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Dancing Backward in Paradise: Southern Fiction for Women by [Cook, Vera Jane]

In a world of surprises, Grace Place discovers true paradise….

Dancing Backward in Paradise:
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by Vera Jane Cook, author of The Story of Sassy Sweetwater

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A chilling gripping tale about life, marriage and how the strangest things can send your entire life into a tailspin…
Vera Jane Cook’s dark thriller Pharaoh’s Star

Don’t miss today’s KND Thriller of the Day

Pharaoh’s Star

by Vera Jane Cook

Pharaoh
4.5 stars – 6 Reviews
Text-to-Speech and Lending: Enabled
Here’s the set-up:

Sometimes, the ambiguity of a man is better left ambiguous.

Nick and Jenna Dowling buy a second home in Upstate New York but this dream of a lifetime turns out to be anything but relaxing when a strange and mystical experience on a dark, forgotten back road leads Nick on a frantic search for answers about the reality of his identity. Frantic to explain his mysterious amnesia, Jenna Dowling calls upon a therapist for her husband, while Nick befriends an alien abduction expert. Each desperately searches for the truth, but in the end, it is not the truth that sets them free.

5-star Amazon reviews:

Pharaoh’s Star is a chilling gripping tale about life, marriage and how the strangest things can sending an entire life into a tailspin...”

“… I couldn’t put this book down. It sent chills throughout my body...”

FREE excerpt:

It was a beautiful night in early August; the sky was an ebony sheet that stretched across the horizon in somber silence. The moon was so full it appeared fat―as if it had swallowed every star in heaven and glowed purely from the pleasure of consumption. Nick Dowling gazed up at the sky through the windshield of his new Jeep Cherokee. His wife, Jenna, had just sent him out for a quart of milk. He was pleased to go, happy to be driving out under the stars on the back roads of New Kingston. Except on this particular night, there were no stars―just the moon, contently serene as it trailed his car like a wayward balloon.Nick tapped his hands on the steering wheel and started singing along with the radio. “Goodbye Miss American Pie” he sang out. The old nostalgic lyrics filled the evening stillness, mingling with the crickets’ song, and the hooting of the owls.Nick was pleased: clear reception was not always a reliable luxury in the Catskill Mountains of Upstate New York. The road ahead was empty. His beams were high and his speed, slow. The last thing he needed was a startled deer to show up in his headlights. The time off was exhilarating: there were so many things he could get to, like fixing the lawn mower and painting the shed. This was the first of several long weekends he and Jenna were able to steal since they bought their second home in the mountains. He often had to work weekends to get his job done, a job he found boring and unsatisfying, not like doing something creative, but an executive’s salary was nothing to scoff at. At least his saved up vacation days provided a perfect opportunity to hit the highway, leaving Manhattan’s sweltering concrete behind.

The music changed abruptly, the scratchy sound it made reminded him of an old phonograph needle skipping over a record. Billy Joel’s “She’s Got A Way About Her” came through the speakers with only a slight static sound, like cackle. This was the first song Nick heard after waking up in a beat up hotel room so many years ago, dead broke. All he owned back then was a pair of jeans and a rusty Gillette.

“I don’t know what it is,” he sang out, just as his headlights illuminated a barely visible road on his left―almost entirely hidden by trees.

“Looks familiar,” he said aloud, smiling, as if someone sat beside him who might have agreed.

“I know that road,” he whispered. He hunched over the steering wheel and slowed down for a better look. The road was mysteriously beautiful, framed as it was by pine trees that swayed ever so gently in the summer evening air. The impulse hit him like a spray of cold water and he braked.

“Oh, what the hell,” he said as he backed the jeep up. This impulsive action was very unusual for Nick who usually thought things through a thousand times before he did them. But on this particular evening, he barely gave it a thought before he took a sharp left onto the road. Perhaps there was something about the moon that night, close enough to touch, a flirtation he could not refuse.

“Have I lost my mind?” He laughed, looking around, seeing not much of anything that warranted fascination.

The road was narrow and dark but he had just enough light from the moonlit sky to read the barely visible road sign: Fox Hollow.

Nick switched off the radio; he’d lost the clear station right after he made the turn, and the static was irritating. Slowly, he drove up the bumpy road. The night seemed wrapped in mesh, opaque and colorless. He accelerated his speed just a bit, attempting to see beyond hisheadlights, but there was nothing before him but the adumbration of trees: it seemed like hundreds of them were standing tall against the sky, bending and tipping their branches into the quiet swirl of the evening wind like visions between this world and the next.

The moon hovered at the end of his sightline like a big mysterious white ball, descending into the Earth, as if being swallowed. But the edges of the night were dull. Everything around him looked like a poorly developed print. Nick rubbed his eyes and watched as night’s illusionary mist played havoc with his imagination and shadow monsters came out of the darkness, as tall as giants.

Something flashed through Nick’s mind with velocious intensity. Was there magic on this road? All of a sudden, he had a childhood memory. It came out of nowhere: a boy fearing dragons in the night and dreaming of mythical sword fights in mystic forests with a moon as elusive as this one. Was he that boy? His memories of childhood didn’t exist; his early life was a void. Yet there it was: a vision of sword ffighting with a friend so small and light― Sir Lancelot in dungarees with his mother’s pot for a shield.

Nick felt a sudden chill. Leaning in to switch off the air conditioning, a flash of light appeared on his hand, swiftly expanding, trapping his body in its glow, a blaze of cold and paralyzing illumination. His body froze. He held his breath. In moments, the light was everywhere, consuming the darkness as if from a hundred headlights.

“What the hell is going on?” Nick came out of his stupor and looked around frantically. It was getting increasingly colder, as cold as the dead of winter in Upstate New York. He started to shiver. But the night air had been warm. What the hell was happening? He could feel his heart pounding; it felt as if he were sitting inside a freezer.

His bones began to rattle as he looked through one eye. The light was still there, ubiquitous, the brightness: blinding. Fear settled on his chest as if he were in the line of unexpected gunfire. He closed his eyes again.

“I am victim to my own vivid imagination,” he said, staring once again into the opaque night.

The lights suddenly disappeared, as if they’d been chewed and discarded by the darkness.

“Kids with flash lights, must be.what else?” But the cold? Strange weather condition? Well, maybe in the mountains.

Nick sat quietly, even patiently, until his fear passed, until it flowed out of his body, until his heart beat normally once again. When he felt calm enough, he stared back into the shadows and surveyed the space around him. He realized he had bitten his lip: he tasted blood.

He lowered his window half way to make sure the lights were really gone. He was relieved to see everything appeared normal in the evening’s shadow. The air was warm on his skin. Once again, the moon bounced naturally in the sky, throwing a path of light before him, like a megalithic corridor inviting entry.

He accelerated slowly. The moonlight faded back behind the trees, and the night became as dark as black ink. He nervously listened to the rocks and branches crunching beneath the wheels of his jeep wondering if he’d lost the road and was driving further into the woods.

Nick couldn’t see anything but his headlights. But then, sudden as lightning’s flash, as if he’d willed it, the night was lit by the welcomed sudden reappearance of the moon.

“Where you been hiding?”

Needing a sense of direction he stopped the jeep. The moon was fuller than he had ever seen it, but there were no stars out to guide him, just some shadowy image in the sky.

What the hell am I doing in the middle of nowhere playing tag with the goddamn moon? There was a threatening hush, a silence too barren to trust. The owls had ceased to hoot and the crickets were far too silent.

Without warning, the stillness shattered into a million pieces by a sound that shook his body from inside out. “Shit!” Nick cried, feeling his heart pounding against his chest. “What the hell was that?”

Like a drill in concrete, the sound was deafening. It was so intensely shrill it might have been heard on the other side of the globe. But then the intense sound vanished, disappeared as contiguously as a passing thought, back into the night. Had he imagined it? Nick brought his hands up to his face. They were still shaking badly. No, this was not imagination. The suddenness of that awful sound jostled him so badly his heart beats were on overtime, and his favorite t-shirt was soaked in sweat.

He’d been on this road before. He’d seen the road in his nightmares. He dreamed he was here.

Right after Nick and his wife, Jenna, closed on their weekend getaway in New Kingston, their retreat from Manhattan’s urgent and colossal perplexities, Nick’s nightmares accelerated. It was absurd to have them―monster nightmares belonged to children, not to men in their late forties. “I feel foolish to have so many of my dreams invaded by macabre caricatures,” he told Jenna. “An odd thing for a grown man to have―nightmares,” he’d said reluctantly.

“Not altogether unusual,” Jenna responded as she listened to his tentative explanations. “Maybe something is triggering some old and unresolved issues you have with your mother.or father.”
Nick scowled at that, wondering how he’d ever get out of seeing a shrink. It was absurd to think he needed one. Jenna insisted on blaming everything on his parents. But how could he blame anyone he didn’t remember?

He accelerated over the stones and the broken branches of trees, hoping all the crap on the road wasn’t scratching the paint off the jeep’s body, or putting any frigging dents on his car. He felt too uneasy to slow down and check out the damage. Wanting to feel sane once more had become a prerogative. This introduction to Fox Hollow Road antagonized his sense of reality and left him surprisingly disentangled from his perspective on who the hell he was, or believed himself to be.

He looked up toward the sky. He felt as if he’d just driven in a circle; the shadowy cloud was still above him and it appeared to cover the entire sky.

He drove forward, afraid that if he didn’t he’d wind up in a ditch―lost forever in the goddamn woods. His heart was still getting a workout and his mouth felt like an old hot towel. He wanted nothing more at that moment than to reach civilization and grab a shot of whiskey.

“I’ve had enough of this nerve wracking adventure,” he said, his eyes riveted ahead.

Suddenly he noticed lights, as if coming from a house. Thinking he might finally be off Fox Hollow Road and onto something that would take him into town, he breathed a sigh of relief.

“Shit,” he said, as he got closer to the house. “Looks like a frigging dead-end.”

He slapped his hand on the steering wheel. He decided to knock on the door and ask for directions as he stopped the jeep near the driveway. It was quiet, desolate. He took a deep breath and confronted his fear. “Get hold of yourself, man,” he said.

Nick stared back at the farmhouse. It was familiar, which was not unusual. At every turn in upstate New York there was a farmhouse.

“A compelling sight,” he said.

The house was stately and white. Lace curtains moved with the wind, like the porch swing. He could hear the creak. The house stood against the night in shades of grey, like an old postcard photograph picked up at a flea market. Nick could see bicycles lying on the grass. A dog lifted his head from the porch and stared at him. Nick felt strangely nostalgic.

