Why should I provide my email address?

Start saving money today with our FREE daily newsletter packed with the best FREE and bargain Kindle book deals. We will never share your email address!
Sign Up Now!

Neil Gaiman returns to dazzle, captivate, haunt, and entertain with this third collection of short fiction! Trigger Warning by Neil Gaiman. Save 50% today!

Trigger Warning: Short Fictions and Disturbances

by Neil Gaiman
4.6 stars – 1,225 reviews
Text-to-Speech: Enabled
Here’s the set-up:

Multiple award winning, #1 New York Times bestselling author Neil Gaiman returns to dazzle, captivate, haunt, and entertain with this third collection of short fiction following Smoke and Mirrors and Fragile Things—which includes a never-before published American Gods story, “Black Dog,” written exclusively for this volume.

In this new anthology, Neil Gaiman pierces the veil of reality to reveal the enigmatic, shadowy world that lies beneath. Trigger Warning includes previously published pieces of short fiction—stories, verse, and a very special Doctor Who story that was written for the fiftieth anniversary of the beloved series in 2013—as well “Black Dog,” a new tale that revisits the world of American Gods, exclusive to this collection.

Trigger Warning explores the masks we all wear and the people we are beneath them to reveal our vulnerabilities and our truest selves. Here is a rich cornucopia of horror and ghosts stories, science fiction and fairy tales, fabulism and poetry that explore the realm of experience and emotion. In Adventure Story—a thematic companion to The Ocean at the End of the Lane—Gaiman ponders death and the way people take their stories with them when they die. His social media experience A Calendar of Tales are short takes inspired by replies to fan tweets about the months of the year—stories of pirates and the March winds, an igloo made of books, and a Mother’s Day card that portends disturbances in the universe. Gaiman offers his own ingenious spin on Sherlock Holmes in his award-nominated mystery tale The Case of Death and Honey. And Click-Clack the Rattlebag explains the creaks and clatter we hear when we’re all alone in the darkness.

A sophisticated writer whose creative genius is unparalleled, Gaiman entrances with his literary alchemy, transporting us deep into the realm of imagination, where the fantastical becomes real and the everyday incandescent. Full of wonder and terror, surprises and amusements, Trigger Warning is a treasury of delights that engage the mind, stir the heart, and shake the soul from one of the most unique and popular literary artists of our day.

Today, save 73% on Neil Gaiman’s Newbery Medal-winning novel for kids, The Graveyard Book by Neil Gaiman and Dave McKean

The Graveyard Book

by Neil Gaiman, Dave McKean
4.7 stars – 7,230 reviews
Text-to-Speech: Enabled
Here’s the set-up:

Neil Gaiman’s perennial favorite, The Graveyard Book, has sold more than one million copies and is the only novel to win both the Newbery Medal and the Carnegie Medal. 

Bod is an unusual boy who inhabits an unusual place—he’s the only living resident of a graveyard. Raised from infancy by the ghosts, werewolves, and other cemetery denizens, Bod has learned the antiquated customs of his guardians’ time as well as their ghostly teachings—such as the ability to Fade so mere mortals cannot see him.

Can a boy raised by ghosts face the wonders and terrors of the worlds of both the living and the dead?

The Graveyard Book is the winner of the Newbery Medal, the Carnegie Medal, the Hugo Award for best novel, the Locus Award for Young Adult novel, the American Bookseller Association’s “Best Indie Young Adult Buzz Book,” a Horn Book Honor, and Audio Book of the Year. Don’t miss this modern classic—whether shared as a read-aloud or read independently, it’s sure to appeal to readers ages 8 and up.

Neil Gaiman’s definitive companion to a global phenomenon! Don’t Panic: Douglas Adams & The Hitchhiker’s Guide to the Galaxy by Neil Gaiman

Don’t Panic: Douglas Adams & The Hitchhiker’s Guide to the Galaxy

by Neil Gaiman
4.5 stars – 365 reviews
FREE with Kindle UnlimitedLearn More
Text-to-Speech and Lending: Enabled
Here’s the set-up:
The #1 New York Times–bestselling author’s “hilarious . . . idiosyncratic . . . delightful” and definitive companion to a global phenomenon (Publishers Weekly).

Douglas Adams’s “six-part trilogy,” The Hitchhiker’s Guide to the Galaxy grew from a blip of a notion into an ever-expanding multimedia universe that amassed an unprecedented cult of followers and became an international sensation. As a young journalist, Neil Gaiman was given complete access to Adams’s life, times, gossip, unpublished outtakes, and files (and became privy to his writing process, insecurities, disillusionments, challenges, and triumphs). The resulting volume illuminates the unique, funny, dramatic, and improbable chronicle of an idea, an incredibly tall man, and a mind-boggling success story.

In Don’t Panic, Gaiman celebrates everything Hitchhiker: the original radio play, the books, comics, video and computer games, films, television series, record albums, stage musicals, one-man shows, the Great One himself, and towels. And as Douglas Adams himself attested: “It’s all absolutely devastatingly true—except the bits that are lies.”

