linda Bulger, a top Amazon Vine Voice reviewer.– Linda Bulger, 2010



About the Author


Mark LaFlamme is a crime reporter and columnist at the Sun Journal in Lewiston, Maine.

His weekly column Street Talk has been named both Best in Maine and Best in New England. In 2006, LaFlamme was named Journalist of the Year by the Maine Press Association.

He is the author of the novels The Pink Room, Vegetation, Asterisk: Red Sox 2086, and Dirt: An American Campaign, as well as the short story collection “Box of Lies.”

And here, in the comfort of your own browser, is your free sample:

Kindle Nation Daily Free Book Alert, Sunday, January 23: A Bonanza of Free Kindle Games! plus … You could say “think Gone with the Wind meets Brokeback Mountain,” but I’ll just say it is one of the best novels of the year for any grown-up: Unmentionables by David Greene (Today’s Sponsor)

Your Kindle can’t do everything, but one thing it can do is let you take a break between chapters of a great book like Unmentionables: A Novel to play some very enjoyable games absolutely free….

But first, a word from … Today’s Sponsor

Editor’s Note:

I don’t go out on a limb like this for one of our sponsors more than two or three times a year, but I hope you will read David Greene’s novel Unmentionables, because it is a terrific, life-affirming read.

David Greene

I could care less about the little controversies that some will associate with it, because this book is so much better than you might expect if you focus on them. It should have a place in every reader’s library, and the sooner you make time to read it the sooner you will share the great experience I’ve had the past few days.

I’m not going to pigeon-hole Unmentionables by saying “think Gone with the Wind meets Brokeback Mountain,” because that wouldn’t do justice to the novelist’s achievement in recreating a historical world that seems to suggest the impossibilty that he might actually have been present for everything that happened just outside Margaret Mitchell’s earshot.

This book is already the #1 bestseller among over 1,700 Kindle books in its leading genre list and challenging authors from Ken Follett to Jean Auel on the historical fiction bestseller list, but the surprise for some in the publishing industry will come when it emerges as one of the top indie crossover hits of 2011. I hope you will join me in discovering a remarkable new voice in fiction.

One reviewer wrote about recognizing, in David Greene’s prose, a style similar to that of Anthony Trollope or other 19th century novelists. Although that frankly did not strike me, I will say that one important element of Greene’s triumph here is strikingly reminiscent of the great tradition of English novelists from Eliot and Hardy to D.H. Lawrence. Part of what made the English novel of the 19th and early 20th century so compelling was the existence of class and social barriers that locked characters out from opportunities to live their dreams.
American culture has often tended to homogenize our experience and deny the existence of such barriers to focus on less compelling personal idiosyncracies, but the barriers are there, they have always been there, and in Unmentionables Greene gives resonance to those barriers, to their human cost, and to the passion and nobility that such barriers can inspire in “ordinary people.”

-Steve Windwalker

Unmentionables – A Novel
by David Greene
4.9 out of 5 stars 8 Reviews
Text-to-Speech: Enabled
Don’t have a Kindle? Get yours here.

Great and thought-provoking book
Took my Breath Away!!!
Fantastic Epic
A Must Read !



Here’s the set-up:


Unmentionables is about two pairs of lovers in the Civil War south. One couple is straight, white, and wealthy. The other couple is gay, black, and enslaved.

Field hand Jimmy meets Cato, a house servant from a nearby plantation. Jimmy, who despises whites, mistakes Cato for a white man. But soon he learns that Cato is only half white. Cato is the illegitimate son of plantation owner Augustus Askew. With time, Jimmy’s fascination with Cato grows into a love for which they know no antecedents.

Unmentionables is also the story of Dorothy Holland, whose parents own Jimmy. Dorothy does not want any man to control her life. When she falls in love with Cato’s half-brother, William Askew, she must persuade him to agree to her terms, and to betray his role as a Confederate army officer.

What the Reviewers Say

“…surpasses the majority of Civil War novels by bringing together two enthralling love stories. Superb historical fiction with a contemporary angle; an enlightening look at the hidden elements of our past.”

–ForeWord Clarion Review

This book was fascinating from beginning to end. It is one of those rare books one never wants to end. The story is one never told before, in a situation everyone can learn from. Part of what makes the book so enjoyable is that the style is very reminiscent of 19th century English novels — Trollope, for example. Highly recommended.

–Constant Reader



Unmentionables by David Greene is set in the American Civil War south and recounts the intertwining stories of two couples, Jimmy and Cato, who are gay, black, and enslaved, and Dorothy and William, who are straight, white, and wealthy. If this time period and subject matter seem a tad too distant to relate to your present 21st century lives, fret not. History in this work is used masterfully to transform the specific into the universal. Unmentionables is about love – romantic and otherwise…


Mr. Greene’s great appreciation of all that is sensual is equaled by his intellectual understanding of relationships that cross established racial, social, sexual, and political boundaries. In a style that is straightforward without being encyclopedic, poetic without being over-embellished, and informative without being didactic, he achieves that balance of form and content required for a successful, and, in this case, beautiful work of art. When Erastus explains to Dorothy why he has chosen his itinerant lifestyle, he states:

“As I said before, so much that is beautiful in life happens in an instant. But one must contrive to be in the right place at the right time and have one’s eyes open.”

For me, one of those instants began when I received my copy of Unmentionables.

–James Viloria
Click here to download Unmentionables – A Novel (or a free sample) to your Kindle, iPad, iPhone, iPod Touch, BlackBerry, Android-compatible, PC or Mac and start reading within 60 seconds!

Each day’s list is sponsored by one paid title. We encourage you to support our sponsors and thank you for considering them.
Authors, Publishers, iPad Accessory Manufacturers:
Interested in learning more about sponsorship? Just click on this link for more information.

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