He’d made an assumption years ago that he’d been raised in Phoenicia, New York, because that’s what it said on the hotel register when he checked out of the room he’d awoken in, with no memory at all of how he had gotten there. Phoenicia, New York, was another small town within biking distance. He must have been on a lot of country roads in his childhood, staring at houses just like this one. He never went to Phoenicia, though, it was too frightening to confront a past he couldn’t recall, but he’d insisted on buying a second house in New Kingston after finding the town on a Google search for vacation homes. Had he subliminally chosen to be near Phoenicia?

He didn’t have any answers, perhaps he never would. Perhaps he didn’t want them. As he stared at the house, it drew him in, engulfing him in some kind of black and white fantasy, like an old film. He couldn’t have any connection at all to this farmhouse. New Kingston wasn’t written on the hotel register.

Nick stared at the house for several more minutes before the image faded, simply drifted off into the night, leaving behind a phantasmal mist. Nick drifted into the ebbing image, falling into a mindless stupor, as if inebriated.

“God,” he cried out. “What the hell is happening to me?”

He struggled to escape the blank plateau into which he had fallen, but he couldn’t. It was as if his thoughts were being gripped by a distant hand. He suddenly felt floated right up to a shadowy shape in the sky.

“Leave me alone!” he shouted.

His head fell sharply to his shoulder, an action that seemed to come from somewhere else, another person―another body.

“Stress can cause people to black out,” Jenna once told him.

“Yes, of course, that’s it―stress,” Nick whispered. He looked back at the house again. The noise returned, overbearingly loud―the drill into concrete.deafening.

Quickly switching the radio back on to fight the noise, he thought about screaming out for help. The sound hovered above him, precariously close.

He turned the radio up louder. Nothing but static―Damn.

The noise continued.threatening to use its power.devour him. It was directly over his head, so very close. He felt lifted by it, lifted up to someplace far, as far as space.

“This is madness,” he whispered. “This is impossible.”

He had spent his entire adulthood distracted by the ordinary pressures of survival. He never considered himself particularly introspective, not much caring to delve into the remnants of feelings hidden beneath the debris of inconsequential information―feelings his wife insisted were vital links to his mental well-being. Nick never questioned his life after waking up in a Chelsea hotel with no past. He walked out into the city and survived. Surviving took up all his time, owned his thoughts. He didn’t need to know the rest, the forgotten past. The only choices he needed to make were the ones he faced in his profession as a circulation vice president for a major New York newspaper. It took twenty years, but he finally had an executive’s salary.

He didn’t want to know his inner life. The dreams he had over the years had been too disturbing to probe―images of violent anger, blood everywhere he looked, murders he could not explain.

“My inner life is uneventful and average,” he’d told Jenna when they first met. “I can’t devote much time thinking about it.”

And then, years later, new torment, new dreams.monsters haunted his sleep, metaphors for himself, he surmised.

No, Nick did not want to find his past or obsess on any uncomfortable emotions, especially not with his dreams, blood on his hands, a dead child at his feet.a battered woman.

“Am I insane?” He looked out into the night and shook his head. “Am I?”

He wiped his eyes with the back of his hand. He switched the radio back off and listened for the quiet stillness of night to return, soft and melodic. He listened until all he heard was the wind.

As he stared back at the old farmhouse tears came into his eyes. He suddenly wanted to leap from the car and run to the front door, as if he belonged there, behind the majesty of its silent repose.

I’m home. Mom! I’m home, he wanted to shout.

His eyes blinked as the lights in the farmhouse flickered. He switched the radio back on. He needed the music to ground him but the static had returned with an irritating repetition. He tried to find a clear station. He was agitated. He wanted to get the hell out of there. He knew that by now the only general store in town would be closed and he’d have to deal with the supermarket for a lousy quart of milk. He hated the supermarket: big, cold places.so why the hell can’t I get off this damn road and make it to the goddamn general store?

“Shit,” he said, switching off the radio altogether.

The lights from the house flickered again, as if an electrical storm was passing over, but the night was clear. Nick backed the jeep up, deciding he would leave the way he had come in.no need to ask for directions. As his breathing returned to normal, he was grateful for its steady rhythm. He was making rational decisions like his old self. It had all been imagination, just imagination.

As Nick backed up the jeep, he noticed a man at the window of the old house peering through a torn shade.

“What the hell happened to the lace?” He whispered as he stared in awe at the tattered blind. He quickly thought of his wife and, the look in her large dark eyes as she gave him that half parted smile and suggested therapy. How the hell would he ever explain any of this to her?

He sat quietly. His eyes drifted back to the house. He looked quickly for the dog. All he saw was a tired old porch―empty…no porch swing. No dog.

“Shadows playing tricks,” he said.

The oblique shape in the sky expanded and lowered itself closer to the Earth.

Download Pharaoh’s Star Now!

Book Trailer + Free Excerpt!
Discover award-winning author Vera Jane Cook’s gripping thriller PHARAOH’S STAR

Pharaoh’s Star

by Vera Jane Cook

Pharaoh
4.5 stars – 6 Reviews
Text-to-Speech and Lending: Enabled

Here’s the set-up:

“Every human creature is constituted to be that profound secret and mystery to every other” – Charles Dickens

Sometimes, the ambiguity of a man is better left ambiguous.

Nick and Jenna Dowling buy a second home in Upstate New York but this dream of a lifetime turns out to be anything but relaxing when a strange and mystical experience on a dark, forgotten back road leads Nick on a frantic search for answers about the reality of his identity. Frantic to explain his mysterious amnesia, Jenna Dowling calls upon a therapist for her husband, while Nick befriends an alien abduction expert. Each desperately searches for the truth, but in the end, it is not the truth that sets them free.

5-star Amazon reviews:

Pharaoh’s Star is a chilling gripping tale about life, marriage and how the strangest things can sending an entire life into a tailspin...”

“… I couldn’t put this book down. It sent chills throughout my body...”

FREE excerpt:

It was a beautiful night in early August; the sky was an ebony sheet that stretched across the horizon in somber silence. The moon was so full it appeared fat―as if it had swallowed every star in heaven and glowed purely from the pleasure of consumption. Nick Dowling gazed up at the sky through the windshield of his new Jeep Cherokee. His wife, Jenna, had just sent him out for a quart of milk. He was pleased to go, happy to be driving out under the stars on the back roads of New Kingston. Except on this particular night, there were no stars―just the moon, contently serene as it trailed his car like a wayward balloon.

Nick tapped his hands on the steering wheel and started singing along with the radio. “Goodbye Miss American Pie” he sang out. The old nostalgic lyrics filled the evening stillness, mingling with the crickets’ song, and the hooting of the owls.

Nick was pleased: clear reception was not always a reliable luxury in the Catskill Mountains of Upstate New York. The road ahead was empty. His beams were high and his speed, slow. The last thing he needed was a startled deer to show up in his headlights. The time off was exhilarating: there were so many things he could get to, like fixing the lawn mower and painting the shed. This was the first of several long weekends he and Jenna were able to steal since they bought their second home in the mountains. He often had to work weekends to get his job done, a job he found boring and unsatisfying, not like doing something creative, but an executive’s salary was nothing to scoff at. At least his saved up vacation days provided a perfect opportunity to hit the highway, leaving Manhattan’s sweltering concrete behind.

The music changed abruptly, the scratchy sound it made reminded him of an old phonograph needle skipping over a record. Billy Joel’s “She’s Got A Way About Her” came through the speakers with only a slight static sound, like cackle. This was the first song Nick heard after waking up in a beat up hotel room so many years ago, dead broke. All he owned back then was a pair of jeans and a rusty Gillette.

“I don’t know what it is,” he sang out, just as his headlights illuminated a barely visible road on his left―almost entirely hidden by trees.

“Looks familiar,” he said aloud, smiling, as if someone sat beside him who might have agreed.

“I know that road,” he whispered. He hunched over the steering wheel and slowed down for a better look. The road was mysteriously beautiful, framed as it was by pine trees that swayed ever so gently in the summer evening air. The impulse hit him like a spray of cold water and he braked.

“Oh, what the hell,” he said as he backed the jeep up. This impulsive action was very unusual for Nick who usually thought things through a thousand times before he did them. But on this particular evening, he barely gave it a thought before he took a sharp left onto the road. Perhaps there was something about the moon that night, close enough to touch, a flirtation he could not refuse.

“Have I lost my mind?” He laughed, looking around, seeing not much of anything that warranted fascination.

The road was narrow and dark but he had just enough light from the moonlit sky to read the barely visible road sign: Fox Hollow.

Nick switched off the radio; he’d lost the clear station right after he made the turn, and the static was irritating. Slowly, he drove up the bumpy road. The night seemed wrapped in mesh, opaque and colorless. He accelerated his speed just a bit, attempting to see beyond hisheadlights, but there was nothing before him but the adumbration of trees: it seemed like hundreds of them were standing tall against the sky, bending and tipping their branches into the quiet swirl of the evening wind like visions between this world and the next.

The moon hovered at the end of his sightline like a big mysterious white ball, descending into the Earth, as if being swallowed. But the edges of the night were dull. Everything around him looked like a poorly developed print. Nick rubbed his eyes and watched as night’s illusionary mist played havoc with his imagination and shadow monsters came out of the darkness, as tall as giants.

Something flashed through Nick’s mind with velocious intensity. Was there magic on this road? All of a sudden, he had a childhood memory. It came out of nowhere: a boy fearing dragons in the night and dreaming of mythical sword fights in mystic forests with a moon as elusive as this one. Was he that boy? His memories of childhood didn’t exist; his early life was a void. Yet there it was: a vision of sword ffighting with a friend so small and light― Sir Lancelot in dungarees with his mother’s pot for a shield.

Nick felt a sudden chill. Leaning in to switch off the air conditioning, a flash of light appeared on his hand, swiftly expanding, trapping his body in its glow, a blaze of cold and paralyzing illumination. His body froze. He held his breath. In moments, the light was everywhere, consuming the darkness as if from a hundred headlights.

“What the hell is going on?” Nick came out of his stupor and looked around frantically. It was getting increasingly colder, as cold as the dead of winter in Upstate New York. He started to shiver. But the night air had been warm. What the hell was happening? He could feel his heart pounding; it felt as if he were sitting inside a freezer.

His bones began to rattle as he looked through one eye. The light was still there, ubiquitous, the brightness: blinding. Fear settled on his chest as if he were in the line of unexpected gunfire. He closed his eyes again.

