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Kindle Daily Deals For Tuesday, July 9 – Bestsellers in All Genres, All at Bargain Prices! Sponsored by Emily Kimelman’s Unleashed (A Sydney Rye Novel, # 1) – Now Free!

But first, a word from … Today’s Sponsor

4.1 stars – 107 Reviews
Text-to-Speech and Lending: Enabled
Here’s the set-up:
A KINDLE TOP 100 BESTSELLER
#1 AMAZON KINDLE BESTSELLER IN “HARD BOILED”
The Sydney Rye series of mysteries features a strong female protagonist and her rescue dog, Blue. It is recommended for the 18+ who enjoy some violence, don’t mind dirty language, and are up for a dash of sex. Not to mention an awesome, rollicking good mystery!
 
UNLEASHED
 is the first book in Emily Kimelman’s best selling Sydney Rye series of dark murder mysteries.
DEATH IN THE DARK (A Sydney Rye Novella, #2) and INSATIABLE (A Sydney Rye Novel, #3) are both available in the Kindle Store. All three books are available in a box set for $5.99.
 
STRINGS OF GLASS (Sydney Rye, #4) 
is due out Summer 2013.

When the series begins Sydney Rye is named Joy Humbolt. She does not like people telling her what to do, so it comes as no surprise that she was just fired from her last job. When she buys Charlene Miller’s dog-walking business on Manhattan’s exclusive upper east side, it seems like the perfect fit: Quiet environment, minimal contact with people.

But then one of her clients turns up dead, and Charlene disappears. Rumors say Charlene was having an affair with the victim–and of course, everyone assumes Joy must know where she is. Joy begins to look into the crime, first out of curiosity then out of anger when there is another murder and threats start to come her way.
When police detective Mulberry is assigned to the case, Joy finds a kindred spirit–cynical and none-too-fond of the human race. As they dig deep into the secrets of Manhattan’s elite, they not only get closer to the killer but also to a point of no return. One last murder sends Joy Humbolt hurtling over the edge. Her only chance of survival is to become Sydney Rye.

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and now … Today’s Kindle Daily Deal!

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Lunch Time Reading – Enjoy This Free Excerpt From KND Thriller of The Week: JUMP by Stephen R. Stober – All Rave Reviews!

On Friday we announced that JUMP by Stephen R. Stober is our Thriller of the Week and the sponsor of thousands of great bargains in the thriller, mystery, and suspense categories: over 200 free titles, over 600 quality 99-centers, and thousands more that you can read for free through the Kindle Lending Library if you have Amazon Prime!

Now we’re back to offer our weekly free Thriller excerpt:

JUMP

by Stephen R. Stober

4.9 stars – 15 Reviews
Text-to-Speech: Enabled
Here’s the set-up:

Jeremy Roberts is suddenly a stranger in his own body with no memory of his life. When he discovers he’s entangled in an unsolved tragedy, he must mount a high-stakes investigation to rescue someone he can’t remember.

Jeremy Roberts’ life is reset one morning in Boston’s Quincy Market when an inexplicable event leaves him a stranger in his own body. He quickly relearns his name and his place in the world, but can’t explain the heavy feeling of grief that pervades every moment of his day.

Hiding his complete lack of memory about his life, he sets to work finding the source of his emotional anguish. Uncovering files from his own computer, he learns that a terrible tragedy has befallen his family and its mystery remains unsolved.

Calling on a crack private investigator and a computer security expert, Jeremy delves deep into the case. After piecing together a startling theory, he plunges into a daring plan to rescue a woman he can’t remember… before it is too late.

JUMP is an edge-of-your seat thriller that will have you hooked until the very last page.

And here, for your reading pleasure, is our free excerpt:

Chapter 1 – Jeremy

 

This time it happened without much warning. I had to jump quickly in Quincy Market, at a shoe store. The switch was faster than usual. I didn’t have much time to choose.

It’s been about a minute since the transition. I feel dizzy and a little off balance as I stand among shoppers who are focused on a man lying on the floor. Damian Murdoch had lost consciousness and collapsed. His wife, Carrie, is frantic and screaming for someone to call 9-1-1. There’s chaos in the store.

I feel something in my back pocket; it must be a wallet. The distraction gives me time to quickly take it out and look through its contents. There’s a Massachusetts driver’s license in Jeremy Roberts’ name with a home address shown as Heath Street in Brookline. There are some credit cards, cash, a few business cards, and an emergency contact card with a name, Jennifer Roberts, her phone number, and an e-mail address containing the name Jen.

The ambulance arrives in minutes, followed by the police. The woman standing beside me must be Jennifer, or maybe she calls herself Jen. Before the switch, she and Jeremy were talking to each other in a way that couples do in stores. I had sensed a profound grief within them.

The paramedics ask for everyone to clear the area as they tend to Damian. As he starts to come to, he mumbles something to Carrie, who is bending over beside him, crying. I had loved Carrie deeply. Damian will be okay.

Jennifer whispers to me, “Come on, let’s go home.”

I hesitate. I don’t want to leave Carrie. I won’t see her again. Jennifer takes my numb hand and starts to lead me away. I stumble, almost falling to the floor as I experience initial coordination problems. Jennifer tries to grab me as my hand slips from hers. She calls out my name with a gasp. I regain my balance and reach for her hand.

“What’s the matter?” she asks.

“I’m not sure, I feel a little dizzy.” In actual fact, much of my body has no feeling. As usual, for the first few moments of a transition, the neural messages being exchanged between my body and brain are not fully engaged.

“Do you want to sit down for a bit?”

“No, it’s ok, I don’t think it’s anything, Jen. Maybe that guy falling to the floor got me a little woozy.” Hopefully, she is Jennifer.

“Why are you calling me Jen?”  She seems surprised.