Updated several times in the thirty years since its original publication, Don’t Panic is available for the first time in digital form. Part biography, part tell-all parody, part pop-culture history, part guide to a guide, Don’t Panic “deserves as much cult success as the Hitchhiker’s books themselves” (Time Out).

Publetariat Dispatch: Writers As B**ches And The Investment Of Readers

Publetariat: For People Who Publish!In today’s Publetariat Dispatch, author and small publisher Alan Baxter discusses authors’ obligations to their readers, particularly where a book series is concerned. Warning: contains some strong language.  

 

Back in May 2009 a reader asked Neil Gaiman, via his blog, whether it  was reasonable to feel let down that George R R Martin was not giving  any clues about the release of the next A Song Of Fire & Ice installment. Gaiman famously told that reader, “George R R Martin is not your b**ch”.

images Writers as bitches and the investment of readersGRRM is one of the best and most popular fantasy writers, but his A Song Of Ice & Fire  series, which started in 1996, has been a long time to completion, and  isn’t finished yet. At the end of book 4 it said to expect book 5 in a  year. It took six years to see publication. There are still two more  books to come, with no release date even hinted at. So people are  getting concerned that the whole story may never be told, and the query  posted to Neil Gaiman is still valid. As, potentially, is Gaiman’s  answer.

Gaiman’s point is that GRRM doesn’t have to live up to our  (readers) expectations. As a writer, I can kind of agree with that to  an extent. Gaiman posits that the reader, by buying the first book,  assumed some kind of contract with Martin. Gaiman says, “No such  contract existed. You were paying your ten dollars for the book you were  reading, and I assume that you enjoyed it because you want to know what  happens next.”

Art is not something you can force, and Martin is  well within his rights to do whatever he wants with his story. Even quit  now and never finish. He’s not our bitch and that’s his prerogative.  However, if he does do that, I think he is also letting his  readers down. And not just GRRM – this applies to all of us as writers.  If we’ve said we’ll do one thing and we do something else, that’s either  our choice or a situation forced upon us. But we are letting people  down when we do it. It’s not an either/or proposition.

images2 Writers as bitches and the investment of readersRecently, Brent Weeks, author of the Night Angel Trilogy and The Black Prism, posted an opinion piece at SciFiNow in which he says that Gaiman is wrong. In the article, Weeks says:

“Part  of what entices us to buy a book is the promise conveyed in the title.  “Gragnar’s Epic Magical Dragon Quest Trilogy: Book 1” promises there  will be two more books. Whether through the title, or interviews, or  through a note to readers at the end of a book that says the next book  will be out in a year, when an author makes that kind of commitment,  maybe technically there’s no contract, but there is an obligation.”

He  also says, “…writers make mistakes about how fast they’re going to  finish books All The Time. GRRM’s situation is merely illustrative.”  This is well worth bearing in mind, as I’m not out to bash GRRM here, or  anyone else in particular. I’m simply addressing the issue as a whole.

But  I think Weeks is right – there is an obligation there. When a writer  says they’ll write X number of books, readers start to invest their time  and money into that series. It’s quite reasonable to feel cheated when  the author doesn’t come through on that promise. For this reason a lot  of people are now loathe to buy into a series until they know it’s  finished. After all, they don’t want to spend time and money getting  into a story without an end. Which is fairly reasonable. I’m tempted to  make a sexual metaphor here, about encounters without happy endings, but  I’ll be a grown-up and rise above that temptation.

I wrote a piece a while back called While you wait for book three, authors die!  in which I point out that this method can be damaging. If an author’s  first book doesn’t sell well, their publisher may decide to cut their  losses and not publish the rest of the series. Bad for readers and  writers. I always advise buying the first book, but not reading it yet.  Collect the whole series as it comes out and read it all once it’s  finished. Of course, this could turn out to be a waste of your  hard-earned if the author doesn’t finish the series. But life without  risk is like an untoasted tea cake. There’s no crunch.

Readers and  authors are entering into unwritten contracts with each other. The  author says, “I’ll write this series.” The reader says, “Cool, I’ll buy  it and read it. I might even like it and give you a positive review and  tell my friends about it.” It’s a symbiotic relationship.

The author doesn’t have  to finish that series. There’s no legally binding contract, no demon’s  blood on the page to force the magic out. But, should they not see  through that originally stated obligation, they are letting the  readers down. We all fuck up sometimes, we all get distracted by life  and things that happen which are beyond our control. We all let people  down sometimes, however much we may wish and try not to. But we should  also own up to that let down. “Sorry, folks, I let you down” is lot more  conducive to an ongoing relationship than, “F**k you, I’m not your  b**ch!”

I really want GRRM to finish A Song Of Ice & Fire.  I’ve invested a lot of time and money into it and I really want to know  how it all works out. But Martin isn’t my bitch and I can’t force him  to do something that he may not have the ability (due to other things in  his life) or inclination to do. But, should the series not be wrapped  up, I will feel let down.

How do you feel about it?

 

This is a cross-posting from Alan Baxter‘s The Word.