“I am victim to my own vivid imagination,” he said, staring once again into the opaque night.

The lights suddenly disappeared, as if they’d been chewed and discarded by the darkness.

“Kids with flash lights, must be.what else?” But the cold? Strange weather condition? Well, maybe.in the mountains.

Nick sat quietly, even patiently, until his fear passed, until it flowed out of his body, until his heart beat normally once again. When he felt calm enough, he stared back into the shadows and surveyed the space around him. He realized he had bitten his lip: he tasted blood.

He lowered his window half way to make sure the lights were really gone. He was relieved to see everything appeared normal in the evening’s shadow. The air was warm on his skin. Once again, the moon bounced naturally in the sky, throwing a path of light before him, like a megalithic corridor inviting entry.

He accelerated slowly. The moonlight faded back behind the trees, and the night became as dark as black ink. He nervously listened to the rocks and branches crunching beneath the wheels of his jeep wondering if he’d lost the road and was driving further into the woods.

Nick couldn’t see anything but his headlights. But then, sudden as lightning’s flash, as if he’d willed it, the night was lit by the welcomed sudden reappearance of the moon.

“Where you been hiding?”

Needing a sense of direction he stopped the jeep. The moon was fuller than he had ever seen it, but there were no stars out to guide him, just some shadowy image in the sky.

What the hell am I doing in the middle of nowhere playing tag with the goddamn moon? There was a threatening hush, a silence too barren to trust. The owls had ceased to hoot and the crickets were far too silent.

Without warning, the stillness shattered into a million pieces by a sound that shook his body from inside out. “Shit!” Nick cried, feeling his heart pounding against his chest. “What the hell was that?”

Like a drill in concrete, the sound was deafening. It was so intensely shrill it might have been heard on the other side of the globe. But then the intense sound vanished, disappeared as contiguously as a passing thought, back into the night. Had he imagined it? Nick brought his hands up to his face. They were still shaking badly. No, this was not imagination. The suddenness of that awful sound jostled him so badly his heart beats were on overtime, and his favorite t-shirt was soaked in sweat.

He’d been on this road before. He’d seen the road in his nightmares. He dreamed he was here.

Right after Nick and his wife, Jenna, closed on their weekend getaway in New Kingston, their retreat from Manhattan’s urgent and colossal perplexities, Nick’s nightmares accelerated. It was absurd to have them―monster nightmares belonged to children, not to men in their late forties. “I feel foolish to have so many of my dreams invaded by macabre caricatures,” he told Jenna. “An odd thing for a grown man to have―nightmares,” he’d said reluctantly.

“Not altogether unusual,” Jenna responded as she listened to his tentative explanations. “Maybe something is triggering some old and unresolved issues you have with your mother.or father.”
Nick scowled at that, wondering how he’d ever get out of seeing a shrink. It was absurd to think he needed one. Jenna insisted on blaming everything on his parents. But how could he blame anyone he didn’t remember?

He accelerated over the stones and the broken branches of trees, hoping all the crap on the road wasn’t scratching the paint off the jeep’s body, or putting any frigging dents on his car. He felt too uneasy to slow down and check out the damage. Wanting to feel sane once more had become a prerogative. This introduction to Fox Hollow Road antagonized his sense of reality and left him surprisingly disentangled from his perspective on who the hell he was, or believed himself to be.

He looked up toward the sky. He felt as if he’d just driven in a circle; the shadowy cloud was still above him and it appeared to cover the entire sky.

He drove forward, afraid that if he didn’t he’d wind up in a ditch―lost forever in the goddamn woods. His heart was still getting a workout and his mouth felt like an old hot towel. He wanted nothing more at that moment than to reach civilization and grab a shot of whiskey.

“I’ve had enough of this nerve wracking adventure,” he said, his eyes riveted ahead.

Suddenly he noticed lights, as if coming from a house. Thinking he might finally be off Fox Hollow Road and onto something that would take him into town, he breathed a sigh of relief.

“Shit,” he said, as he got closer to the house. “Looks like a frigging dead-end.”

He slapped his hand on the steering wheel. He decided to knock on the door and ask for directions as he stopped the jeep near the driveway. It was quiet, desolate. He took a deep breath and confronted his fear. “Get hold of yourself, man,” he said.

Nick stared back at the farmhouse. It was familiar, which was not unusual. At every turn in upstate New York there was a farmhouse.

“A compelling sight,” he said.

The house was stately and white. Lace curtains moved with the wind, like the porch swing. He could hear the creak. The house stood against the night in shades of grey, like an old postcard photograph picked up at a flea market. Nick could see bicycles lying on the grass. A dog lifted his head from the porch and stared at him. Nick felt strangely nostalgic.

He’d made an assumption years ago that he’d been raised in Phoenicia, New York, because that’s what it said on the hotel register when he checked out of the room he’d awoken in, with no memory at all of how he had gotten there. Phoenicia, New York, was another small town within biking distance. He must have been on a lot of country roads in his childhood, staring at houses just like this one. He never went to Phoenicia, though, it was too frightening to confront a past he couldn’t recall, but he’d insisted on buying a second house in New Kingston after finding the town on a Google search for vacation homes. Had he subliminally chosen to be near Phoenicia?

He didn’t have any answers, perhaps he never would. Perhaps he didn’t want them. As he stared at the house, it drew him in, engulfing him in some kind of black and white fantasy, like an old film. He couldn’t have any connection at all to this farmhouse. New Kingston wasn’t written on the hotel register.

Nick stared at the house for several more minutes before the image faded, simply drifted off into the night, leaving behind a phantasmal mist. Nick drifted into the ebbing image, falling into a mindless stupor, as if inebriated.

“God,” he cried out. “What the hell is happening to me?”

He struggled to escape the blank plateau into which he had fallen, but he couldn’t. It was as if his thoughts were being gripped by a distant hand. He suddenly felt floated right up to a shadowy shape in the sky.

“Leave me alone!” he shouted.

His head fell sharply to his shoulder, an action that seemed to come from somewhere else, another person―another body.

“Stress can cause people to black out,” Jenna once told him.

“Yes, of course, that’s it―stress,” Nick whispered. He looked back at the house again. The noise returned, overbearingly loud―the drill into concrete.deafening.

Quickly switching the radio back on to fight the noise, he thought about screaming out for help. The sound hovered above him, precariously close.

He turned the radio up louder. Nothing but static―Damn.

The noise continued.threatening to use its power.devour him. It was directly over his head, so very close. He felt lifted by it, lifted up to someplace far, as far as space.

“This is madness,” he whispered. “This is impossible.”

He had spent his entire adulthood distracted by the ordinary pressures of survival. He never considered himself particularly introspective, not much caring to delve into the remnants of feelings hidden beneath the debris of inconsequential information―feelings his wife insisted were vital links to his mental well-being. Nick never questioned his life after waking up in a Chelsea hotel with no past. He walked out into the city and survived. Surviving took up all his time, owned his thoughts. He didn’t need to know the rest, the forgotten past. The only choices he needed to make were the ones he faced in his profession as a circulation vice president for a major New York newspaper. It took twenty years, but he finally had an executive’s salary.

He didn’t want to know his inner life. The dreams he had over the years had been too disturbing to probe―images of violent anger, blood everywhere he looked, murders he could not explain.

“My inner life is uneventful and average,” he’d told Jenna when they first met. “I can’t devote much time thinking about it.”

And then, years later, new torment, new dreams.monsters haunted his sleep, metaphors for himself, he surmised.

No, Nick did not want to find his past or obsess on any uncomfortable emotions, especially not with his dreams, blood on his hands, a dead child at his feet.a battered woman.

“Am I insane?” He looked out into the night and shook his head. “Am I?”

He wiped his eyes with the back of his hand. He switched the radio back off and listened for the quiet stillness of night to return, soft and melodic. He listened until all he heard was the wind.

As he stared back at the old farmhouse tears came into his eyes. He suddenly wanted to leap from the car and run to the front door, as if he belonged there, behind the majesty of its silent repose.

I’m home. Mom! I’m home, he wanted to shout.

His eyes blinked as the lights in the farmhouse flickered. He switched the radio back on. He needed the music to ground him but the static had returned with an irritating repetition. He tried to find a clear station. He was agitated. He wanted to get the hell out of there. He knew that by now the only general store in town would be closed and he’d have to deal with the supermarket for a lousy quart of milk. He hated the supermarket: big, cold places.so why the hell can’t I get off this damn road and make it to the goddamn general store?

“Shit,” he said, switching off the radio altogether.

The lights from the house flickered again, as if an electrical storm was passing over, but the night was clear. Nick backed the jeep up, deciding he would leave the way he had come in.no need to ask for directions. As his breathing returned to normal, he was grateful for its steady rhythm. He was making rational decisions like his old self. It had all been imagination, just imagination.

As Nick backed up the jeep, he noticed a man at the window of the old house peering through a torn shade.

“What the hell happened to the lace?” He whispered as he stared in awe at the tattered blind. He quickly thought of his wife and, the look in her large dark eyes as she gave him that half parted smile and suggested therapy. How the hell would he ever explain any of this to her?

He sat quietly. His eyes drifted back to the house. He looked quickly for the dog. All he saw was a tired old porch―empty…no porch swing. No dog.

“Shadows playing tricks,” he said.

The oblique shape in the sky expanded and lowered itself closer to the Earth.

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A charming rags-to-riches story… Vera Jane Cook’s award-winning Dancing Backward in Paradise

 Dancing Backward in Paradise

by Vera Jane Cook

Dancing Backward in Paradise

4.2 stars – 17 Reviews
Text-to-Speech and Lending: Enabled

Here’s the set-up from ForeWord Clarion Review:

5 Star

2007 Eric Hoffer Award

2007 Notable New Fiction Indie Excellence Award

Dancing Backward in Paradise by Vera Jane Cook is a charming rags-to-riches story with a heartwarming ending, memorable characters, and a riveting plot that will make the reader forget the outside world.

It’s 1967. The world is rapidly changing, but eighteen-year-old Grace remains oblivious to anything outside her own small circle of existence. After all, Paradise is more than just the name of a trailer park; it’s home, and it’s all Grace thinks she’ll ever need. However, Mama is convinced that Grace could make it big in New York City as an actress, since “being pretty made life as easy as picking day lilies.” Reluctant to leave her fiancé, Lenny Bean, Grace finds all sorts of excuses to delay her trip. She’s unaware that Lenny has gotten engaged to another woman with the intent to murder her, inherit her estate, and then marry Grace. Once she figures out his scheme, however, leaving for New York is the easy part. Reporting a potential murder turns out to be nearly impossible.