I have nothing. I often have nothing at the beginning. I’ve learned that silence gets filled with information. Silence is powerful. Moments pass. Jennifer gives me more information.

“You haven’t called me Jen for years. What’s with you?” It is her.

I remain silent. Jennifer continues. “Are you okay? Do you think another migraine’s coming on?”

The opportunity. “Yes.”

“I better drive home,” she says firmly.

I’m relieved. At this point, I wouldn’t know where to go. She puts her arm around my waist, trying to give me support as we start to slowly walk out of the store. With each step, the neural pathways are connecting and I’m beginning to feel sensations in my limbs.

“I think I’m okay now,” I say as we reach the street. I concentrate on each step as I awkwardly place one foot in front of the other, trying to keep my balance.

I take her arm from my waist and hang on to her hand as she walks slightly ahead of me. As she proceeds, she looks back at me struggling to walk in a straight line.

“Jeremy, what’s wrong? You look drunk!”

“I’m just a little woozy. Let me sit down for a bit.”

We go to the curb where I sit. As the moments pass, I can feel sensations growing throughout my body. A few more minutes and it will be complete.

“The paramedics are still in the store. Do you want them to have a look at you?”

“No, I’m sure I’ll be all right in a minute or so. It’s probably just this migraine thing coming on. Let’s give it a couple of minutes. If I’m still dizzy, we’ll go see them.”

My new voice is deeper than Damian’s. It sounds odd as I talk. I clear my throat to hear the sound again.

After a couple of minutes, I feel complete and stand up. “I’m alright, let’s go to the car.”

Jennifer leads the way. I study her as she walks ahead. She’s a beautiful woman, five feet seven or so, high cheekbones, straight black hair formed into a ponytail threaded through the back of a pink Nike ball cap. Her aqua blue eyes, tanned skin, blue denim shorts, pink tank top, and immaculate white sneakers with the pink swoosh is a look that you’d see on a Nike commercial. She must be in her early forties, a very feminine woman in perfect shape.

I watch her every move and take in all of the cues that she’s unknowingly sending as she walks. To me, these signals are giant billboards indicating intention, feeling, and even thought. The way someone walks, how they move their feet, swing their arms, position their head, and even move their eyes can clearly reveal their level of comfort or stress, confidence, and their emotional state. My success has depended on my ability to read these nonverbal cues.

At first glance, Jennifer seems to walk like a confident woman. However, with a closer look, I can detect that she’s unsettled. Her overall posture, expressions, hesitations, and the way she touches her hair, suggest that something emotionally significant is happening within her. Is it related to the grief feelings I felt in both her and Jeremy before the transition?

Jennifer walks toward a white Mercedes SL, presses one of the keys, and the trunk lid pops open. She places the Nine West bag inside and closes the trunk. With another press of the key, the doors unlock. As I struggle to coordinate my limbs to get into the passenger seat, she asks, “Are you sure you’re okay?”

“Yeah, my back’s a little stiff, that’s all.”

“Can I put the top down?”

I nod. She presses a button and the trunk cover whirs to attention, gradually lifting open. The roof begins its folding dance and gently places itself into the front part of the trunk. The cover silently closes with no hint that the entire metal roof is hidden within. I watch as Jennifer adjusts the mirrors and seat. In one smooth movement, she belts herself in and starts the car with the push of a button. Her hands are beautifully manicured—clear polish on firm nails. She moves the car confidently away from the curb, narrowly missing the bumper of the Honda in front of us.

As she drives away, she says, “That poor man. I wonder whether he had a heart attack. Why didn’t anyone give him CPR?”

“I think I saw him breathing; it didn’t look like he needed CPR.” I knew exactly what had happened. “I’m sure he’ll be okay.”

“How can you say that? It could have been a stroke!”

I respond with a shrug.

“It’s interesting that it took no time for the police to arrive. I wish she had gotten such quick attention,” Jennifer says with a sarcastic tone.

Not sure what she means by that. I stay silent.

I close my eyes and place my hand on my forehead, feigning a migraine as Jennifer drives us home. I take this time to think about my new life. What lies before me? How quickly will I figure out my objective? Do Jennifer and Jeremy love each other? Do they have children? What’s the nature of the grief that I had felt within them? These are all pieces of the puzzle that I will have to figure out to help them navigate through their despair.

***

I do not know my name; I do not know how old I am. I have memories of thousands of people from countries and cultures around the world, but I can’t remember anything about me. As I often do at the beginning of a transition, I start asking the questions that I can never answer. How did all of this start? Who am I? Where is home? Where is my family? Do I even have a family? It’s all a puzzle and I am no closer to the answer than I ever was.

The one thing I do know is that today, and for some time to come, I am Jeremy Roberts. This morning, the tingling in my hands was the sign that the process was beginning. As always, I was not sure when or where it would occur, but I knew I had to act quickly. I needed to get to a busy place with many people. I asked Carrie if she wanted to go with me to the market.    

For some reason, this time I felt that I wouldn’t have much control over timing. As soon as we arrived, it began. Carrie wanted to go to the shoe store. I followed her in. As she was paying for her sandals, the tingling—which feels like a very mild electrical shock that starts in my hands—encompassed my entire body. It can happen very quickly.

During a transition, for a brief period of time, I feel compassion for everyone physically near me. The feeling takes over my mind and body as if I’m in a thousand places at the same time. This morning I could clearly hear all the noise, conversations, and even whispers around me. I could see everything in my surroundings and smell the scents of Quincy Market: the food, perfume, body odor, garbage, Boston harbor, and even the rotting spills on the sidewalk. I took it all in.