The characters in this story are rich and deep. At first, the reader might roll her eyes at Grace’s naïveté and childish reactions as she falls for Lenny, a sexy but lazy “cowboy with sideburns.” Yet as Grace experiences the outside world in sophisticated New York, a place “so miraculous and exciting, so painfully alienating that you just might find yourself amongst the confusion,” the reader will appreciate Grace’s ability to stretch and change. Minor characters have layers, too. For example, Ezra Buckley Bean, Lenny’s father and a gallant southern gentleman, speaks in colorful Shakespearean language that doesn’t seem to belong in a trailer park. There’s also Mama, whose gentle words of wisdom steer Grace toward enlightenment. Her observations on New York City are priceless; when Grace marvels at all the skyscrapers, Mama replies, “That’s what New York City is, honey—many heartbeats, many visions.”

The author’s craftsmanship is stunning and poetic. Cook draws on her own southern heritage to create masterful metaphors like “The car smelled like a Budweiser plant had exploded under the hood and those fools were the happy fish floating in the foam,” or “I was melting faster than ice cubes in Mama’s bourbon.” In the hands of an amateur, such comparisons would only equate one thing to another; Cook layers her metaphors to establish setting and deepen character development.

This story is not for everyone. Sex permeates Grace’s life—whether it’s her perverted grandfather chasing her around the bedroom to no avail, her brother messing around with “every woman in town under forty,” or her own boyfriend cheating on her for money. Yet each sexual encounter—whether it’s that of Grace or one of her friends—teaches her new lessons that ultimately allow her to create her own path in life.

Although a younger audience may not be familiar with the author’s references to Loretta Young, Merle Haggard, or Hayley Mills, they will surely relate to Grace’s difficulties as she tries to figure out what to do with her life. For older readers, invoking celebrities of the time will resurrect memories of 1967. Anyone who enjoys Southern stories, coming-of-age adventures, murder thrillers, or a satisfying romantic tale should read Dancing Backward in Paradise.

One Amazon Reviewer Notes

“A rare find, great timing in her writing and a tightly woven story. Finished it in 4 days which is rare for me. Lovers of southern literature will devour this book!” – 5 Stars

Excerpt

“Graves isn’t safe for a young pretty woman like you, Grace,” Jeb said, scowling at me. “Too many stray dogs looking for meat. Wouldn’t you agree, boys?” “Uh-huh,” those two fools said, like they were Siamese twins attached at the vocal cords. I sat there trying to think of a way out of that car and hating myself for getting in it to begin with. I watched as Jeb pulled off the two-lane route we’d been on and onto some quiet, dark road with nothing on it but night critters. We were going up a hill, and all I could see out the damn window were his headlights glaring back into my eyes. “Get out of the car, boys…take a walk.,” Jeb sneered. He pulled to a stop in the middle of nowhere. “No,” I said. “Don’t you two go nowhere. Take me home, Jeb!” I demanded. I’ll never forget Joe Jack’s eyes; they were big, big as a raccoon’s. “He won’t hurt you none,” Joe Jack said. “We’re just going up behind the trees to take a leak. We’ll be back.” “No!” I shouted and started screaming. Those idiot boys did just as they were told and left the car and went running up into the woods. I kicked Jeb with my foot. “Just a kiss, honey—that’s all I want.” Jeb pulled me to him. I was wondering how hard I could bite his lip when he surprised me and sat back. He undid his belt buckle and burped. I took advantage of the longest burp I’d ever heard and leaped through that door like a deer reacting to gunshots. “Hey, where you going?” he shouted. It was so dark I couldn’t see two feet in front of me, but I ran like the devil. I heard his car door slam and the next thing I knew, Jeb was running after me. I paused just long enough to try and figure out what direction to go in, and in that dumb moment of reflection, Jeb grabbed me and forced me to the ground. “Get off me, Jeb!” I hollered as I moved my head back and forth, trying to avoid his mouth. “Please stop!” The old bastard had a wang the size of an eggplant. I could feel the damn thing hard as steel, against my leg. I started screaming as he lifted up my dress and ripped my underwear right off my body. I felt his hand clamp down on my mouth. “C’mon, baby,” he grunted in my ear. I could barely breathe but somehow I managed to bring my knee up right into his stomach, just as he was lifting himself up high enough to pull his eggplant wang out from behind his zipper. The son of a bitch fell back against the truck and slid to the ground. Shit, I was stronger than I ever dreamed I could be. “I’m going to throw up, Grace,” he mumbled. “What did you want to go and do that for?” I could hear him puking as I jumped behind the wheel of the T-Bird and slammed the door.

About The Author

Vera Jane Cook, a descendent from a fine line of Southern eccentrics, is working on her next novel, which is a family saga that spans the twentieth century and three generations of women. She resides on the upper west side of Manhattan with her partner. Visit Vera’s website at: http://www.verajanecook.com/.
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Eccentric, Unusual, Dramatic and Often Hysterical – Award-Winning Author Vera Jane Cook’s The Story of Sassy Sweetwater… Sample For Free Now!

The Story of Sassy Sweetwater

by Vera Jane Cook

The Story of Sassy Sweetwater
4.5 stars – 17 Reviews
Text-to-Speech and Lending: Enabled

Here’s the set-up from “Readers Favorite Review”:

In “The Story of Sassy Sweetwater”, Vera Jane Cook presents a powerful family saga that follows the passion, pain and quest for happiness of a brilliant young woman over a 50-year lifespan. The daughter of an unwed, teenage mother, Sassy’s life began in secrecy near a stream called Sweetwater in rural South Carolina. We catch up with thirteen-year-old Sassy when Vi, her beautiful yet sad and haunted mother, moves back to her South Carolina home at Carter’s Crossing. Grandma Edna, the matriarch of the McLaughlin family, admires her granddaughter’s high-spirited ways. Grandma Edna takes Sassy under her wing while Vi sorts out the trouble she left behind at the time of Sassy’s birth. Wise beyond her years, young Sassy is what Southerners call an old soul. She reacts with hard-nosed frankness when confronted with the crime, lies and deception that goes on in the wealthy, ruthless and eclectic McLaughlin family. Confronted by violence, lies and indifference from the people she trusts most, Sassy learns at a young age that “happiness is fickle as a whim”. Young Sassy’s heartbreak and sorrow leads to a series of events that paint the picture of an unforgettable life filled with tragedy.

Narrated in first person, “The Story of Sassy Sweetwater” by Vera Jane Cook is a magnificent depiction of life in the rural South during the mid-20th century. The on point Southern characterization played out in this powerful family drama had me hooked from the very first page. As in all great family sagas, this story has its victims, villains and heroes. “The Story of Sassy Sweetwater” is clearly the best book I’ve read this year, engaging and well written.

What Amazon Readers are Saying:

“a beautiful piece of southern fiction”

“a beautiful and touching story”

“a real page turner”

And here, for your reading pleasure, is a free, short excerpt:

Mama said I was born by a stream named Sweetwater. She called me Sassy

the moment she realized I was a girl. Mama said girls should be sassy,

gives them sex appeal. So I was named Sassy, after an attitude, and Sweetwater,

after a stream. The year was 1949, and the place was a dirty, back-road shack in

a dusty, little town in South Carolina. Mama never could remember the name

of the town, but she told me that it might have been Cottageville or maybe

even Ridgeville. Didn’t matter much what it was called, though. I never saw it

again, and as far as I knew, Mama didn’t either.

 

Some people think a gray, tumultuous sky is an omen of discontent, especially

if one’s entry into this world is shadowed by blustery clouds and thunder’s

emphatic roar. But my mama said that heaven welcomed my birth with great

horns blowing and mighty cymbals clashing and omens sent by mighty seers

bring the blessings of miracles, not the doom of devils.

 

“Gave you its gray,” she said. “Passed it right on to you.”

 

I always knew she meant my eyes, gray as the weather on the day I was

born, and sometimes showing up hazel when the sun confronts the gloom and

demands I show some color.

 

“Gave you its temperament, too, and its mystery, girl. Women need a little

mystery. That’s what turns a man’s head. Beauty has nothing to do with anything

more than that.”

 

It always sounded like the great god Poseidon was my father the way my

mama tells it. Where else could I have come from? No man had ever come forth

and claimed me as his own. Not that I didn’t wonder who my father was, but

when I asked I always got the same reply.

 

“You came from the sky, Sassy Sweetwater; clear as the stream I bathed you

in, fierce as the wind that blew away the storm, the one that welcomed you here

with great aplomb, and tender as the aftermath of nature’s roar.”

 

In other words, I was born an ambiguous bastard by a stream in South

Carolina, and my seventeen-year-old mama was not about to tell me whose

handsome smile had won her over. He was obviously too young or too old

to pay for his mistake. I would find out one day, of course. When you ask as

many questions as I did, the answers come at you, eventually. My birth was a

riddle and I wanted my mama to connect me to some kind of heritage I could

claim as my own, but she only gave me new conundrums to chase down. It

should have been enough; there’s nothing wrong with chasing around after

answers you don’t have, it’s how hard you’re hit with them when they fly back

and knock you down.

 

Mama had traveled at least twenty miles east in Elvira’s old Chevy to give

birth to me, screaming the whole way, or so I’ve been told. Elvira was Mama’s

nineteen-year-old sister and I guess they’d planned the great cover-up, and

the great escape, together. Out of a family of five girls, Elvira was the sanest,

according to Mama.

 

Of course, I never knew how they covered up Mama’s pregnancy, but Mama

said her family only had eyes for what they wanted to see and ears for nothing

more than what they wanted to hear. In those days, abortions weren’t anything

you could go to the doctor for and I’m sure, with Mama’s Catholic background,

she would never have entertained that option, even if she could have.

 

I can’t imagine what she went through when she found out there was a baby

in her belly before she even finished high school. And I sure don’t know what

she would have done without her sister helping her through it. Elvira promised

Mama she’d read every book on birthing babies she could get her hands on and

she assured Mama that she had nothing to fear. Well, Elvira must have been

pretty well versed in birthing ’cause there wasn’t a damn thing wrong with me

that my mama’s milk wouldn’t cure. There wasn’t a damn thing wrong with

Mama, either, except all the things you couldn’t see on the outside, all the hurt

she must have been feeling; and I don’t mean just about having me bursting

open her uterus, but the hurts inside her heart that she never spoke about. But

if you knew my mama, you’d know the hurts were there. Mama had the saddest

eyes, like a wounded dog on the side of the road that you really want so

badly to help, but you can’t offer your services without the risk of being bitten.

 

Elvira went back home a few days after I was born. Mama and me didn’t go

home for another thirteen years. Home for Elvira was fifteen miles outside of

Charleston, while where me and Mama went was hundreds of miles southwest.

 

I don’t know how we got there. Mama said we hitched all the way to Louisiana.

She said wasn’t a person on the road that wouldn’t stop for a woman with a

baby in her arms. I never knew why she’d decided to settle in Louisiana until I

found out from Elvira, years later, that Mama had gotten an offer to wait tables

in Baton Rouge from some man who’d passed through Carter’s Crossing and

had taken a fancy to her. I always wondered if he was my father, but my Aunt

Elvira said I’d be more likely kin to King Kong.

 

Can’t ever figure out why Mama left Baton Rouge and wound up settling

in a place as remote as Glenmora. We didn’t stay in Baton Rouge ’cause Mama’s

boyfriend turned out to be a shithead and it wasn’t long before some other guy

caught her eye just long enough to talk her into following him to Glenmora,

where he was assistant principal at the local high school. Of course, I don’t

remember much about those years, but I can recall an apartment in the back of

a small rooming house where we lived. I can just about capture the features of

the woman who took care of me while Mama was working. Connie was her

name and I guess she owned the place. Her bosom was large, always showing

white freckled skin where the crease was. The memory is good when I think

back on Connie, like the talcum powder she put in my underwear and the funny

little children’s books she read me, taking on a different voice for each character

and scaring me half to death when she spoke like the big bad wolf and kind of

lurched forward like she was going to swallow me whole.

 

Connie was old in the ways that make being old a good thing, with a round,

kind face and a voice as soft as silk lining. She made me hot cocoa before I went

to sleep every night and tossed a little marshmallow right up on top that melted

so nice in the back of my mouth. She picked me up after school every day too,

’cause Mama worked long hours at the Lobster Pot. Connie drove me over to

the Lobster Pot for my dinner and Mama would try, as best she could, to help

me figure out decimals and multiply fractions in between taking orders. I’d sit

at the counter eating crawfish, not really giving a damn what one third times

one eighth of anything could ever equal, and doubting if I ever would give a

rat’s ass about anything I’d ever have to add, subtract, or multiply.

 

Mama and the assistant principal wound up breaking up shortly after we

settled in Glenmora and not long after, Mama starting dating Guy Grissom,

her boss at the Lobster Pot. Mama made me call him Uncle Guy for years, but

I never liked him. He smelled feminine, like the cologne Mama wore, and he

was always breathing heavy, like he was about to pass out. You might think

he should have been real heavyset ’cause he was so short of breath all the time,

but he wasn’t at all heavyset. He was tall, though, and big, like those football

players with the phony shoulders. But Uncle Guy’s shoulders were naturally

broad and then he narrowed so much at his waist, he could have worn Mama’s

belts. I always thought he looked funny, sort of like a cartoon character, ’cause

his face was square, but Mama thought he was so handsome he could have been

up there on the big screen kissing blondes.

 

When Uncle Guy Grissom was around Mama didn’t act the same. She

giggled too much and pretty much said yes to anything I asked her. I knew

she barely heard what I’d said ’cause he was there, making himself at home in

Mama’s bed. I was pretty much ignored, except of course, when Mama remembered

that I was her precious little baby girl; then, all of a sudden, I became

this fascinating child with the cutest dimples Guy Grissom had seen this side

of Lafayette. “Wish I could adopt this child and make her my own,” he’d say.

Of course I knew, even back then, that he was bullshitting me as much as he

was bullshitting Mama. Said he was going to make Mama part owner of the

Lobster Pot and divorce his wife soon as his youngest child was out of diapers,

but of course that never happened.

 

Guy Grissom paid Connie to take care of me ’cause I saw him give her a

white envelope every Friday. She’d hide all the bills in her top dresser drawer,

all but a dollar that she’d stick inside her brassiere, right down the middle where

the crease was. She’d take me to the park in good weather and buy us ice cream

with that dollar or sometimes she’d keep me down at her apartment listening

to The Jack Benny Show or sometimes we’d watch Dragnet ’cause Connie liked

crime a whole lot. I’d come home late evening only to find Uncle Guy in his

underwear eating Mama’s fried catfish, which might have smelled inviting were

it not for his sweet cologne stinking up our room.

 

Uncle Guy got sick when I was about ten years old and he died three years

later. We didn’t really see much of him after he was diagnosed with something

Mama couldn’t pronounce. Mama had to stop working at the Lobster Pot, of

course, and it was eventually sold. Mama couldn’t pay her bills anymore, so

I guess Uncle Guy had been paying most of them. Guess he didn’t leave her

anything in his will, though, ’cause if he did, I doubt we’d ever have seen the

dusty back road of Carter’s Crossing or been desperate enough to claim the

McLaughlins as blood relatives.

 

Right after Uncle Guy died, his wife barged into our apartment and called

Mama wanton and loose, not one half hour after they put Uncle Guy in the

ground. Mama cried and ordered her out, but the next thing I knew we were

packing our bags and I was sitting on a bus and then I was sitting on a train

and then there I was on another damn bus and Mama and I were getting off

somewhere in the middle of nowhere with two suitcases and soon-to-be-sore

feet after walking the two miles from the bus stop to Carter’s Crossing where

Mama told me we had family.

 

Nothing about a bus is fun. Trains somehow have a romance to them that

buses just can’t claim. I always felt like I could be going anywhere on earth sitting

on a train, all the way across the world, listening to the whistle and catching

speedy glimpses of old towns I’d never step foot in. But buses are too close to

home. The towns all have a sameness to them and the roads are all too long,

the destination too far. You can’t be anywhere on a bus but where you started

from and I don’t care how many miles away you think you’ve gone. I’d grow

up hating buses. Maybe ’cause they’d always remind me of our trip back home

to South Carolina and that pathetic-looking, barren bus stop in the middle

of nowhere. I’ll never forget stepping off that bus wondering how far was far

when nothing stares back at you but road signs that signal you’re hundreds of

miles from anywhere you’ve ever heard of.

 

Mama turned heads, sad eyes or not. She was tall and her hair was nearly

black, but her eyes were the prettiest shade of blue I’d ever seen. It made me

giggle to see how many men thought the same. I used to watch them eyeing her.

Then I’d bat my eyes like Mama did, but they didn’t pay me any mind — just a

smile or an acknowledgement and sometimes they’d pat my head. But it was

Mama they were after and I knew it, even then. I was the convenient excuse

to get to her. I saw more buttons disappear into white handkerchiefs and had

my cheeks pinched by one too many hairy fingers and all the time they were

showing me magic tricks and pretending to be so fond of children, they were

ogling my mama. It made her smile, the way I’d copy her every move, bat my

eyes and shake my crossed leg while these lovesick men vied for her attention

and downright ignored my girlish flirtations. I always knew Mama wanted to

laugh out loud, but she stopped herself.

 

“Time enough to turn men’s heads,” she’d say, holding me to her.

 

I guess she didn’t realize I wasn’t at all interested in turning men’s heads. I

just wanted to be like her and to look like her and act like her. Hell, there wasn’t

a little girl in the world that wouldn’t have wanted the same. But I wasn’t tall

and blue-eyed and wispy-looking like Mama. I was skinny and Mama called

me strawberry head, ’cause my hair was flaming red, like the hot part of the

fire, something I never liked hearing ’cause strawberries gave me hives and fire

made my eyes tear. I didn’t have Mama’s clear white skin either. I was a constant

blush with pimples about as busy on my face as grass growing on the ground

under my feet. Mama smeared me with this stuff called PhisoHex at night, but

for every pimple down, three more had burst forth the next morning.

 

So be it. Mama said I was going to grow into my good looks; I held fast

to that. Mama said when your eye lashes are light and thick like mine, shading

my “overcast” color eyes, as Mama called them, then men were bound to fall at

my feet. Mama said all men are fools for women, but for drop-dead gorgeous

redheads, men are lame-brained idiots. Mama told me not to count all the

wounded and brokenhearted men I was going to leave in my wake, but to just

be prepared to have that effect on them.

 

Uncle Guy’s death changed things for us, that was for sure. For one, Mama

insisted we had to go back home and make amends. I never could figure out

what we were amending. For another, returning to South Carolina after Uncle

Guy died, and walking up that road with my mama’s hand in mine, was the

closet we were going to be for a long time. I always blamed the distances that

came upon us due to circumstance or choice, didn’t matter, distance was the

last thing I wanted from Mama. But we were coming back to too many bad

memories, wanting to be enfolded by a family whose arms were too short to

reach us. Walking up the road that day and heading toward Carter’s Crossing,

I knew that everything was changing. I could feel Mama’s thoughts and the

heaviness in her heart. She was passing it all onto me, the way she had given

me the sky’s likeness. And I took it in like a great tide cleansing me and filling

up my soul with my mama’s heart. I would cause the weariness she wore and

I felt its weight. I carried everything that was inside of her inside of me and I

always would. Everything that had hurt her, and everything that hadn’t, would

always be a part of my every breath. In my mama, I would find my anchor, but

as I held fast to the safety, so, too, I feared the drowning.

 

“Come along now, Sassy,” she said.

 

I had stopped just in front of the huge white farmhouse, staring at the

unfamiliarity. Taking in the strangers that were getting up off their seats to

stare back at us. Way in the distance, they stood up on a porch that should

have looked inviting, but didn’t. The house sat at the top of a hill and everything

around it was green and rolled out toward blue skies. I’d never seen so

many beautiful trees stretching lazily and affectionately across the sky, like cats

stretching out in the sun.

 

There was a sign on the white gate that read Carter’s Crossing. I realized

then that as far as my eyes could see everything all around me seemed to be

Carter’s Crossing and everything around me began and ended here at this house;

Mama’s house. I wondered why suddenly finding out my mama was rich didn’t

seem the least bit comforting.

 

“C’mon now, honey, give me your hand,” Mama said.

 

She was reaching out for me, standing in the daylight in her blue dress

and her flat shoes with a wide-brimmed straw hat on her head, looking like

someone important. That was the thing about Mama, she always looked like

she was more important than anyone else, until she opened her mouth, then

she sounded not much older than me.

 

The dress seemed to hug her from all sides, showing off her figure. And her

dark hair was long, like soft cashmere wings flowing down her back.

 

“I don’t want to live in that house,” I said.

 

“C’mon now, Sassy. They’ve spotted us.”