I sensed all of the emotion—all of the pain, happiness, frustration, and sadness—within the people at the market on this Saturday morning in June. My transitions last for seconds only, yet it always seems much longer to me. It ends when I land. Jeremy and Jennifer were nearby. I felt a deep sense of sorrow and grief within them. I had to make a decision. I targeted Jeremy because of his anguish. It had to be him.

Then it happened. I jumped from Damian to Jeremy.

 

The sunlight strobes through the trees as Jennifer drives up Huntington Avenue. Billowing cotton clouds form in the summer’s blue sky. It’s a beautiful day for the beginning of this new life experience. Jennifer’s cell phone rings. She picks it up to her ear.

“Hi, sweetie. Hold on for a sec. Let me put in my earpiece.”

She puts in the Bluetooth ear bud and continues the conversation. “Where are you? Is Jeff with you? Are you coming home for dinner?”

It sounds like she’s talking to one of her children. As she continues the conversation, I discreetly reach for Jeremy’s wallet. I look through the contents once again, searching for more clues. I find his business card—Roberts & Levin Consulting Company, Jeremy Roberts, CPA, President—with phone number, address, e-mail and website. Jeremy is an accountant.

As I look through the wallet, I notice my hands—Jeremy’s hands. It’s strange when first looking at my hands in a new host. They always look and feel odd at the beginning. I can sense them as if they’re mine, but they look like someone else’s. They’re larger, a little rougher, and seem older than Damian’s. As I stare at them, I’m having difficulty controlling their movements while going through the contents of the wallet. Manipulating the papers and cards is awkward. If I look away and allow my hands to feel through the wallet, my dexterity returns. It will take me some time to coordinate what I see and how I feel in this new body.

I take out a photo from the inside pocket of the wallet; a frayed, worn picture of four people sitting on a sofa next to a Christmas tree. It looks like a younger Jennifer and Jeremy with two children. I put down the sun visor and look into the mirror. It feels like someone is looking at me but it’s my image being reflected back. Jeremy’s piercing blue eyes are staring at me. Even now, after so many transitions, it still feels unreal to look at a new ‘me’ in a mirror. I put back the visor.

I focus on that family photo again. The two little girls are maybe ages eight and ten. I assume they are Jeremy and Jennifer’s daughters. There are two other pictures in the wallet, one of a girl in her early twenties, wearing a cap and gown. She looks very much like a grown-up version of the younger girl in the family photo. She’s very pretty, with blonde hair and a huge smile. She looks so proud.

The other picture is of another young woman, perhaps in her mid-twenties, dark hair, standing in front of what looks like Niagara Falls. There’s some resemblance to the older child in the Christmas family picture. She looks remarkably like Jennifer and quite beautiful as well. On the back, there’s some writing: I love you, Daddy. Thanks for all of your help. – Jessie.

Jennifer continues her conversation as I pretend to organize the wallet. I listen carefully to her words. There’s some tension in how she’s speaking. Her intonations, mannerisms, and how her thumb plays with her wedding band confirms that she’s talking to one of her children; one of the girls in the pictures?

I take a chance. “Is that Jessie?”

She glances over at me with a surprised look and narrowed eyes that seem to be screaming. “It’s Sandy, Sandy, for God’s sake!”

Now that was a mistake. I should have known better. All these years have taught me to wait and take in much more information before offering anything other than a neutral statement. Something is terribly wrong. Why such a negative response? I look away from Jennifer, but listen intently over the noise of the wind blowing through my hair.

Jennifer lowers her voice and says, “He asked if you were Jessie. Can you believe it? I know, I know, but still…”

Jennifer stops talking about me while continuing the conversation. It’s hard to hear, but I think they’re talking about plans for the weekend—shopping and various topics. She’s not offering me any more clues.

Through my closed eyes, the bright pulsating sun creates flashes of light, and abstract images race through my mind. I think of Carrie. I didn’t know it at the time, but last night would be our last time together. It was late, maybe one in the morning. We were in bed talking, sipping wine, and listening to an Al Jerreau CD. After making love, we were still locked onto each other, our legs intertwined. With her head on my chest, Carrie looked into my eyes and whispered, “I have never loved you more.” We kissed and fell asleep.

I will miss her dearly. A wave of heavy sadness and apprehension washes over me as I find myself awkwardly sitting next to this new stranger, Jennifer, in the body of her husband Jeremy, whom I know nothing about.

After Jennifer finishes her conversation with Sandy, she turns to me and says, “What the hell were you thinking?”

I don’t respond. I wait for more information. None comes forth. We are quiet for the rest of the drive to the house. I hold my hand to my head, hoping that my error will be perceived as a result of my supposed migraine. I feel tension with Jennifer. I don’t know enough yet to begin any conversation with her.

 

***

        

         I do not have Jeremy’s memories or his expectations, worries, realities, dreams, or ambitions. I do not know any of the people in his life, their history, or their connection to him. I know nothing about his work or his finances.

For now though, I am him. I will be living in his world for some time. Although my life as Jeremy is now an empty canvas, his family, friends, and colleagues will soon paint it with colorful and intricate images. Their conversations, nonverbal cues, and even their touch will reveal their expectations of me. And from that, I will learn much about him.

I will have to learn all about his world quickly. Jennifer’s interaction with me is already giving me clues and is kick-starting my quest for information. When I arrive at their home, there will be a wealth of information about Jeremy and Jennifer’s lives that I will gather from their files, computers, and other clues that I will discover.

It will be my starting point towards understanding his life, and discovering my objective.

Chapter 2 – Home

Jennifer drives down Heath Street, in a beautifully area that contrasts with the high-density neighborhoods that we drove through from Boston. We pass entrances to large estates and barely visible mansions in this wealthy enclave. We turn onto a long driveway of a contemporary home set back from the street. Perfectly placed old oak trees line the crushed-stone drive. Curiously, there is a yellow ribbon on the first oak tree. I look at it as we go by.