 

I did not move, but the others did. The “others” being the strangers Mama

said I was kin to. I think I had an early premonition, ’cause my stomach fell to

my knees right then and there.

 

“We’re better off here than we are anywhere else,” I heard Mama say.

 

But I didn’t entirely believe her. I wanted to run in the opposite direction.

But these people were walking down to where we were standing and you might

say I was hypnotized by them. They seemed real tentative, like they just might

change their minds and run back and drop the shades and slam the door on us.

I didn’t know who looked more like stray dogs: them or me and Mama.

 

One person had remained on the porch and didn’t follow the others to the

road; she held her hands up over her eyes squinting through the sun. I knew

she was old, even then. The old were problematic. “Old opinions can kill you,”

Mama used to say.

 

All too soon, there was a man wearing suspenders standing in front of me,

thinner than any man should be. His hair was dark, like Mama’s, and his eyes

so blue they startled me. Mama called him Seth.

 

“Violet?” he said, fighting with his sight through the sunlight. “Why, I’ll

be. That really you, Vi?”

 

Mama nodded and the man stood still, his hands in his pockets, staring at

Mama, but not holding out his arms, even to me as I walked near and looked up.

 

“Why, who are you?” he said. “You have a child, Vi?”

 

“Sassy, this is your Uncle Seth.”

 

I had not stopped staring at him. He was lanky, like some old tree limb

hanging by a prayer. His hands were long like his hair. When he smiled, I liked

him better.

 

“You meet up somewhere with Aaron?” he asked. “Look at that hair, just

like Aaron’s.”

 

“Richard Sweetwater is Sassy’s father. We lost him just a few months ago.”

 

Mama sounded like she was reprimanding him for insinuating that my father was

someone named Aaron, someone other than this phantom Richard Sweetwater.

I gave Mama an odd look, and she gave me one right back. The only father

I’d ever known was the gray sky and the Sweetwater stream, but I sensed I

shouldn’t go around mentioning that, so I didn’t. Far as I was concerned, everything

Mama said made about as much sense as everything she didn’t say.

 

“We’re Irish, Seth, must be loads of redheads in our family. Sassy looks like

Richard, yes, she truly does.”

 

“Okay, Vi, whatever you say.” Seth bent down and held out his hand.

 

“Pleased to meet you, Sassy,” he said.

 

I stared at his cowboy boots. They were yellow and pointed and I wondered

how his toes could sit right in them. His jeans hung low on his hip, and

he smelled pleasing, like manure.

 

“Sassy, don’t be impolite, say hello to Uncle Seth.” Mama put her hands

on her hips.

 

I didn’t get it. She hadn’t warned me about this. She hadn’t said a damn

thing to me about these so-called kinfolk. She obviously hadn’t warned Seth

either ’cause we were both looking at each other like some unknown species,

but I knew when Mama put her hands on her hips it preceded something she

was about to say that was either very bad or very good.

 

“Go on now, Sassy.” Mama pushed me so far forward I nearly knocked Seth

off his feet. I had no choice but to acknowledge him.

 

“Hello,” I said to the ground.

 

“You look good,” I heard him say to Mama.

 

Then all of a sudden, someone was running up to us. She was yelling out

Mama’s name and holding out her arms. They started hugging and it looked to

me like they were dancing ’cause they didn’t stop holding hands and spinning

around like tops.

 

“Elvira, oh I’ve missed you, honey.”

 

“I thought that was you. Oh my God, Vi, why didn’t you tell us you were

coming home?” she asked. “Why, I would have sent Pike or Dudley down

with the car to get you.”

 

Mama didn’t say a word; once she stopped spinning around with Elvira, she

stood there glancing back at the house. She was still holding Elvira’s hand, but I

knew she was looking at that old woman who wasn’t doing much of anything

’cept rocking back and forth.

 

“You are just as beautiful as ever,” Elvira said. “Oh, honey, I knew you’d

be back, I prayed for it.”

 

I didn’t know Elvira then, but she knew me. When she finally broke herself

away from Mama she pulled me to her breast like I’d just escaped being hit by

a freight train.

“Sassy,” she said through her tears.

 

I glanced over at my mama, who gave me a look that I interpreted as “make

me proud and don’t act like a snit,” but I was speechless. Mama had told me

so little about where we were going and who I was and just how exactly I was

related to these people.

 

“You are such a little doll,” Elvira said. “I’m your mama’s sister, Elvira,

your Aunt El.”

 

She didn’t look like Mama at all. She looked like a boy, all skinny and flatchested,

and her hair was cut short, but it was long enough to blow back off

her forehead in the soft Carolina breeze. If she’d actually been a boy, she would

have been real handsome.

 

“Are you going to say hello to your Aunt Elvira?” Mama insisted.

 

I continued to stare at Seth and Elvira without saying a word. My eyes must

have been round as half-dollars. I wished Mama had clued me in and given me

some background on these people.

 

“Hello,” I managed to say quietly.

(This is a sponsored post.)

Women’s Fiction Novel Where The Wildflowers Grow by Award Winning Author Vera Jane Cook – 4.9 And a Free Sample to Wet Your Appetite!

Where The Wildflowers Grow

by Vera Jane Cook

4.9 stars – 8 Reviews
Text-to-Speech and Lending: Enabled
Here’s the set-up:

Rose Cassidy’s fantasy life is a haunting reminder that she’s living a lie. So when she has the opportunity to act on those fantasies, she dives in without any thought to consequences.

Rose’s husband, Ryan, has fantasies of his own, and his actions cause unimaginable hurt [pain] to the very children he tries so hard to protect.

When the happiness each member of the Cassidy family seeks so desperately to find is shattered by shame, guilt, and ultimately murder, they must each face the truth that lies deep within their souls.

ForeWord Clarion Review:

Gossip among women characters evokes a time and place where accusations and
confrontations must be cloaked in scrupulously polite conversations.
Recalling the scandalous small-town secrets of the classic northern novel Peyton Place,
Vera Jane Cook’s Where the Wildflowers Grow heads south with similar themes in this mildly
erotic story of sexual surprises and women’s liberation set in 1960s Georgia. Part romance, part
murder mystery, Cook’s latest looks behind the façade of the perfect American family to reveal
secret longings and taboo affairs of the heart. Darien, Georgia, is an apparently peaceful small
town, but Cook looks beyond the blooming meadows and sparkling creeks and into the
passionate—and unexpectedly violent—inner lives of its residents, resulting in an intense rollercoaster
ride filled with emotional intrigue.
Imagine a world where a pair of capri pants worn by a woman qualifies as an outrage
and a disgrace. That’s the world Rose Cassidy, wife of respected Dr. Ryan Cassidy, inhabits.
She seems to have it all: a successful husband, two kids, and a beautiful home. Strangely,
though, all of this plus her weekly ladies’ group meeting are just not enough to satisfy Rose. Or
her husband, or her kids, as it turns out. The lengths to which they will go in order to break out
of their roles form the backbone of Cook’s southern soap opera.
Like an engaging daytime drama, Cook’s story runs on passion and scandal from the
very first pages straight through to the whirlwind ending. Teen romance, with its earnest
declarations of endless love and the sexual experimentation that often accompanies it, comes
through loud and clear in an opening tryst in the wild meadow that serves as a nexus for the
book’s main events. Much of the action borders on melodrama, but Cook makes it more
believable by taking on each character’s personal perspective as the coincidences and cover-ups
pile up around them. While we’re inside Rose’s head, for instance, it seems plausible that she
might have a crush on the new woman in town. Likewise, Ryan’s desperate attempt to hide an
affair that happened sixteen years earlier feels justified when we’re in on the real reason he’s
never told a soul.
Everyone has a dark secret, or several, including the Cassidy kids, Lily and Dalton. The
continuing revelations can be alternately thrilling and numbing, as it seems that the whole town
is involved in one conspiracy after another. Cook is strongest when she keeps it personal,
focusing on the characters’ inner thoughts and feelings. Natural dialogue succinctly conveys
each character’s personality; the gossip among the women is especially evocative of a time and
place where accusations and confrontations must be cloaked in scrupulously polite
conversations.
Cook sets up several unsolved mysteries throughout her story, and though some may
seem unlikely on their own, she does a skillful job of drawing all of the threads together in the
end. Where the Wildflowers Grow will appeal to readers who want a fast-paced page-turner with
new revelations on every page.

Free Excerpt:

“Will you love me forever, Pierce?” she asked as she swung his hand in hers and they walked their bikes down the path, not really wanting to get where they needed to be.

“Uh-uh,” he said. “Forever.”

It was July and they were off from school, doing nothing during that lazy summer but finding each other’s bodies to explore, swimming by the swimming hole naked, feeling the water as it came up inside them and cleaned where they had just been wet and sticky.

“Think your daddy will mind that I came for you this early?” he asked her.

“He won’t mind,” she said.

They neared the hill that dropped down to the house she lived in. It was large and white, eminent in stature, with a horse fence that ran the length of it. Large oak trees stood tall, protective armies of alpine presence, gracing the property like obedient soldiers. Manicured grass, verdurous and well maintained, proudly sparkled with the morning’s dew like crystal glass.

She could see her father coming down off the porch with Sadie, their old setter. He looked up and saw her, and she noticed the frown gather over his eyes.

Dalton had followed his father out. Trailing him for no good reason but to trail him.

“What you doing up so early, Lily?” her father asked.

He looked quickly at Pierce, and then back to her. She watched as his frown became more pronounced. His skin looked bristly and rough, and the bones beneath it, tightly drawn.

“We wanted to see the sun rise,” she said. “It made the whole sky look like fire.”

“Bet it did.” He kept his eyes on her. “You want to help your mother with breakfast, Lil?”

Dalton shyly kicked the dirt under his feet and glanced at Pierce.

She looked at Pierce too. His T-shirt fell out over his jeans, and he’d forgotten to put his socks back on; they must still be out there in the field. He looked guilty as he glanced past her toward the hills.

“Best be getting home, Pierce,” her father said.

Pierce nodded. He met her gaze for just a moment. “Can I come by later?” he asked.

“About five,” she said. “We can take a walk before dinner.”

“Can I come?” Dalton asked, and Lily jumped in quickly.

“No, you can’t come.”

She felt her father’s movement, as if he might say something, but he didn’t. He looked away.