The driveway splits into a circular turnaround passing in front of the entrance. A sculpture of a child with water cascading over a protecting umbrella is at the center of a well-manicured lawn. The fountain creates relaxing white noise as we approach. We stop at the parking area on the left side of the entrance. Jennifer parks next to a black Lexus.

I look at the construction of the stone and brick building and presume it has replaced an older structure. The mature oaks give away the property’s history. The new building seems to have been erected in the footprint of the old home. It fits the setting perfectly.

As we get out of the car, Jennifer coolly says, “I want to finish the conversation that we started this morning.” She seems emotionless and dry, like she’s reading the news.

“Sure, but I’d like to lie down for a few minutes first.” I’m hoping to buy some time to look around the house.

“Remember to take your Maxalt, I’ll meet you on the patio in a half hour. We’ll have a light lunch before my appointments this afternoon.” I nod.

We enter through the large oak double front door, which opens onto an impressive foyer. I quickly glance around to get my bearings. Light-colored birch floors lead to a majestic staircase just ahead on the left. I take in all of the images and create a mental map of the home. A central floor plan—living room to the left, dining room to the right, the kitchen must be just off to the right, behind the dining room. I can see a den just ahead beyond the staircase. There must be a study or library to the left of the den. The house is eight to ten thousand square feet, vintage 1990s, high-end.

There are probably five bedrooms upstairs with a large master bedroom overlooking the backyard. If there’s a bedroom for each of Jeremy and Jennifer’s two daughters, I suspect that one of the remaining rooms will be an office. Hopefully that’s where I’ll find the family’s files. If not, they’ll be in the master bedroom, in the study next to the den downstairs, or possibly in the basement. Files are key. I have to find them to learn more about my new life.

The house is immaculate, and understated yet elegant. A Latina woman greets us.

“Good morning, Señor Roberts.”

“Morning,” I respond, then wait to take my cue from Jennifer.

Jennifer asks, “Carmella, could you please make us a salad with a scoop of tuna?”

“Si,” Carmella responds.

I look at Jennifer. “I’m going to lie down upstairs. See you in a half hour.”

She walks off toward the kitchen with no response. She isn’t happy. I suspect that the upcoming conversation will reveal what’s bothering her. I hope that I’m able to find something during my preliminary search to help me through that discussion.

I walk upstairs and instinctively know where I’m going. I enter the large master bedroom to the right of the stairs. It’s painted a muted green with a dark blue accent wall that’s a backdrop to the king-size four-poster bed. It’s a very large room, and it too is immaculate.

There are night tables on either side of the bed, a large plasma TV on the opposite wall, and a matching lounge chair and sofa in the corner of the room, positioned to view the TV. A large blue-green modern art painting hangs above the bed. I walk through the glass doorway to the master en suite. The ultra-modern bathroom leads to a balcony overlooking a large backyard, which has a pool and tennis court. I can see the balcony stretching along the back of the house.

I leave the bathroom and go back into the bedroom. An open door between the TV and bathroom leads me to a huge wardrobe room, which I suspect was a converted bedroom. The back wall has floor-to-ceiling sliding glass doors leading out to the back balcony. The room is painted to match the bedroom and c­­onsists of built-in closet doors that are tinted in the same colors as the corresponding walls but in a high-gloss finish. The doors respond to a slight push of the finger. They open smoothly and silently, as if by remote control.

I push one of the green doors and it reveals drawers of women’s underwear, hosiery, and scarves. As I search for documents, I open and close all of the closet doors, which conceal many drawers, hanging clothes, and cupboards. There must be fifteen green closet doors. There are fewer doors in the blue area, and they open to reveal men’s clothes—Jeremy’s clothes.

There’s a makeup area in the corner of the room, complete with a large white desk, upholstered chair, and a mirror framed by round white light bulbs, Hollywood style. A set of stand-up mirrors next to the desk are set at oblique angles to view all sides of one’s body, similar to what you would find in a clothing store.

Positioning myself in front of the stand-up mirrors, I take a long look at my new image and study my features. Jeremy is about six feet tall and fit—a good-looking man with a solid jaw, and a full head of light brown hair that is graying at the temples, combed slightly off to the side, with a part. His looks remind me of President Kennedy. I touch my face and hair. I smile, stretching my lips to see this new image respond. Like always, it feels awkward at the beginning.

I move an arm and reposition my body. I watch the image in the mirror move. It looks like someone else in the mirror is copying me. Eventually I will see me in the mirror, but now I’m seeing a stranger. Right now, I feel like I’m having an out-of-body experience—which, of course, is exactly what’s happening. It will take time for me to feel one with my new body.

I turn away from the mirror and move on.

I go back to the closets and open more doors, looking for files, notebooks, papers, or anything that I can use for information. I find nothing, but that doesn’t surprise me. Jennifer and Jeremy’s home is obsessively neat. Everything seems to have its place, and this room is clearly designated wardrobe only.

I leave the dressing room through a door that leads me back to the hallway. A quick glance around reveals a bedroom next to the dressing room. Across the hall, there appears to be two more rooms on either side of a bathroom.

I enter the bedroom next door, which is obviously a girl’s room, painted in pink with purple linens. There’s an adjoining bathroom, which, like the bedroom, is very messy. Sliding glass doors on the far wall also open onto that long connecting balcony. I scan the contents of the room, taking in as much as I can. I see a B.A. diploma from Boston University in the name of Sandy Roberts, hanging on a wall. There are a few unopened letters on the desk addressed to Sandy. Pictures of friends are randomly scattered on the walls.

At the top and stretching along the length of one wall, there’s a red Boston University banner that reads, “Go BU!” There’s also a single large photo just over the bed. It’s the same image that I have in my wallet of Jessie in front of the falls. A large yellow ribbon is taped to the window.

I leave Sandy’s room and cross the hall to one of the rooms on either side of the bathroom. The yellow room is immaculate, as if no one sleeps there. The queen bed is covered with a green patterned comforter and loaded with neatly placed colorful pillows and stuffed animals. Awards and diplomas in Jessie Roberts’s name are on the walls of the bedroom. A Cornell University banner with large lettering saying, “Go BIG!” is hanging along the top of one wall, just like the banner in Sandy’s room. I smile. There must be quite a school competition between the girls.

There are pictures of high school and college kids perfectly aligned on the walls, as well as many pictures of dogs and cats. There’s a large National Geographic poster of a male lion hanging over the bed. It is sitting under a tree on a grassy area, with its large, beautiful green eyes staring into the camera, as if posing.

There are two long shelves mounted on the wall between the entrance and the bathroom door. Each shelf is dedicated to a different sport. On the top shelf are ten or fifteen trophies of different sizes with little metal images of people in karate positions. Most say first place, and a few say second. Just below that shelf are two certificates in Jessie’s name: Karate Black Belt, First Dan and Karate Black Belt, Second Dan. The second shelf is full of similar trophies for fencing. Pictures under that shelf show someone, I presume Jessie, in various fencing positions, wearing a protective helmet with a full-face screen cover.

I feel odd in this room; something’s just not right. I experience a deep sense of sadness. I look around and can’t get a handle on what’s causing my unease. I leave the room feeling quite uncomfortable. I know I will soon find out why.

As I had expected, the room on the other side of the bathroom is an office. It’s very neat. There’s a large mahogany desk with two drawers on either side of a leather chair. A silver MacBook laptop computer is sitting in the center of the desk. A notebook-sized calendar is lying just to the right of the laptop. The only other items on the desk are a green glass and bronze banker’s light and a wireless phone in its dock. I open the drawers of the desk. They are neat and contain some pens, paper clips, and odds and ends; nothing of significance.

There’s a comfortable reading area in the corner of the room, with a leather armchair and a brass stand-up reading light. Modern artwork adorns the grey wall behind the desk, as does a CPA certificate. Jeremy’s degree in economics, from Boston University, issued in 1984, and his MBA degree from Columbia Business School, 1987, are hanging on the opposite wall. Beside them, there’s an award of recognition in Jeremy’s name, dated 2009, issued by the Big Brothers and Sisters of Massachusetts, acknowledging Jeremy’s “hard work and dedication” to the organization.

As I open the closet, I hear Jennifer calling me. “Jeremy, did you take your Maxalt yet?”

“No,” I call down. “Just about to.”

No response.

I see a large four-drawer file cabinet in the closet and a standing safe on the floor—a treasure trove of information. I open the top drawer of the file cabinet and take out the first file. They’re all alphabetized. Automobile Association of America is the first one. I scan its contents, and, within seconds, it’s memorized.

***

Over the years, I have jumped thousands of times and explored the minds of people from all over the world. I’m continually astonished at the distinctive nature of an individual brain, which is as unique as a fingerprint. I have come to understand that our sensations, experiences, and thoughts are unique to each individual. The perception of color for instance, is a subjective experience, different from one person to the next. The color of red does not look the same to everyone. Although we associate a particular visual image as red, the actual sensation of red that we experience is uniquely different for each person.

Our sensation of smell is also subjective. The smell of a rose can be very sweet to one but less sweet or even pungent to another. The perception of the sound of music can be so dissimilar between people, that when I’ve heard the same song in the minds of more than one person, the song can sound completely different. I can identify the song by its melody, words, and beat, but the actual sensation that it creates in my mind is entirely unique to the brain of my host.

This diversity of neural processing may explain why people are so different in terms of their approach to the world. What is beautiful and emotional to one may not create the same impact to another. These differences may explain why some people are artistic while others are athletic, why some can learn languages easily while others cannot.

Mind jumping has given me a gift. I am able to use my experience dealing with the diverse brain patterns and neurological processing that I have experienced to create an optimum way of using my host’s brain.

Examples of this are the encyclopedic and photographic memory capabilities that I have developed over the years. My encyclopedic memory allows me to remember every detail and image that I have ever seen or experienced. My photographic memory enables me to scan and store images holistically, and only when I want to see the details of an image, are those details processed by my brain. It’s my version of data compression. It’s like looking at a downtown street scene, taking a snapshot of it in my mind, and then, at a later time, bringing up that image to look for the smallest details.

I can scan documents extraordinarily fast—many times faster than an electronic scanner. I’m able to take in and process information on a written page at a glance, and when I quickly scroll down a website on a computer, I can take in all of the information instantly in real time, without pausing. I’m able to cross-reference information from my scans immediately. These abilities enable me to quickly absorb details of my host’s life and ultimately help me achieve my objective.

***

 

Over the next five minutes I scan the first file cabinet drawer—files A through F—thoroughly. As I usually do after a scan, I sit down silently for the same amount of time to permanently store the information I’ve just viewed into my active memory. During this meditative state, my mind randomly explores and reviews all of the images and data that I’ve scanned. To finish off, I usually start to explore my memory with one bit of data to ensure that I have successfully transferred the images. This time I choose a random date to see where my memories of Jeremy take me.

February 15, 2011. Using information from his American Express Platinum card statements, I can now recall that on that date, Jeremy purchased lunch at Charley’s Crab in Palm Beach, Florida. I cross-reference this information with any file I’ve scanned that refers to that Palm Beach trip.

Connected images from the scan immediately become available. Jeremy flew business class on Delta Flight 2123 from Boston to Palm Beach International at 6:40 AM on February 11, and returned on February 17, leaving PBI at 8:05 AM on Delta Flight 1184. He rented a luxury car from Avis, picking it up on his arrival and returning it to PBI an hour and a half before the scheduled departure.