Pierce hopped on his bike and took off down the road. She watched him till he was out of sight. She smelled him on her clothes; she felt the sweat he’d left on her. She didn’t meet her father’s eyes as she walked past him and into the checkerboard squares of the kitchen where everything was red and yellow and scents of spice sweetly contradicted what was emanating through her pores. Pierce was inside her skin, up under her underwear, his cologne was in her hair. Her father would know; if she got too close her father would know she’d had the ecstasy with Pierce Monroe.

About The Author

Vera Jane Cook, writer of Award Winning Women’s Fiction, is the author of Dancing Backward in Paradise, The Story of Sassy Sweetwater, and Lies a River Deep. In the paranormal genre, Vera Jane is the author of Annabel Horton, Lost Witch of Salem.

The author lives on the Upper West side of Manhattan with her long term partner, her Basenji/Chihuahua mix, Roxie, her chihuahua puppy, Peanut, and her two pussy cats, Sassy and Sweetie Pie.

Visit Vera Jane’s website at: http://www.verajanecook.com

(This is a sponsored post.)

Vera Jane Cook’s Sweeping Coming to Age Novel The Story of Sassy Sweetwater
ForeWord Clarion Review Gives This Uplifting Women’s Fiction Novel 5 Stars

Sample For Free Now!

The Story of Sassy Sweetwater

by Vera Jane Cook

4.5 stars – 14 Reviews
Text-to-Speech and Lending: Enabled

Here’s the set-up:

After thirteen years on the run Violet McLaughlin returns to Carter’s Crossing, South Carolina, in 1962, with her young daughter, Sassy. The Crossing is right outside of Beaufort and the turmoil of the Civil Rights movement will forever leave its scars on the young and impressionable girl. As Sassy stands before the imposing white farmhouse for the first time, with no knowledge of her history but that the McLaughlin’s are her kin, Sassy begins a journey that will tear her apart before it heals her. Growing up among secrets that will forever damage her relationship with her mother, she attempts to make sense of her past. But will her passion for art and her love for Thomas Tierney be enough to sustain her future? Will the puzzles she must solve to discover who she is be worth the journey?

What Amazon Readers are Saying:

“a beautiful piece of southern fiction”

“a beautiful and touching story”

“a real page turner”

And here, for your reading pleasure, is a free, short excerpt:

Mama said I was born by a stream named Sweetwater. She called me Sassy

the moment she realized I was a girl. Mama said girls should be sassy,

gives them sex appeal. So I was named Sassy, after an attitude, and Sweetwater,

after a stream. The year was 1949, and the place was a dirty, back-road shack in

a dusty, little town in South Carolina. Mama never could remember the name

of the town, but she told me that it might have been Cottageville or maybe

even Ridgeville. Didn’t matter much what it was called, though. I never saw it

again, and as far as I knew, Mama didn’t either.

 

Some people think a gray, tumultuous sky is an omen of discontent, especially

if one’s entry into this world is shadowed by blustery clouds and thunder’s

emphatic roar. But my mama said that heaven welcomed my birth with great

horns blowing and mighty cymbals clashing and omens sent by mighty seers

bring the blessings of miracles, not the doom of devils.

 

“Gave you its gray,” she said. “Passed it right on to you.”

 

I always knew she meant my eyes, gray as the weather on the day I was

born, and sometimes showing up hazel when the sun confronts the gloom and

demands I show some color.

 

“Gave you its temperament, too, and its mystery, girl. Women need a little

mystery. That’s what turns a man’s head. Beauty has nothing to do with anything

more than that.”

 

It always sounded like the great god Poseidon was my father the way my

mama tells it. Where else could I have come from? No man had ever come forth

and claimed me as his own. Not that I didn’t wonder who my father was, but

when I asked I always got the same reply.

 

“You came from the sky, Sassy Sweetwater; clear as the stream I bathed you

in, fierce as the wind that blew away the storm, the one that welcomed you here

with great aplomb, and tender as the aftermath of nature’s roar.”

 

In other words, I was born an ambiguous bastard by a stream in South

Carolina, and my seventeen-year-old mama was not about to tell me whose

handsome smile had won her over. He was obviously too young or too old

to pay for his mistake. I would find out one day, of course. When you ask as

many questions as I did, the answers come at you, eventually. My birth was a

riddle and I wanted my mama to connect me to some kind of heritage I could

claim as my own, but she only gave me new conundrums to chase down. It

should have been enough; there’s nothing wrong with chasing around after

answers you don’t have, it’s how hard you’re hit with them when they fly back

and knock you down.

 

Mama had traveled at least twenty miles east in Elvira’s old Chevy to give

birth to me, screaming the whole way, or so I’ve been told. Elvira was Mama’s

nineteen-year-old sister and I guess they’d planned the great cover-up, and

the great escape, together. Out of a family of five girls, Elvira was the sanest,

according to Mama.

 

Of course, I never knew how they covered up Mama’s pregnancy, but Mama

said her family only had eyes for what they wanted to see and ears for nothing

more than what they wanted to hear. In those days, abortions weren’t anything

you could go to the doctor for and I’m sure, with Mama’s Catholic background,

she would never have entertained that option, even if she could have.

 

I can’t imagine what she went through when she found out there was a baby

in her belly before she even finished high school. And I sure don’t know what

she would have done without her sister helping her through it. Elvira promised

Mama she’d read every book on birthing babies she could get her hands on and

she assured Mama that she had nothing to fear. Well, Elvira must have been

pretty well versed in birthing ’cause there wasn’t a damn thing wrong with me

that my mama’s milk wouldn’t cure. There wasn’t a damn thing wrong with

Mama, either, except all the things you couldn’t see on the outside, all the hurt

she must have been feeling; and I don’t mean just about having me bursting

open her uterus, but the hurts inside her heart that she never spoke about. But

if you knew my mama, you’d know the hurts were there. Mama had the saddest

eyes, like a wounded dog on the side of the road that you really want so

badly to help, but you can’t offer your services without the risk of being bitten.

 

Elvira went back home a few days after I was born. Mama and me didn’t go

home for another thirteen years. Home for Elvira was fifteen miles outside of

Charleston, while where me and Mama went was hundreds of miles southwest.

 

I don’t know how we got there. Mama said we hitched all the way to Louisiana.

She said wasn’t a person on the road that wouldn’t stop for a woman with a

baby in her arms. I never knew why she’d decided to settle in Louisiana until I

found out from Elvira, years later, that Mama had gotten an offer to wait tables

in Baton Rouge from some man who’d passed through Carter’s Crossing and

had taken a fancy to her. I always wondered if he was my father, but my Aunt

Elvira said I’d be more likely kin to King Kong.

 

Can’t ever figure out why Mama left Baton Rouge and wound up settling

in a place as remote as Glenmora. We didn’t stay in Baton Rouge ’cause Mama’s

boyfriend turned out to be a shithead and it wasn’t long before some other guy

caught her eye just long enough to talk her into following him to Glenmora,

where he was assistant principal at the local high school. Of course, I don’t

remember much about those years, but I can recall an apartment in the back of

a small rooming house where we lived. I can just about capture the features of

the woman who took care of me while Mama was working. Connie was her

name and I guess she owned the place. Her bosom was large, always showing

white freckled skin where the crease was. The memory is good when I think

back on Connie, like the talcum powder she put in my underwear and the funny

little children’s books she read me, taking on a different voice for each character

and scaring me half to death when she spoke like the big bad wolf and kind of

lurched forward like she was going to swallow me whole.

 

Connie was old in the ways that make being old a good thing, with a round,

kind face and a voice as soft as silk lining. She made me hot cocoa before I went

to sleep every night and tossed a little marshmallow right up on top that melted

so nice in the back of my mouth. She picked me up after school every day too,

’cause Mama worked long hours at the Lobster Pot. Connie drove me over to

the Lobster Pot for my dinner and Mama would try, as best she could, to help

me figure out decimals and multiply fractions in between taking orders. I’d sit

at the counter eating crawfish, not really giving a damn what one third times

one eighth of anything could ever equal, and doubting if I ever would give a

rat’s ass about anything I’d ever have to add, subtract, or multiply.

 

Mama and the assistant principal wound up breaking up shortly after we

settled in Glenmora and not long after, Mama starting dating Guy Grissom,

her boss at the Lobster Pot. Mama made me call him Uncle Guy for years, but

I never liked him. He smelled feminine, like the cologne Mama wore, and he

was always breathing heavy, like he was about to pass out. You might think

he should have been real heavyset ’cause he was so short of breath all the time,

but he wasn’t at all heavyset. He was tall, though, and big, like those football

players with the phony shoulders. But Uncle Guy’s shoulders were naturally

broad and then he narrowed so much at his waist, he could have worn Mama’s

belts. I always thought he looked funny, sort of like a cartoon character, ’cause

his face was square, but Mama thought he was so handsome he could have been

up there on the big screen kissing blondes.

 

When Uncle Guy Grissom was around Mama didn’t act the same. She

giggled too much and pretty much said yes to anything I asked her. I knew

she barely heard what I’d said ’cause he was there, making himself at home in

Mama’s bed. I was pretty much ignored, except of course, when Mama remembered

that I was her precious little baby girl; then, all of a sudden, I became

this fascinating child with the cutest dimples Guy Grissom had seen this side

of Lafayette. “Wish I could adopt this child and make her my own,” he’d say.

Of course I knew, even back then, that he was bullshitting me as much as he

was bullshitting Mama. Said he was going to make Mama part owner of the

Lobster Pot and divorce his wife soon as his youngest child was out of diapers,

but of course that never happened.

 

Guy Grissom paid Connie to take care of me ’cause I saw him give her a

white envelope every Friday. She’d hide all the bills in her top dresser drawer,

all but a dollar that she’d stick inside her brassiere, right down the middle where

the crease was. She’d take me to the park in good weather and buy us ice cream

with that dollar or sometimes she’d keep me down at her apartment listening

to The Jack Benny Show or sometimes we’d watch Dragnet ’cause Connie liked

crime a whole lot. I’d come home late evening only to find Uncle Guy in his

underwear eating Mama’s fried catfish, which might have smelled inviting were

it not for his sweet cologne stinking up our room.

 

Uncle Guy got sick when I was about ten years old and he died three years

later. We didn’t really see much of him after he was diagnosed with something

Mama couldn’t pronounce. Mama had to stop working at the Lobster Pot, of

course, and it was eventually sold. Mama couldn’t pay her bills anymore, so

I guess Uncle Guy had been paying most of them. Guess he didn’t leave her

anything in his will, though, ’cause if he did, I doubt we’d ever have seen the

dusty back road of Carter’s Crossing or been desperate enough to claim the

McLaughlins as blood relatives.