There are many other charges made during this time period shown on his AMEX statement, including his hotel stay at the Four Seasons Resort in Palm Beach, where he paid $999 a night for a premier ocean-view room. In addition to a number of room service and mini-bar charges, there were two charges for in-room movie rentals. The value of the rentals suggests that one of those movies was X-rated. It looks like Jennifer was with him on this trip, as the airline tickets were in his and her names and the hotel reservation was booked for two people.

I don’t have time to go through the other files. It’s been fifteen or twenty minutes and I have to get down to Jennifer before she finds me in the study rather than lying down taking care of my ‘migraine’. Before I head downstairs, I scan through the calendar on the desk.

 

Chapter 3 – Discovery

The kitchen is a large, bright room that seems to have been recently upgraded. A sliding door opens onto a patio overlooking the backyard. I can see Jennifer sitting at a table that’s been set up for lunch. She seems to be waiting impatiently.

“Hey there,” I start.

She looks unsettled and asks quickly, “How are you feeling? Did you take your Maxalt?”

“Yes, I feel a little better.”

As she straightens up in her chair she asks angrily, “Why the hell did you ask me if that was Jessie on the phone?”

“I don’t know. It just came out. It must be the migraine.”

She shakes her head slowly, rolling her eyes “What did you mean this morning?”

Not knowing what to say, I probe, “Uh, this morning?”

She squints her eyes. “About your plans for next weekend?”

I quickly think about next weekend’s dates from the calendar on the desk that I scanned and an image comes into memory. There’s an entry that says “Palm Beach” next Friday, June 17. There’s another entry that says “Back from PB” on the following Monday. I don’t know anything more.

“You mean the trip to Palm Beach?”

“Yes!” she blasts with her eyes boring into me.

 

I touched a nerve. She is clearly unhappy about this trip. I take a chance.

 

“Do you want me to stay home?”

“Yes, of course I do. You know that!”

With nothing to lose that I know of, I reply, “Okay, I’ll cancel my reservation.”

She seems bewildered. “What? You’d cancel your trip with Vince and Gary just because I asked you?”

“Absolutely. I didn’t think my trip would have such an impact on you. I’m not going to go if it makes you feel like this. Consider it cancelled.”

She looks at me with a confused expression. She’s silent. I can see her cheeks start to flush. I can sense her skin radiating warm energy. The hairs on her arms are standing on end. She’s unsure of my response, yet her body position, eye movements, and energy level suggest that her anger is being replaced with warmth.

She moves her fork randomly through the salad that is before her. She seems to be thinking of what to say. A few moments pass. She breaks the silence.

“I’m sorry that I screamed at you in the car. I just can’t hear her name without reacting.”

I stay quiet.

“What’s gotten into you?” she asks with a sly smile. “Why are you being so damn nice?”

“Um, I’m not sure. The migraine?”

Jennifer responds with a cute wrinkle of her nose and a smile. Her mood has lifted. She seems less burdened. She finishes her lunch and asks if I want to go to the mall with her. I tell her that I had enough shopping at the market this morning and that I’d like to try to rest.

As she leaves, she touches my hand, smiles, and kisses my cheek.

I hear the Mercedes start up and begin to leave, and then the car engine stops. I hear the car door open and shut, and see Jennifer walking back through the kitchen to the patio. She hands me my iPhone. “You left it in the car.”

She waves as she turns around and heads back to the car. I watch her walk back through the kitchen and wonder how our relationship will unfold. What’s the nature of their grief that I felt in Quincy market? How will I help?

As I hear the engine restart and the car drive away, I turn off the iPhone. I wouldn’t know what to say if it rang.

 

 

***

 

My overall objective, as always, is to bring calm and peace—what I like to call balance—to my host and his or her family. I will try to understand the nature of the grief that I felt within Jeremy and Jennifer at the market, and then try to help the family through whatever difficult time they are facing.

When I leave, Jeremy will not know that during my visit, I took control and made decisions that may have changed his life forever. He will remember everything that happens while I am here as if he was present and in control, even though he was not. Although he was absent, he will not remember his absence and he will not be aware of my presence.

While I am managing his life, Jeremy will be in a suspended state until I gradually pull him back. As he returns, he will take control and I will fade into the background of his mind, watching until I leave. I will still have an influence on his behavior, as I did this morning with Damian when he decided to go to Quincy Market to satisfy my need to jump.

There will be one aspect of this extraordinary experience that he will also remember: he will know that something special happened during the time that I was visiting. He will remember having clarity of thought, a rush of creativity and insight that he had never experienced before and does not have on his return. He will look back at this time as being very special and life changing, but not know why. It will seem like a dreamlike memory to him, yet he will not feel comfortable discussing it with anyone—unless I contact him in the future.

 

 

***

 

I run upstairs to continue the scanning process. I begin to consume all of the information in Jeremy’s file cabinet. I go over everything: financial statements, cancelled checks, credit card charges, bank files, bills, invoices, warranties, insurance documents, birthday cards, letters, work files…everything. I finish scanning the three remaining drawers in about thirty minutes and begin my meditation for another thirty. I test out another clue to complete the process.

I sit down at the computer to continue my search. I open up the MacBook, and a screen lock appears. A password is needed to get into Jeremy’s computer. From the memories of my scans, I quickly retrieve anything related to the computer in that file cabinet. I recall a computer security file; there’s a list of phone numbers, memberships, account names, and what appear to be passwords.

I try the first password to unlock the computer. It’s a combination of letters from Jeremy’s immediate family, “jessjensan”— that must be it. Most people create passwords using embedded loved ones names, birthdays, and even their home addresses. I get lucky. As soon as I type in the password, the home screen jumps to life.