 

Right after Uncle Guy died, his wife barged into our apartment and called

Mama wanton and loose, not one half hour after they put Uncle Guy in the

ground. Mama cried and ordered her out, but the next thing I knew we were

packing our bags and I was sitting on a bus and then I was sitting on a train

and then there I was on another damn bus and Mama and I were getting off

somewhere in the middle of nowhere with two suitcases and soon-to-be-sore

feet after walking the two miles from the bus stop to Carter’s Crossing where

Mama told me we had family.

 

Nothing about a bus is fun. Trains somehow have a romance to them that

buses just can’t claim. I always felt like I could be going anywhere on earth sitting

on a train, all the way across the world, listening to the whistle and catching

speedy glimpses of old towns I’d never step foot in. But buses are too close to

home. The towns all have a sameness to them and the roads are all too long,

the destination too far. You can’t be anywhere on a bus but where you started

from and I don’t care how many miles away you think you’ve gone. I’d grow

up hating buses. Maybe ’cause they’d always remind me of our trip back home

to South Carolina and that pathetic-looking, barren bus stop in the middle

of nowhere. I’ll never forget stepping off that bus wondering how far was far

when nothing stares back at you but road signs that signal you’re hundreds of

miles from anywhere you’ve ever heard of.

 

Mama turned heads, sad eyes or not. She was tall and her hair was nearly

black, but her eyes were the prettiest shade of blue I’d ever seen. It made me

giggle to see how many men thought the same. I used to watch them eyeing her.

Then I’d bat my eyes like Mama did, but they didn’t pay me any mind — just a

smile or an acknowledgement and sometimes they’d pat my head. But it was

Mama they were after and I knew it, even then. I was the convenient excuse

to get to her. I saw more buttons disappear into white handkerchiefs and had

my cheeks pinched by one too many hairy fingers and all the time they were

showing me magic tricks and pretending to be so fond of children, they were

ogling my mama. It made her smile, the way I’d copy her every move, bat my

eyes and shake my crossed leg while these lovesick men vied for her attention

and downright ignored my girlish flirtations. I always knew Mama wanted to

laugh out loud, but she stopped herself.

 

“Time enough to turn men’s heads,” she’d say, holding me to her.

 

I guess she didn’t realize I wasn’t at all interested in turning men’s heads. I

just wanted to be like her and to look like her and act like her. Hell, there wasn’t

a little girl in the world that wouldn’t have wanted the same. But I wasn’t tall

and blue-eyed and wispy-looking like Mama. I was skinny and Mama called

me strawberry head, ’cause my hair was flaming red, like the hot part of the

fire, something I never liked hearing ’cause strawberries gave me hives and fire

made my eyes tear. I didn’t have Mama’s clear white skin either. I was a constant

blush with pimples about as busy on my face as grass growing on the ground

under my feet. Mama smeared me with this stuff called PhisoHex at night, but

for every pimple down, three more had burst forth the next morning.

 

So be it. Mama said I was going to grow into my good looks; I held fast

to that. Mama said when your eye lashes are light and thick like mine, shading

my “overcast” color eyes, as Mama called them, then men were bound to fall at

my feet. Mama said all men are fools for women, but for drop-dead gorgeous

redheads, men are lame-brained idiots. Mama told me not to count all the

wounded and brokenhearted men I was going to leave in my wake, but to just

be prepared to have that effect on them.

 

Uncle Guy’s death changed things for us, that was for sure. For one, Mama

insisted we had to go back home and make amends. I never could figure out

what we were amending. For another, returning to South Carolina after Uncle

Guy died, and walking up that road with my mama’s hand in mine, was the

closet we were going to be for a long time. I always blamed the distances that

came upon us due to circumstance or choice, didn’t matter, distance was the

last thing I wanted from Mama. But we were coming back to too many bad

memories, wanting to be enfolded by a family whose arms were too short to

reach us. Walking up the road that day and heading toward Carter’s Crossing,

I knew that everything was changing. I could feel Mama’s thoughts and the

heaviness in her heart. She was passing it all onto me, the way she had given

me the sky’s likeness. And I took it in like a great tide cleansing me and filling

up my soul with my mama’s heart. I would cause the weariness she wore and

I felt its weight. I carried everything that was inside of her inside of me and I

always would. Everything that had hurt her, and everything that hadn’t, would

always be a part of my every breath. In my mama, I would find my anchor, but

as I held fast to the safety, so, too, I feared the drowning.

 

“Come along now, Sassy,” she said.

 

I had stopped just in front of the huge white farmhouse, staring at the

unfamiliarity. Taking in the strangers that were getting up off their seats to

stare back at us. Way in the distance, they stood up on a porch that should

have looked inviting, but didn’t. The house sat at the top of a hill and everything

around it was green and rolled out toward blue skies. I’d never seen so

many beautiful trees stretching lazily and affectionately across the sky, like cats

stretching out in the sun.

 

There was a sign on the white gate that read Carter’s Crossing. I realized

then that as far as my eyes could see everything all around me seemed to be

Carter’s Crossing and everything around me began and ended here at this house;

Mama’s house. I wondered why suddenly finding out my mama was rich didn’t

seem the least bit comforting.

 

“C’mon now, honey, give me your hand,” Mama said.

 

She was reaching out for me, standing in the daylight in her blue dress

and her flat shoes with a wide-brimmed straw hat on her head, looking like

someone important. That was the thing about Mama, she always looked like

she was more important than anyone else, until she opened her mouth, then

she sounded not much older than me.

 

The dress seemed to hug her from all sides, showing off her figure. And her

dark hair was long, like soft cashmere wings flowing down her back.

 

“I don’t want to live in that house,” I said.

 

“C’mon now, Sassy. They’ve spotted us.”

 

I did not move, but the others did. The “others” being the strangers Mama

said I was kin to. I think I had an early premonition, ’cause my stomach fell to

my knees right then and there.

 

“We’re better off here than we are anywhere else,” I heard Mama say.

 

But I didn’t entirely believe her. I wanted to run in the opposite direction.

But these people were walking down to where we were standing and you might

say I was hypnotized by them. They seemed real tentative, like they just might

change their minds and run back and drop the shades and slam the door on us.

I didn’t know who looked more like stray dogs: them or me and Mama.

 

One person had remained on the porch and didn’t follow the others to the

road; she held her hands up over her eyes squinting through the sun. I knew

she was old, even then. The old were problematic. “Old opinions can kill you,”

Mama used to say.

 

All too soon, there was a man wearing suspenders standing in front of me,

thinner than any man should be. His hair was dark, like Mama’s, and his eyes

so blue they startled me. Mama called him Seth.

 

“Violet?” he said, fighting with his sight through the sunlight. “Why, I’ll

be. That really you, Vi?”

 

Mama nodded and the man stood still, his hands in his pockets, staring at

Mama, but not holding out his arms, even to me as I walked near and looked up.

 

“Why, who are you?” he said. “You have a child, Vi?”

 

“Sassy, this is your Uncle Seth.”

 

I had not stopped staring at him. He was lanky, like some old tree limb

hanging by a prayer. His hands were long like his hair. When he smiled, I liked

him better.

 

“You meet up somewhere with Aaron?” he asked. “Look at that hair, just

like Aaron’s.”

 

“Richard Sweetwater is Sassy’s father. We lost him just a few months ago.”

 

Mama sounded like she was reprimanding him for insinuating that my father was

someone named Aaron, someone other than this phantom Richard Sweetwater.

I gave Mama an odd look, and she gave me one right back. The only father

I’d ever known was the gray sky and the Sweetwater stream, but I sensed I

shouldn’t go around mentioning that, so I didn’t. Far as I was concerned, everything

Mama said made about as much sense as everything she didn’t say.

 

“We’re Irish, Seth, must be loads of redheads in our family. Sassy looks like

Richard, yes, she truly does.”

 

“Okay, Vi, whatever you say.” Seth bent down and held out his hand.

 

“Pleased to meet you, Sassy,” he said.

 

I stared at his cowboy boots. They were yellow and pointed and I wondered

how his toes could sit right in them. His jeans hung low on his hip, and

he smelled pleasing, like manure.

 

“Sassy, don’t be impolite, say hello to Uncle Seth.” Mama put her hands

on her hips.

 

I didn’t get it. She hadn’t warned me about this. She hadn’t said a damn

thing to me about these so-called kinfolk. She obviously hadn’t warned Seth

either ’cause we were both looking at each other like some unknown species,

but I knew when Mama put her hands on her hips it preceded something she

was about to say that was either very bad or very good.

 

“Go on now, Sassy.” Mama pushed me so far forward I nearly knocked Seth

off his feet. I had no choice but to acknowledge him.

 

“Hello,” I said to the ground.

 

“You look good,” I heard him say to Mama.

 

Then all of a sudden, someone was running up to us. She was yelling out

Mama’s name and holding out her arms. They started hugging and it looked to

me like they were dancing ’cause they didn’t stop holding hands and spinning

around like tops.

 

“Elvira, oh I’ve missed you, honey.”

 

“I thought that was you. Oh my God, Vi, why didn’t you tell us you were

coming home?” she asked. “Why, I would have sent Pike or Dudley down

with the car to get you.”

 

Mama didn’t say a word; once she stopped spinning around with Elvira, she

stood there glancing back at the house. She was still holding Elvira’s hand, but I

knew she was looking at that old woman who wasn’t doing much of anything

’cept rocking back and forth.

 

“You are just as beautiful as ever,” Elvira said. “Oh, honey, I knew you’d

be back, I prayed for it.”

 

I didn’t know Elvira then, but she knew me. When she finally broke herself

away from Mama she pulled me to her breast like I’d just escaped being hit by

a freight train.

“Sassy,” she said through her tears.

 

I glanced over at my mama, who gave me a look that I interpreted as “make

me proud and don’t act like a snit,” but I was speechless. Mama had told me

so little about where we were going and who I was and just how exactly I was

related to these people.

 

“You are such a little doll,” Elvira said. “I’m your mama’s sister, Elvira,

your Aunt El.”

 

She didn’t look like Mama at all. She looked like a boy, all skinny and flatchested,

and her hair was cut short, but it was long enough to blow back off

her forehead in the soft Carolina breeze. If she’d actually been a boy, she would

have been real handsome.

 

“Are you going to say hello to your Aunt Elvira?” Mama insisted.

 

I continued to stare at Seth and Elvira without saying a word. My eyes must

have been round as half-dollars. I wished Mama had clued me in and given me

some background on these people.

 

“Hello,” I managed to say quietly.

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