I scan the Mac and look through all of Jeremy’s e-mails in the inbox and sent box, as well as deleted files. I review his address book and calendar, and go over files that are easily available. Later, when I have time, I will run a program that will search for any hidden or locked files. I learned that particular technique when I was visiting Daniel Sloan, a computer scientist who works at an IBM research center in Westchester County, just north of New York City.

It’s now around five and I’ve finished scanning everything in the office, the filing cabinet, much of the Mac, and the iPhone. I still have to get into the safe and visit the other rooms on the main floor. Then, of course, there’s the basement, where I’m sure there will be many more clues to uncover.

I expect Jennifer to arrive home soon. Seeing as I don’t have much more time to search, I decide to sit back in the leather office chair to actively think about what I just processed in order to move as many of these scans into my active memory.

I first think about Jessie. What was that feeling about that I had in her room, and why did her name spark such a negative reaction from Jennifer?

Within a minute, I know. I feel a surge of anxiety and panic emanating from Jeremy’s soul. My head is spinning and I begin to feel sick for the first time as Jeremy.

 Continued….

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It’s the morning after her cousin’s bachelorette party in Vegas and Megan Scott wakes up with the mother of all hangovers. Even worse, she’s in a stranger’s penthouse having woken up with something else as well—a funny, arrogant, sexy…husband! Up until now, finding even a boyfriend had seemed impossible—been there, got the broken heart, sworn off men for good. Then a few martinis with Carter…no, Connor Reed and she’s gone from first meet to marriage in one night! Megan wants a lawyer. But Connor’s shocking bombshell. “I don’t want a divorce.”

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Raffaello (Rafe) Palazzo takes what he wants with no regrets. Arianna (Ari) Lynn Harlow has led a charmed life until tragedy strikes her family. He’s looking for a no-emotions attached mistress, she’s looking for redemption.

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4.1 stars – 105 Reviews
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Seth is a young man torn by fear and indecision. His life no longer in his hands, he fears an uncertain future where the only certainty is a life of servitude to the kingdom. Fortunately for Seth, he is not alone. His brother Garret too attends the choosing ceremony where their fates will be decided. Together the twins make their way to the castle city of Valdadore for the choosing ceremony but along the way Seth notices a strange new trend in his life. Time after time strange circumstances befall him in what others might call a coincidence, but Seth knows something else is amiss and begins mentally cataloging each new and strange event.

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“Tasty enough to tempt you into wanting…more” – The New York Times

The once-glorious mansion needs repair, but everything about it – the chestnut moldings, the soaring foyer, the grand staircase and twenty-two rooms-filled Carol Roblins with hope from the moment she saw it. Maybe a fresh start would improve the relationship with Blake and their learning-disabled son, Sammy, giving their crumbling marriage one last chance. But before they can resolve their tensions, Blake leaves for a military assignment in Europe. Alone with Sammy in their new home, Carol delves into her restoration, fired by a dream of opening a bed and breakfast. As she recovers long lost blueprints and researches the mansion’s history, she learns it was once home to a storybook couple and a shocking murder.

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From Kirkus Reviews

In love with the decaying Kennedy mansion in backwoods Fayette, Pennsylvania, Carol Roblins talks her husband into her scheme to buy and restore it. But that’s the last thing she does talk him into, since he’s promptly posted overseas and tells her they both need room to think about their marriage. So Carol and her son Sammy, who’s slowed by Attention Deficit Disorder, set about transforming the mansion into a bed and breakfast called the Christmas Inn. She isn’t daunted by the news that the original Kennedys both died violently on Christmas Eve, 1928, only a year after their romantic wedding, so that even the name she’s chosen for the inn sends chills down the spines of locals with long memories–like Lyle Quinn, the ga-ga son of Charles Kennedy’s banking partner, and historical society stalwart Esther McPherson, who has her own reasons for wanting to stifle Carol’s plans. And when reinforcements arrive–a hunky contractor who slides into spending night after night on the living-room sofa and an even hunkier TV star whose idea of a joke is to tell an on-camera interviewer that he and Carol have solved the Kennedy mystery and will be turning the story into a Movie of the Week- -you can be sure that modern-day trouble will follow. Broadway director Foglia and Washington Post columnist Richards team up for serviceable neo-Gothic shivers, though you have to survive an awful lot of foreboding, toothless flashbacks to get to the payoff. — Copyright ©1997, Kirkus Associates, LP. All rights reserved.

Reviews

“… the literary equivalent of Mom’s tuna noodle casserole: not elevated, not new, but just tasty enough to tempt you into wanting a bit more.” — The New York Times Book Review, Malachy Duffy

“Entertaining . . . two stories skillfully woven together. One is an old fashioned whodunit and the other is a contemporary suspense story. . . .Resist the urge to peep at the last few pages. Anticipation is half the fun of this mystery.”-  Florida Times Union (Jacksonville)

More About the Author

LEONARD FOGLIA is a theater and opera director as well as librettist. His work has been seen on Broadway, across the country, as well as internationally.

He directed the original Broadway productions of MASTER CLASS, THURGOOD and THE PEOPLE IN THE PICTURE as well as the revivals of WAIT UNTIL DARK and ON GOLDEN POND.

Off Broadway he directed Anna Deavere Smith’s LET ME DOWN EASY as well as the national tour and ONE TOUCH OF VENUS at Encores!

His opera credits include the premiers of three operas by Jake Heggie – MOBY DICK (Dallas Opera), THREE DECEMBERS and THE END OF THE AFFAIR (both Houston grand Opera). His production of Heggie’s DEAD MAN WALKING has been seen across the country.

As a librettist his opera CRUZAR LA CARA DE LA LUNA (To Cross the Face of the Moon) with music by Pepe Martinez had it’s premier at Houston Grand Opera in 2010 and was performed at the Théâtre du Châtelet in Paris in the fall of 2011.

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Here’s the set-up:

Seth is a young man torn by fear and indecision. His life no longer in his own hands, he fears an uncertain future where the only certainty is a life of servitude to the kingdom. Fortunately he is not alone. His twin brother Garret also attends the choosing ceremony where their fates will be decided.

Together they make their way to the castle city of Valdadore for the choosing ceremony but along the way Seth notices a strange new trend in his life. Time after time strange circumstances befall him in what others might call a coincidence, but Seth knows something else is amiss and begins mentally cataloging each new and strange event.

Learning his past is all a lie, Seth begins to fear more for his future as a dark goddess vies for his service to her cause. Seth’s loyalties and responsibilities begin to stack up as he makes friends and allies and even falls in love, but with the choosing ceremony growing ever nearer will he be forced to flee the kingdom into a life of exile, or choose to serve the goddess who swears that only through her will he find peace?

5-Star Reviews From Amazon Readers

Akin to Hunger Games…Great Read!
“…full of action, danger, intrigue and even romance too…characters are fun, adventurous and despite the unknown ahead, have forged a friendship that is worthy of envy…. I felt my heart racing, my stomach lurching and my heart swooning throughout the entire book. To me, that is an EXCELLENT read!”

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About The Author

Visit Jeremy Laszlo’s Amazon Author Page

Want to really get to know me? Come Visit me on the Blood and Brotherhood Facebook fanpage here http://www.facebook.com/bloodandbrotherhood.

First and foremost I am a father and a husband. I work full time as a civilian employed by the US army, and have also been known as a welder, electrician, carpenter, roofer, writer, painter, CNC machinist, and amongst many other things a romantic. I also belong to the eternal fraternal brotherhood of the United States Marine Corps, having served 8 years that showed me a much broader perspective of the world at large serving in Operation Iraqi Freedom, Operation Enduring Freedom, The war on Terrorism, and the humanitarian effort in Liberia.

I currently live in southern Louisiana with my wife and children, though I grew up in Michigan, graduating high school in Mason MI. I also spent time living in North Carolina, Florida, and California during my time in the United States Marine Corps. I have always dreamed of publishing my work, and seeing it on a bookshelf in a store, however with the huge shift to digital media I finally realized that the dream was in my own hands. I tell my children that they can live their dreams, and I believe in leading by example.

I enjoy writing across several different genres from poetry, to children’s stories, to full epic fantasies. Creating new characters for my readers to connect with, new worlds for them to immerse themselves in, and new ideas to wrap their minds around is an amazing if not humbling experience. I hope that all my readers can take something away from each of my books, and enjoy reading them just as much as I have enjoyed putting them in print.

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4.1 stars – 43 Reviews
Text-to-Speech and Lending: Enabled
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Can We Ever Escape The Past That Made Us? 
*
He is still the picture I have held in my had but blurred at the edges, like a photograph out of focus. His hair is gone, his long, black, beautiful hair. It used to flow down his back, soft and shiny as night-water. Thinning and greying now: any man’s hair. And he wears a suit, any man’s clothes. I look for what I used to know.
*
When Jo Devereux returns to Ireland after an absence of 20 years, the last person she expects to meet at her mother’s funeral is Rory O’Donovan. The unexplained conflict between his family and hers was the one constant of Jo’s childhood and caused their painful breakup.
Now she’s back in Mucknamore, the Irish village where they both grew up, he’s urging her to stay on and she’s tempted. Because of him? Because her mother no longer lives? Because her life in San Francisco is such a mess? Or because, being a writer, she always swore she’d write a book about it all.
So Jo settles into a shed near the beach and embarks on a literary quest,  uncovering astonishing truths about her mother and grandmother, about women’s role in the conflict that became known as “The War of The Brothers”, and about a killing with consequences that have ricocheted through the generations — leading ultimately to the revolt that made her leave home.
But now she’s back and Rory, mired in an unhappy marriage, is urging her to rebel again but reading her family history has made Jo cautious.
“Rebellion has an energy that sweeps people up,” she tells him, “but what happens after the rising?” That’s the question she must answer if her exhumation of the past is to redeem her future.
*
AFTER THE RISING was Orna Ross’s debut novel, published (together with its sequel BEFORE THE FALL) as Lovers’ Hollow by Penguin in 2006.
Universally acclaimed and an instant bestseller, it has now been reissued by the author.
Enjoy this compelling story of love, loss and redemption, written with a lyrical Irish lilt.


Reviews

SUNDAY INDEPENDENT: One is immersed in this epic story immediately and effortlessly… The main characters are so well-drawn that you feel you have heard about them in your own life. The novel’s strength is that it puts culpable, fragile flesh and blood – lots of blood – on a defining moment in Irish history… Of particular delight are the many unexpected twists and turns. Orna Ross has written a highly ambitious, engaging and evocative novel and a hauntingly captivating read.

IRISH INDEPENDENT: This debut novel from Orna Ross, the sort of massive book you could happily curl up with for the entire winter [is] an impressive canvas… It explores the influence of our families on who we later become, in literary, lyrical language, while still being a captivating read.

EVENING HERALD: The writer is tackling a central theme – and one that’s been sleeping quietly since the Irish State’s foundation. The story-within-a-story – desire, hatred, love and a killing in the Civil War – is loosely based on a Wexford murder of the time and … is a gripping tale… Interweaving past and present and making them strike fire off each other… [the writer] has made brilliant use of original sources, including local historians in Wexford, adding the icing on the cake.

AMAZON.COM: “Orna Ross has written a masterpiece and in this age of exaggeration and hyperbole I hope I can convey just how exceptional is her book.”
 

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